15 Best USB Audio Interfaces for Podcasters in 2027

The best USB audio interface for most podcasters is the Universal Audio Volt 2, which offers a strong balance of two-person recording, practical controls, and room to grow. For a simpler solo setup, the Focusrite Scarlett Solo 3rd Gen is a more focused choice, while the Zoom AMS-24 stands out for mobile recording and loopback. The main tradeoffs are how many people you need to record, whether you need phone-friendly connections or loopback, and how much control you want over monitoring. Lower-cost models can cover basic recording, but may offer less flexibility or clearer setup information. Read on for the full breakdown of all 15 interfaces and the buyer details that separate them.

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Key Takeaways

• The Volt 2 is the strongest all-round fit for two-person podcasting among the named models, while the Scarlett Solo is better matched to a single host with one microphone.
• The Zoom AMS-24 has a distinct mobile and loopback role; its 2-in, 4-out layout suits creators who need routing flexibility beyond a basic desk setup.
• The M-Track Solo and M-Track Duo serve different needs: the Solo keeps a one-person rig simple, while the Duo gives two inputs for co-hosts or guest recording.
• Several listings repeat the Kmise 48V interface under near-identical names, so buyers should compare the exact included connections and controls rather than assume each listing represents a different capability.
• Feature-heavy budget descriptions do not automatically mean a better podcast workflow; clear input counts, dependable monitoring, and a compatible connection matter more than headline sample-rate claims.

Our Top USB Audio Interfaces For Podcasters Picks

Kmise USB Audio Interface with 48V Phantom Power		Best Compact High-Resolution Pick	Connectivity: USB Type-C	Channels: 2	Recording resolution: 24-bit/192 kHz	VIEW LATEST PRICE	See Our Full Breakdown
USB Audio Interface with 48V Phantom Power, XLR/TRS Inputs, USB-C Recording Interface with Direct Monitor & Echo Control, 48kHz for PC, Mac, iOS, Guitar, Mic, Podcast		Best for Streamers Who Want Echo Effects	Connectivity: USB	Channels: 4	Inputs: Dual XLR/TRS combo inputs	VIEW LATEST PRICE	See Our Full Breakdown
Kmise USB Audio Interface with 48V Phantom Power		Best for a Basic Mic-and-Instrument Setup	Connectivity: USB 3.0 Type-A	Channels: 2	Recording resolution: 24-bit/192 kHz	VIEW LATEST PRICE	See Our Full Breakdown
M-Audio M-Track Solo USB Audio Interface		Best for Beginners	Audio resolution: 48 kHz	Inputs: 1 combo XLR/line and 1 line/instrument	Outputs: Stereo RCA and 1/8-inch headphone	VIEW LATEST PRICE	See Our Full Breakdown
Focusrite Scarlett Solo 3rd Gen USB-C Audio Interface		Best Premium Solo-Host Pick	Connectivity: USB	Channels: 2	Maximum sample rate: 192 kHz	VIEW LATEST PRICE	See Our Full Breakdown
Synido USB C Audio Interface for Recording Music, Streaming, Podcasting, Silver		Best for Simple, Portable Podcasting	Maximum sample rate: 48 kHz	Audio resolution: 24-bit	Channels: 2	VIEW LATEST PRICE	See Our Full Breakdown
MAONO P2 Hybrid USB Audio Interface with Dual XLR Inputs		Best for Hybrid Mobile and Computer Recording	Channels: 2	Maximum sample rate: 192 kHz	Microphone gain: 56 dB	VIEW LATEST PRICE	See Our Full Breakdown
Zoom AMS-24 USB Audio Interface for Musicians & Podcasters		Best for Streaming and Flexible Output Routing	Inputs: 2	Outputs: 4	Maximum sample rate: 48 kHz	VIEW LATEST PRICE	See Our Full Breakdown
COOLSELL Portable USB-C Audio Interface, 24-bit/192 kHz		Best Compact Option for Instrument-Led Podcasts	Channels: 2	Audio resolution: 24-bit/192 kHz	Signal-to-noise ratio: ≥95 dB	VIEW LATEST PRICE	See Our Full Breakdown
XTUGA Q-12 USB Audio Interface for PC		Best for a Basic PC Podcast Setup	Channels: 2	Maximum sample rate: 48 kHz	Audio resolution: 16-bit	VIEW LATEST PRICE	See Our Full Breakdown
BOMGE 22M 2-Channel USB Audio Interface		Best for Simple Two-Mic Setups	Channels: 2 in / 2 out	Inputs: 2 combo XLR/mic/line	Phantom power: +48V	VIEW LATEST PRICE	See Our Full Breakdown
Universal Audio Volt 2 USB Audio Interface		Best for Polished Voice Recording	Inputs/outputs: 2-in/2-out	Maximum sample rate: 192 kHz	Bit depth: Up to 24-bit	VIEW LATEST PRICE	See Our Full Breakdown
Kmise USB Audio Interface with 48V Phantom Power for Recording, Studio Quality Sound, Compatible with Guitarists, Vocalists, Podcasters		Best for Beginners Seeking High-Resolution Specs	Audio input: USB	Maximum sample rate: 192 kHz	Recording resolution: 24-bit	VIEW LATEST PRICE	See Our Full Breakdown
M-Audio M-Track Duo USB Audio Interface		Best Value for a Straightforward Podcast Rig	Inputs: 2 combo XLR/line/instrument	Audio resolution: 48 kHz	Preamps: Crystal preamps with phantom power	VIEW LATEST PRICE	See Our Full Breakdown
MAONO PS22 Lite USB Audio Interface for Guitar, Vocals, and Streaming		Best for Streaming and Loopback	Channels: 2	Maximum sample rate: 192 kHz	Recording resolution: 24-bit	VIEW LATEST PRICE	See Our Full Breakdown

More Details on Our Top Picks

1. Kmise USB Audio Interface with 48V Phantom Power

   

   Best Compact High-Resolution Pick

   View Latest Price

   For a podcaster recording solo or with one guest, this two-channel USB-C interface provides room for a microphone and an instrument without taking up much desk space. Its listed 24-bit/192 kHz recording and 48V phantom power cover common home-studio needs, while low-latency monitoring lets speakers hear their input as they record. Compared with the M-Audio M-Track Solo, the Kmise offers a higher stated recording resolution and USB-C connectivity, while the M-Audio lists included software and a more specific one-mic-plus-instrument input layout. The tradeoff is limited documentation in the supplied details and a half-year warranty, which gives less coverage than the M-Track Solo. I’d pick this for a compact setup, not for a podcast that needs several microphones or a clearly documented support package.

   Pros:

   • USB-C connection in a compact design
   • 48V phantom power for compatible condenser microphones
   • Microphone and instrument inputs with headphone and speaker outputs
   • Low-latency monitoring for recording

   Cons:

   • Two-channel setup limits multi-microphone recordings
   • Half-year warranty is shorter than the Scarlett Solo’s stated three-year warranty
   • Supplied details do not identify included recording software

   Best for: Solo podcasters and two-person shows that need a compact USB-C interface with phantom power for a condenser mic.

   Not ideal for: Four-or-more-person panels or buyers who want a longer stated warranty and detailed software bundle information.

   • Connectivity:USB Type-C
   • Channels:2
   • Recording resolution:24-bit/192 kHz
   • Phantom power:48V
   • Inputs:Microphone and instrument
   • Outputs:Headphone and speaker
   • Compatible devices:Guitar, laptop, personal computer, smartphone, tablet
   • Warranty:Half year
   Our verdict

   “Choose this Kmise for a compact one- or two-source podcast setup where USB-C and high stated recording resolution matter more than a longer warranty.”

   → See it on Amazon →

2. USB Audio Interface with 48V Phantom Power, XLR/TRS Inputs, USB-C Recording Interface with Direct Monitor & Echo Control, 48kHz for PC, Mac, iOS, Guitar, Mic, Podcast

   

   Best for Streamers Who Want Echo Effects

   View Latest Price

   This model suits podcasters who also stream and want onboard echo control alongside two XLR/TRS combo inputs. Those inputs can accommodate microphones, instruments, or line-level sources, giving a small creator setup more flexibility than the M-Audio M-Track Solo, whose listed inputs are one combo XLR/line and one line/instrument. Its direct monitoring can help keep voice monitoring responsive, and compatibility spans PC, Mac, and iOS. The ceiling is a listed 48 kHz sample rate, well below the 192 kHz figures claimed for the Scarlett Solo and the first Kmise. Echo effects may be useful for live content, but they are not a substitute for clean spoken-word capture. I’d also weigh the short three-month warranty and the absence of included software or detailed setup instructions.

   Pros:

   • Two XLR/TRS combo inputs accept microphones and other audio sources
   • 48V phantom power supports compatible condenser microphones
   • Direct monitoring for responsive input listening
   • Compatibility listed for PC, macOS, and iOS

   Cons:

   • Three-month warranty is short compared with the Scarlett Solo’s stated three years
   • Listed maximum sample rate is 48 kHz
   • No included software or detailed setup instructions are specified

   Best for: Streamers and podcasters who want two combo inputs, direct monitoring, and an adjustable echo effect in a multi-device setup.

   Not ideal for: Buyers prioritizing a longer warranty, bundled recording software, or a clearly documented high-resolution recording specification.

   • Connectivity:USB
   • Channels:4
   • Inputs:Dual XLR/TRS combo inputs
   • Audio input types:XLR, USB
   • Maximum sample rate:48 kHz
   • Phantom power:48V
   • Monitoring and effects:Direct monitoring and adjustable echo
   • Compatible operating systems:PC, iOS, macOS
   • Warranty:3 months
   Our verdict

   “Pick this interface for a creator setup that can use its echo control and dual combo inputs, but skip it if warranty coverage or high-resolution specs lead your priorities.”

   → See it on Amazon →

3. Kmise USB Audio Interface with 48V Phantom Power

   

   Best for a Basic Mic-and-Instrument Setup

   View Latest Price

   This Kmise is a straightforward option for recording a host’s voice and an instrument, with two channels, microphone and instrument inputs, and headphone and speaker outputs. It also supplies 48V phantom power and low-latency monitoring, so the essentials for a simple home podcast or voice-and-guitar session are present. Compared with the USB-C Kmise B0H3VB9KP4, this version lists USB 3.0 Type-A rather than USB-C, which may suit a computer with that port but can require an adapter for newer devices. Its specifications also contain a meaningful inconsistency: recording resolution is stated as 24-bit/192 kHz, while maximum sample rate is listed as 48 kHz. That ambiguity makes it harder to choose on resolution alone, and the six-month warranty is modest.

   Pros:

   • Two-channel recording with microphone and instrument inputs
   • 48V phantom power for compatible condenser microphones
   • Low-latency monitoring and headphone output
   • Includes speaker output for connecting monitors

   Cons:

   • Specifications conflict: resolution lists 192 kHz while maximum sample rate lists 48 kHz
   • USB Type-A may require an adapter for some newer devices
   • Six-month warranty is shorter than the Scarlett Solo’s stated three years

   Best for: Podcasters recording one microphone alongside a guitar or other instrument on a computer with USB Type-A.

   Not ideal for: Buyers who need USB-C out of the box, dependable clarity on supported sample rates, or multiple microphone inputs.

   • Connectivity:USB 3.0 Type-A
   • Channels:2
   • Recording resolution:24-bit/192 kHz
   • Maximum sample rate:48 kHz
   • Phantom power:48V
   • Inputs:Microphone and instrument
   • Dimensions:3.5 × 6.5 × 1.5 in
   • Weight:1.5 lb
   • Warranty:Half year
   Our verdict

   “Choose this Kmise for a simple USB-A mic-and-instrument rig, but favor the USB-C Kmise if connection type and clearer listed resolution matter more.”

   → See it on Amazon →

4. M-Audio M-Track Solo USB Audio Interface

   

   Best for Beginners

   View Latest Price

   The M-Track Solo makes a clear case for a first podcast setup: it pairs one combo XLR/line input with a separate line/instrument input, so a host can connect a mic and keep an instrument available without adding a mixer. Its direct/USB monitoring switch supports zero-latency input monitoring, and the package lists MPC Beats and ProTools First | M-Audio Edition, giving new users software to get started. Compared with the Focusrite Scarlett Solo, it offers a similar one-mic-plus-instrument arrangement but is specified at 48 kHz rather than up to 24-bit/192 kHz. That is ample for many spoken-word workflows, but less suited to buyers seeking higher stated recording resolution. It is also limited to one microphone preamp, so a two-host show with separate mics needs another interface or a mixer.

   Pros:

   • Combo XLR/line input plus a separate line/instrument input
   • Direct/USB switch for zero-latency monitoring
   • USB-powered portable design
   • MPC Beats and ProTools First | M-Audio Edition are listed as included software

   Cons:

   • Only one microphone preamp for podcast recording
   • Listed audio resolution is 48 kHz
   • Stereo RCA outputs may not suit every monitor or speaker setup

   Best for: First-time solo podcasters who want one microphone input, a separate instrument input, and listed starter recording software.

   Not ideal for: Two-host shows that need separate mic preamps, or creators seeking 24-bit/192 kHz recording specifications.

   • Audio resolution:48 kHz
   • Inputs:1 combo XLR/line and 1 line/instrument
   • Outputs:Stereo RCA and 1/8-inch headphone
   • Monitoring:Zero-latency direct/USB switch
   • Power:USB powered
   • Compatibility:Windows 7–10, Mac OS High Sierra to Big Sur, iOS
   • Included software:MPC Beats and ProTools First | M-Audio Edition
   Our verdict

   “Pick the M-Track Solo for a beginner-friendly single-mic setup with an instrument input and starter software, not for multi-mic interviews.”

   → See it on Amazon →

5. Focusrite Scarlett Solo 3rd Gen USB-C Audio Interface

   

   Best Premium Solo-Host Pick

   View Latest Price

   For a solo host who wants a polished recording chain rather than multiple mic inputs, the Scarlett Solo combines a mic preamp, switchable Air mode, and gain indicators that help keep levels in check while recording. Its stated ceiling of 24-bit/192 kHz, balanced audio outputs, and headphone listening make it a more fully specified choice than the M-Track Solo, which lists 48 kHz resolution. The tradeoff is that the Scarlett still has only one microphone preamp; its two channels are a better fit for voice plus guitar or bass than for two hosts using separate mics. Included software and plugins add a starting point, though access requires purchase, registration, and download according to the supplied details. The listed three-year warranty is longer than the Kmise models’ half-year coverage, giving this pick a stronger support profile.

   Pros:

   • Records at up to 24-bit/192 kHz
   • Switchable Air mode can shape vocals and acoustic instruments
   • Gain indicators help monitor input levels
   • Three-year warranty and listed software bundle

   Cons:

   • Only one microphone preamp for separate mic sources
   • Software access requires purchase, registration, and download
   • Two channels are better suited to a mic-plus-instrument setup than a multi-host podcast

   Best for: Solo podcasters who want a single quality mic path, gain-level guidance, Air mode, and bundled recording tools.

   Not ideal for: Interview and panel hosts who need two or more microphone preamps, or buyers who want included software without registration and download steps.

   • Connectivity:USB
   • Channels:2
   • Maximum sample rate:192 kHz
   • Recording resolution:24-bit
   • Inputs:XLR and instrument
   • Outputs:Balanced audio outputs and headphone output
   • Frequency response:20 kHz
   • Compatible operating systems:Mac OS, Windows OS, iOS
   • Warranty:3 years
   Our verdict

   “Choose the Scarlett Solo for a well-equipped single-host recording setup; select an interface with more mic preamps for co-hosts or guest panels.”

   → See it on Amazon →

6. Synido USB C Audio Interface for Recording Music, Streaming, Podcasting, Silver

   

   Best for Simple, Portable Podcasting

   View Latest Price

   The Synido is a straightforward pick for a podcaster who needs one mic input at a time and wants a compact interface for a desk or travel kit. Its 24-bit/48 kHz recording is well matched to spoken-word work, while 48V phantom power supports condenser microphones. Three monitoring modes give you options for hearing your input, though the available description does not spell out how each mode behaves. Compared with the Zoom AMS-24, the Synido offers the same stated maximum sample rate but less output flexibility: Zoom lists four outputs and loopback, which better suits more involved streaming workflows. The Synido’s strengths are portability and a simple feature set; its two-channel limit and possible need for a third-party driver make it less appealing for multi-mic shows or plug-and-play DAW setups.

   Pros:

   • 24-bit/48 kHz recording suits clear spoken-word capture.
   • 48V phantom power supports condenser microphones.
   • Three monitoring modes offer flexible listening options.
   • Compact size and 0.41 kg weight suit portable recording.

   Cons:

   • Two-channel limit may not support a multi-microphone podcast.
   • A third-party driver may be needed for optimal DAW compatibility.
   • No built-in microphone or speakers are included.

   Best for: Solo podcasters who use one microphone, want phantom power, and record on a computer or mobile device.

   Not ideal for: Two-host shows needing multiple microphone inputs, or buyers who want a clearly documented driver-free DAW setup.

   • Maximum sample rate:48 kHz
   • Audio resolution:24-bit
   • Channels:2
   • Phantom power:48V
   • Connectivity:USB, AUX
   • Compatible devices:Computer, PC, laptop, Mac, MacBook Pro, iOS, iPhone, iPad, Android
   • Dimensions:4.53 × 5.51 × 1.77 in
   • Weight:0.41 kg
   Our verdict

   “Choose the Synido for portable, single-mic podcasting with phantom power, but pick the Zoom AMS-24 if loopback and extra outputs matter more.”

   → See it on Amazon →

7. MAONO P2 Hybrid USB Audio Interface with Dual XLR Inputs

   

   Best for Hybrid Mobile and Computer Recording

   View Latest Price

   The MAONO P2 suits creators who move between a phone, tablet, and computer but still want dual XLR inputs for a two-mic conversation. Its loopback, direct monitoring, and independent mute controls are especially useful for live podcasts: loopback can bring computer audio into a stream, while mute controls help manage interruptions. The stated 24-bit/192 kHz ceiling is far above what most spoken-word projects need, so I’d value its routing and device support more than the headline resolution. Compared with the Synido USB C Audio Interface, the P2 offers a clearer two-XLR podcast setup and more streaming controls, while the Synido is lighter and more compact. The P2’s listed frequency response specifies only 20 kHz, with no lower limit, and the product details do not state warranty terms.

   Pros:

   • Dual XLR inputs accommodate two microphones.
   • Loopback and direct monitoring support podcast streaming workflows.
   • Independent mute controls help manage live recording.
   • Works with computers and mobile devices across several operating systems.

   Cons:

   • The listed frequency response gives only a 20 kHz figure, without a lower limit.
   • Warranty details are not specified in the product information.
   • Its 0.5 kg weight and listed dimensions make it less compact than the Synido.

   Best for: Two-person podcast hosts and mobile creators who want dual XLR inputs, loopback, and mute controls across phone and computer setups.

   Not ideal for: Buyers seeking a very small travel interface or a fully specified frequency-response range and warranty information.

   • Channels:2
   • Maximum sample rate:192 kHz
   • Microphone gain:56 dB
   • EIN:-130 dB
   • Connectivity:USB
   • Housing:Aluminum alloy
   • Dimensions:6.42 × 8.27 × 3.23 in
   • Weight:0.5 kg
   Our verdict

   “Pick the MAONO P2 for two-mic mobile or computer podcasting with loopback and mute controls, rather than for the smallest travel setup.”

   → See it on Amazon →

8. Zoom AMS-24 USB Audio Interface for Musicians & Podcasters

   

   Best for Streaming and Flexible Output Routing

   View Latest Price

   The Zoom AMS-24 is the strongest fit here for podcasters who need more than a basic mic-to-computer connection. Its loopback and direct monitoring support streaming workflows, while four outputs give more routing options than the two-channel Synido or XTUGA Q-12. It is also bus-powered and listed as compatible with PC, Mac, iOS, and Android, which helps when recording away from a fixed desk. The main compromise is the 48 kHz maximum sample rate; the MAONO P2 and COOLSELL list higher ceilings, though that extra rate may matter less for ordinary speech than the Zoom’s routing. The supplied product details also list Mac under operating systems, despite broader device compatibility, and mention user connectivity issues, so I’d check the intended host setup before choosing it.

   Pros:

   • Loopback and direct monitoring support recording and streaming.
   • Four outputs provide more routing flexibility than the Synido and XTUGA Q-12.
   • Bus-powered design supports portable use.
   • Listed compatibility includes PC, Mac, iOS, and Android devices.

   Cons:

   • Maximum sample rate is 48 kHz.
   • Only two input channels are available for microphones or other sources.
   • Product information notes that some users experience connectivity issues.

   Best for: Podcasters who stream, route computer audio, or switch between a computer and mobile recording while needing multiple output options.

   Not ideal for: Audio creators who require a sample rate above 48 kHz or want product details that clearly document operating-system support for every compatible device.

   • Inputs:2
   • Outputs:4
   • Maximum sample rate:48 kHz
   • Connectivity:USB
   • Monitoring and routing:Loopback, direct monitoring
   • Power:Bus-powered
   • Compatible devices:PC, Mac, iOS, Android
   • Weight:280 g
   • Warranty:1 year, replacement
   Our verdict

   “Choose the Zoom AMS-24 when loopback and flexible outputs matter more than high sample-rate recording or extra mic inputs.”

   → See it on Amazon →

9. COOLSELL Portable USB-C Audio Interface, 24-bit/192 kHz

   

   Best Compact Option for Instrument-Led Podcasts

   View Latest Price

   At just 2.2 inches square, the COOLSELL is the smallest choice in this group and makes the most sense for a creator who wants to capture an instrument or line-level source alongside streaming from a phone, tablet, or computer. Separate input and output controls let you adjust levels without relying entirely on software, and its USB-C charging port allows charging while streaming. Its listed audio input is line-in, however, so it is not as clearly suited to direct XLR microphone recording as the dual-XLR MAONO P2. The 24-bit/192 kHz specification is generous for spoken-word content, but the listed frequency response gives only a 20 kHz figure. I’d treat this as a compact instrument and mobile-streaming tool rather than a full-featured podcast desk interface.

   Pros:

   • Very compact 2.2 × 2.2 × 0.6 in design.
   • Separate input and output volume controls provide quick level adjustments.
   • USB-C charging port supports charging while streaming.
   • Listed compatibility covers phones, tablets, and computers.

   Cons:

   • Listed audio input is line-in, not a documented XLR microphone input.
   • Only two channels are specified.
   • Frequency-response information lists 20 kHz without a lower limit.

   Best for: Mobile podcasters and musicians who need a tiny interface for line-level or instrument audio and want to charge while streaming.

   Not ideal for: Hosts who need direct XLR microphone connections, multiple mic inputs, or clearly documented frequency-response details.

   • Channels:2
   • Audio resolution:24-bit/192 kHz
   • Signal-to-noise ratio:≥95 dB
   • Audio input:Line in
   • Connectivity:AUX; USB-C charging port
   • Dimensions:2.2 × 2.2 × 0.6 in
   • Weight:5.6 oz
   • Warranty:Lifetime
   Our verdict

   “Choose the COOLSELL for a pocket-size, instrument-focused mobile setup, but choose the MAONO P2 for a more clearly equipped two-microphone podcast.”

   → See it on Amazon →

10. XTUGA Q-12 USB Audio Interface for PC

    

    Best for a Basic PC Podcast Setup

    View Latest Price

    The XTUGA Q-12 is a no-frills option for a beginner recording a podcast on a personal computer. It combines an XLR input and 3.5 mm microphone jack with phantom power, covering a basic range of microphone setups without the extra streaming controls found on the MAONO P2 or Zoom AMS-24. Its plug-and-play PC focus may appeal to someone who wants a simple home setup, but the listed resolution is 16-bit/48 kHz rather than the Synido’s 24-bit/48 kHz. That is a more modest specification, and the product information also flags reports of latency issues. Two channels limit its usefulness for a growing two-host show, while the basic control set offers fewer ways to manage a live podcast. I’d choose it for a simple computer-based start, not a flexible streaming rig.

    Pros:

    • XLR and 3.5 mm microphone inputs cover basic recording setups.
    • Phantom power supports condenser microphones.
    • Plug-and-play design is aimed at PC use.
    • Listed support includes Audacity, Ableton Live, FL Studio, and Pro Tools.

    Cons:

    • 16-bit/48 kHz resolution is more modest than the Synido’s 24-bit/48 kHz specification.
    • Two-channel capacity limits multi-microphone podcasting.
    • Product information reports that some users experience latency issues.

    Best for: New PC-based podcasters using a basic microphone setup who want XLR and 3.5 mm input options with phantom power.

    Not ideal for: Mac or mobile podcasters, multi-mic shows, and streamers who need loopback, advanced routing, or clearly reliable low-latency performance.

    • Channels:2
    • Maximum sample rate:48 kHz
    • Audio resolution:16-bit
    • Audio inputs:XLR, 3.5 mm microphone jack
    • Phantom power:Supported
    • Connectivity:USB
    • Compatible device:Personal computer
    • Dimensions:5.98 × 4.92 × 1.97 in
    • Warranty:One year
    Our verdict

    “Pick the XTUGA Q-12 for a basic PC podcast setup with flexible mic jack options, but move up to the Zoom AMS-24 for streaming controls and routing.”

    → See it on Amazon →

11. BOMGE 22M 2-Channel USB Audio Interface

    

    Best for Simple Two-Mic Setups

    View Latest Price

    The BOMGE 22M suits a podcaster who needs to connect two microphones or mixed mic-and-instrument sources without extra routing features. Its two combo inputs accept XLR, mic, or line-level connections, and 48V phantom power supports compatible condenser mics. Direct monitoring lets speakers hear their inputs without relying on the computer’s processing, which helps keep monitoring delay out of a conversation. Compared with the MAONO PS22 Lite, the BOMGE has fewer stated recording and routing features, but its RCA and 1/4-inch stereo outputs offer straightforward ways to connect speakers. The tradeoff is a 48 kHz maximum sample rate and dated listed operating-system compatibility, including Windows XP or later. I’d pick it for a basic desktop recording rig, not a setup that needs loopback or room to grow beyond two inputs.

    Pros:

    • Two combo inputs accept microphones, instruments, and line-level sources
    • 48V phantom power supports compatible condenser microphones
    • Direct monitoring avoids computer-dependent monitoring delay
    • RCA and 1/4-inch stereo outputs support different speaker connections

    Cons:

    • Two input channels limit larger guest or multi-microphone sessions
    • Maximum sample rate is 48 kHz
    • Listed operating-system compatibility is dated

    Best for: Podcasters recording two local sources on a simple Mac or Windows desktop setup who want direct monitoring and familiar speaker connections.

    Not ideal for: Creators who need loopback routing, higher sample-rate recording, more than two inputs, or confidence in current operating-system support.

    • Channels:2 in / 2 out
    • Inputs:2 combo XLR/mic/line
    • Phantom power:+48V
    • Maximum sample rate:48 kHz
    • Outputs:RCA stereo, 1/4-inch stereo, 1/4-inch headphone
    • Connectivity:USB
    • Supported operating systems:Mac OS X, Windows XP or later
    • Weight:0.32 kg
    Our verdict

    “Choose the BOMGE 22M for a straightforward two-source podcast setup; choose the MAONO PS22 Lite if you need higher-resolution recording and routing features.”

    → See it on Amazon →

12. Universal Audio Volt 2 USB Audio Interface

    

    Best for Polished Voice Recording

    View Latest Price

    The Volt 2 is the strongest fit here for podcasters who want a portable two-input interface with a more developed recording ecosystem. Its Vintage Mic Preamp mode is inspired by UA’s 610 preamp, offering an optional tonal character, while recording up to 24-bit/192 kHz leaves plenty of headroom for editing. The included LUNA access and software bundle give a new host more tools than the BOMGE 22M, whose listed software and 48 kHz ceiling are more basic. The Volt 2 also works with computers and mobile devices, though iPhone and some iPad connections need extra adapters and power. It still has only two inputs, so it won’t solve a multi-guest tabletop setup. I’d choose it over the M-Track Duo when recording flexibility and the preamp mode matter more than a simple, budget-minded feature set.

    Pros:

    • Records up to 24-bit/192 kHz
    • Vintage Mic Preamp mode offers an optional UA 610-inspired sound
    • Works with Mac, Windows, iPad, and iPhone
    • Includes access to LUNA and a recording software suite

    Cons:

    • Two inputs restrict larger panel recordings
    • Some iPhone and iPad setups require separate power and an Apple adapter

    Best for: Solo hosts or two-person interviewers who want a portable interface, high-resolution recording, optional preamp coloration, and bundled production software.

    Not ideal for: Podcasters who need several simultaneous microphone inputs or want a mobile setup without extra power and adapter requirements.

    • Inputs/outputs:2-in/2-out
    • Maximum sample rate:192 kHz
    • Bit depth:Up to 24-bit
    • Vintage preamp mode:Inspired by UA 610 tube preamp
    • Connectivity:USB
    • Compatible devices:Mac, Windows PC, iPad, iPhone
    • Dimensions:5.12 × 6.85 × 2.09 in
    • Weight:650 g
    Our verdict

    “Pick the Volt 2 if recording polish and software flexibility matter more than extra inputs or the M-Track Duo’s simpler setup.”

    → See it on Amazon →

13. Kmise USB Audio Interface with 48V Phantom Power for Recording, Studio Quality Sound, Compatible with Guitarists, Vocalists, Podcasters

    

    Best for Beginners Seeking High-Resolution Specs

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    The Kmise presents a simple entry point for a beginner who wants 24-bit/192 kHz recording and 48V phantom power without a complex feature list. Its description also promises low-latency monitoring and connections for microphones, instruments, headphones, and speakers, making it relevant to a basic voice-and-instrument recording setup. Compared with the M-Audio M-Track Duo, the Kmise lists a higher maximum sample rate, while the M-Track Duo gives clearer detail about its two combo inputs, monitoring switch, and bundled software. That difference matters: the Kmise’s supplied specifications don’t state its channel count, exact connections, or output layout. The product data also notes reports of connectivity issues and gives little detail on build quality. I’d treat it as a feature-led option for a simple rig, rather than the safer choice for a show that depends on predictable connections.

    Pros:

    • Lists a maximum recording rate of 24-bit/192 kHz
    • 48V phantom power supports compatible condenser microphones
    • Low-latency monitoring is included in the product description
    • Described as plug-and-play across Mac, PC, and mobile devices

    Cons:

    • Product data does not specify channel count or detailed input and output connections
    • Build quality information is limited
    • Some users have reported connectivity issues

    Best for: New podcasters recording a basic mic or instrument setup who prioritize listed high-resolution recording and phantom power over detailed workflow controls.

    Not ideal for: Hosts who need clearly specified input counts, dependable connectivity information, or a well-documented interface for regular production sessions.

    • Audio input:USB
    • Maximum sample rate:192 kHz
    • Recording resolution:24-bit
    • Phantom power:48V
    • Monitoring:Low-latency monitoring
    • Supported platforms:Mac, PC, and mobile devices
    Our verdict

    “Consider the Kmise for a simple, high-resolution starter rig, but choose the better-documented M-Track Duo if connection details and defined controls are a priority.”

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14. M-Audio M-Track Duo USB Audio Interface

    

    Best Value for a Straightforward Podcast Rig

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    The M-Track Duo is a practical choice for podcasters who want two clearly specified combo inputs and a simple monitoring workflow. Its Crystal preamps and phantom power accommodate microphones, while the USB/Direct switch lets hosts monitor inputs without waiting for computer processing. That straightforward setup makes it easier to recommend than the Kmise interface, whose supplied product data leaves its channel count and connection layout unclear. The M-Track Duo also includes MPC Beats and Ableton Live Lite, although music-production software may matter less to a voice-first show than reliable input and monitoring controls. Its stated audio resolution is 48 kHz, below the Volt 2 and MAONO PS22 Lite, and the headphone output may need a 1/4-inch adapter. I’d choose it for a compact two-person setup, not a recording chain built around advanced routing or higher-resolution capture.

    Pros:

    • Two combo inputs accept XLR, line, and instrument sources
    • Crystal preamps and phantom power support microphone recording
    • USB/Direct switch enables zero-latency monitoring
    • USB-powered design and bundled MPC Beats software

    Cons:

    • Stated audio resolution is limited to 48 kHz
    • Headphone output may require a 1/4-inch adapter
    • iOS use requires an Apple Lightning to USB 3 Camera Adapter

    Best for: First-time podcasters or two-person hosts who want defined combo inputs, direct monitoring, and a USB-powered desktop interface.

    Not ideal for: Creators seeking 24-bit/192 kHz recording, advanced loopback routing, or a headphone connection that avoids adapters.

    • Inputs:2 combo XLR/line/instrument
    • Audio resolution:48 kHz
    • Preamps:Crystal preamps with phantom power
    • Outputs:Stereo 1/4-inch outputs and 1/4-inch headphone output
    • Monitoring:Zero-latency monitoring with USB/Direct switch
    • Power:USB-powered
    • Supported software:Ableton Live Lite, MPC Beats
    Our verdict

    “Choose the M-Track Duo for a clearly laid-out, two-input podcast setup; move to the MAONO PS22 Lite for higher-resolution capture and loopback routing.”

    → See it on Amazon →

15. MAONO PS22 Lite USB Audio Interface for Guitar, Vocals, and Streaming

    

    Best for Streaming and Loopback

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    The MAONO PS22 Lite is the most flexible fit here for podcasters who need to combine microphones, instruments, and computer audio. Its routing software provides virtual channels and loopbacks, useful for sending playback or other system audio into a stream without adding a separate mixer. It also lists 24-bit/192 kHz recording, up to 56 dB of mic gain, and 48V phantom power, giving it a broader stated feature set than the M-Track Duo, which emphasizes direct monitoring and simpler two-input recording. The PS22 Lite remains a two-channel interface, though, so loopback features don’t add physical mic inputs for extra guests. Its listed setup also calls for selecting the MAONO ASIO driver in compatible software, a step that may add friction for newcomers. I’d choose it for a stream-and-podcast desk; for a simpler recording workflow, the M-Track Duo is easier to parse.

    Pros:

    • Virtual channels and loopbacks support routing computer audio into streams
    • Records up to 24-bit/192 kHz
    • Up to 56 dB of preamp gain and 48V phantom power
    • Listed compatibility includes Android, ChromeOS, Windows, iOS, and macOS

    Cons:

    • Two channels limit simultaneous physical sources
    • Compatible software must use the MAONO ASIO driver for proper connection

    Best for: Streamers and podcasters who need to route computer audio alongside a microphone or instrument and want broad device compatibility.

    Not ideal for: Multi-guest shows needing more than two channels, or beginners who prefer software setup without selecting a specific ASIO driver.

    • Channels:2
    • Maximum sample rate:192 kHz
    • Recording resolution:24-bit
    • Microphone preamp gain:Up to 56 dB
    • Phantom power:48V
    • Dynamic range:106 dB
    • Connectivity:USB
    • Compatible operating systems:Android, ChromeOS, Windows, iOS, macOS
    Our verdict

    “Choose the PS22 Lite if your podcast or stream needs loopback routing; choose the M-Track Duo for a simpler two-input recording workflow.”

    → See it on Amazon →

How We Picked

I ranked these interfaces around the needs of podcast recording, not music production alone. The main criteria were the number and type of microphone inputs, phantom power for condenser microphones, direct monitoring, connection options across computers and mobile devices, and controls that make recording and troubleshooting straightforward. I also weighed whether a feature supports a common podcast task—such as recording two hosts or routing computer audio—rather than treating specifications as benefits on their own.

The order favors products with a clearer fit for real recording setups and useful flexibility, which puts the Volt 2, Scarlett Solo, and AMS-24 in distinct leading roles rather than treating them as interchangeable. Models with simpler one-person workflows remain useful but rank lower for buyers who may add a guest. The list also includes several broadly described or repeated budget interfaces; I place these behind options with more clearly defined podcast-focused capabilities, and I recommend checking the exact listing contents and compatibility before purchase.

Factors to Consider When Choosing USB Audio Interfaces For Podcasters

Choosing an interface starts with the recording setup you actually plan to use, not the largest spec on the box. These factors can help you avoid paying for unused inputs or discovering that a simple connection is missing from your workflow.

Count microphones, not just hosts

A two-host show usually needs two independent microphone inputs, even if both people share a room. A solo host interviewing remote guests may need only one local mic input if the guest joins through recording software, but a second local guest changes that calculation. Check that each input is a proper microphone input with the connection you need; a listed instrument or 3.5 mm jack is not automatically a second XLR mic preamp. Leave room for occasional in-person guests if they are part of your plans. Paying for extra inputs makes sense when you expect to use them, but extra outputs or channels may add little to a one-mic desk setup.

Match phantom power to the microphone

Condenser microphones commonly need 48V phantom power, while many dynamic podcast microphones do not. If you expect to use a condenser mic, verify that phantom power is available for the input and learn whether it affects one channel or multiple channels. Do not assume a broad phrase such as “studio quality” confirms the power or connection your microphone needs. Dynamic mics can also work well for speech, but their output level may make gain and preamp performance more relevant. Choose around the microphone you own or plan to buy, and check its requirements before adding an interface to your cart.

Decide whether direct monitoring is enough

Direct monitoring sends the live microphone signal to headphones without the delay that can occur when audio passes through a computer and recording software. That makes it useful for hosts who want to hear themselves clearly while recording. It is different from software monitoring, which may be needed for effects or hearing computer playback in the same headphone mix. Before choosing, check whether the interface offers a simple monitor control and whether the setup lets you hear both the mic and any remote guest or playback audio. A basic direct-monitor switch may suit straightforward recording; creators who need more routing should look at options with loopback or more output flexibility.

Check the whole connection chain

USB-C on an interface does not always mean that every cable, adapter, phone, or tablet connection is included or supported. Confirm the interface works with your operating system and recording app, then check the cable type at both ends. Mobile recording adds extra questions about power: a bus-powered interface may draw more from a phone or tablet than expected, and some devices may need an adapter or external power. For a fixed computer setup, compatibility is usually simpler, but cable reach and available USB ports still matter. Treat claims such as plug-and-play as a starting point, not proof that your particular device will work without setup.

Plan for remote guests and computer audio

Recording a host microphone is not the same as capturing a remote caller, music bed, or browser audio on separate tracks. Loopback can route computer playback into a recording or stream, but it may also create the risk of recording echoes if the routing is not set correctly. If remote interviews are central to your show, decide whether guests will connect through a conferencing app, a dedicated mix-minus setup, or a separate recorder. A two-input interface alone does not guarantee an echo-free call workflow. Choose routing features for a specific job you need to do, and test them before a live session.

Buy for the next change, not every possibility

A new show often starts with one host and later adds a co-host, in-person guests, or video streaming. A second mic input can make that change easier, while extra outputs and routing controls matter more for complex livestreams than for a solo audio feed. Build quality and accessible controls also count: a setup that is easy to adjust is less likely to slow down a recording when a level needs correction. At the same time, buying a multi-purpose interface before you know your workflow can add complexity without improving speech quality. Choose one step beyond your current needs only when a realistic near-term plan supports it.

Frequently Asked Questions

Can I record two podcast hosts with a one-input interface?

Not cleanly if both hosts need separate microphones connected directly to the interface. A one-input model such as the Scarlett Solo or M-Track Solo is aimed at a single local microphone, so two people would need another recording arrangement. You could use a separate mixer or recorder, but that adds equipment and setup steps. For two local hosts, a two-mic-input interface is the more straightforward choice. Check that both inputs accept the microphones you plan to use, not just that the product description mentions two channels.

Do I need loopback to record a remote podcast guest?

Not always. Many podcasters record their own microphone through an interface while capturing a remote guest through dedicated recording or conferencing software. Loopback is useful when you need to route computer audio, such as a call or playback, into a recording or livestream, but the setup depends on your software and routing plan. It can also capture unwanted playback or create echo if configured carelessly. Decide how you will record the guest before paying extra for loopback features.

Should I choose a model with 192 kHz recording for podcasting?

A high sample-rate figure is rarely the deciding factor for spoken-word podcast production. A reliable microphone connection, usable gain, headphone monitoring, and a workflow that records cleanly are more directly relevant to a typical show. Larger recording formats can also use more storage and may not match the settings used by your editing or delivery process. Check that the interface works smoothly with your intended recording software before prioritizing a headline rate. For most podcast setups, input count and routing are more useful ways to compare models.

Can a USB audio interface power my condenser microphone?

It can if the interface provides 48V phantom power and the microphone uses that standard. Confirm the feature on the exact model and check your microphone’s own requirements, since product names and broad listing descriptions can be imprecise. Some interfaces apply phantom power to more than one input at once, which matters if you connect different types of microphones. Turn levels down before changing connections and follow the microphone maker’s instructions. If you use a dynamic mic, phantom power is often unnecessary, though the mic’s own guidance takes priority.

Is a phone-compatible interface a good choice for a computer-based podcast?

It can be, especially if you expect to record on a phone or tablet as well as a computer. Mobile compatibility may require a particular cable, adapter, or power source, so verify the full connection path rather than relying on a USB-C label alone. If you always record at a desk, a model with easier controls or the right number of mic inputs may be a better use of your attention than mobile support. The Zoom AMS-24 stands out for a more mobile, routing-focused use case, while simpler options may better suit a fixed solo rig. Choose cross-device support only when you plan to use it.

Conclusion

Best overall: Universal Audio Volt 2 for podcasters who want a capable two-input setup with room to record another person. Best value: M-Audio M-Track Duo for buyers who need two inputs in a straightforward interface, while best for beginners: M-Audio M-Track Solo keeps a single-mic setup simple. For a more focused solo-host rig, the Focusrite Scarlett Solo 3rd Gen is a strong alternative. Choose the Zoom AMS-24 for mobile recording and loopback needs, and consider the Volt 2 as the premium pick when you want added flexibility for a growing show. If you are comparing one of the repeated or broadly described Kmise and generic interfaces, confirm the exact inputs, monitoring controls, and device compatibility before deciding.