If you’re looking for sonic inspiration, INFUNDIBULUM#2.1 is the perfect place to start. This library is packed with 4GB of bowed, sung, spun, plucked, stretched, teased, and blown things that have been squashed through the tape, vinyl, springs, and valves for the character and audio patina of a life well-lived.
Whether you need orchestral sounds or wibbly-wobbly pads, INFUNDIBULUM#2.1 has something for everyone.
There’s something special about the INFUNDIBULUM#2.1. It’s hard to put your finger on it, but it just oozes character. This thing is dripping with personality, and it’s sure to add a unique flavor to any track it’s used on.
The Sounds of Everyday Life
Sample the sounds of everyday life with the INFUNDIBULUM#2.1, a gloriously Grimey playground of possibilities. With 216,000 combinations of sound sources, you can create the audio patina of a life well-lived. Whether you’re looking for authentically gritty tones or something more upbeat and playful, INFUNDIBULUM#2.1 has you covered. Plus, with over 270 snapshots, it’s easy to find just the right sound for your next project. So dive in and start exploring the limitless possibilities of the INFUNDIBULUM#2.1 today!
The second in the series of multi-arp workstations, the INFUNDIBULUM#2.1 is packed with even more features than its predecessor. With 216,000 different sound combinations, you’re sure to find the perfect sound for your project. And with over 270 snapshots, it’s easy to get creative and experiment with different textures and tones.
If you’re looking for an instrument that will help you create truly unique sounds, the INFUNDIBULUM#2.1 is for you.
INFUNDIBULUM#2.1: A Huge Collection of Cinematic, Orchestral, and Wibbly-Wobbly Sounds
INFUNDIBULUM#2.1 is a huge collection of cinematic, orchestral, and wibbly-wobbly sounds. It’s perfect for adding personality and character to any track. With over 270 snapshots, it’s easy to get creative and experiment with different textures and tones.
The second release of the series, INFUNDIBULUM#2.1 expands on her sister’s polyrhythmic cascades of sound, strange interlocking tremolos and beautifully warped loopings by taking these sounds to bigger more powerful terrains.
This is an excellent choice for organic and lovely pseudo orchestras, wibbly-wobbly dust pads, muscular Michael Nyman swooning, and massive sweeping cinematica.
INFUNDIBULUM Family
The INFUNDIBULUM family was not designed to genuinely simulate any of the sounds included, some of which have been extensively multi-sampled and others of which have been deliberately stretched across a wider key range than is reasonable.
The loops in the examples are very obvious. Infundibulum’s aim is to embrace and celebrate the artifacts that may result from sample processing.
Any chord can be chosen, and you’ll hear the various notes begin to cycle back on themselves in diverse yet wonderful ways that a gazillion gigabyte hyper-sampled piano, crumhorn, or orchestral calabash can’t replicate.
The last stage is to add in the multi-arp and filter sequencers, which offer three sounds that repeat through varying lengths of cycles at various speeds, along with other effects.
INFUNDIBULUM#2.1 – The Sampled Instruments
Dust piano, Lowry organ, Winfield organ, many many electric guitars, household paint brush, violin played by a proper violinist, trumpet played by an improper trumpeter, concert whirly tubes, Jecklin disc, 4 track cassette recorder, taut wires, Sherman Filterbank, spring reverbs, Nord Modular, Space Echo, Roland SH101, Hammond Organ, a singing human, ribbon mics and broken electrics, guitar pedals set to 11, harmonica, recorders (school not tape this time), Moog theremin, many modular modules, Clouds, Strymon Big Sky and Deco, Roger Linn Adrenalinn 3, home-made guitars, electric milk whisk and home-made pickups…
Conclusion
The INFUNDIBULUM#2.1 is a huge collection of cinematic, orchestral, and wibbly-wobbly sounds. It’s perfect for adding personality and character to any track. With over 270 snapshots, it’s easy to get creative and experiment with different textures and tones. The second release of the series, INFUNDIBULUM.
The INFUNDIBULUM family was not designed to genuinely simulate any of the sounds included, some of which have been extensively multi-sampled and others of which have been deliberately stretched across a wider key range than is reasonable.
The loops in the examples are very obvious. Infundibulum’s aim is to embrace and celebrate the artifacts that may result from sample processing. Any chord can be chosen, and you’ll hear the various notes begin to cycle back on themselves in diverse yet wonderful ways that a gazillion gigabyte hyper-sampled piano, crumhorn, or orchestral calabash can’t replicate.
The second is in a series of multi-arp workstations. A playground with a wide-open door policy for uncommon artifacts and serendipity, as well as an open-door policy for unanticipated findings and chance.
INFUNDIBULUM#2.1 FAQ
When will INFUNDIBULUM#2.1 be available?
INFUNDIBULUM#2.1 is now available.
What are the system requirements?
INFUNDIBULUM#2.1 requires a full version of Kontakt or Kontakt Player.
I already own INFUNDIBULUM. Do I need to purchase INFUNDIBULUM#2.1 ?
No, if you already own INFUNDIBULUM, you do not need to purchase INFUNDIBULUM #02.
