Polaris Review: A Modern String Orchestra Imitating Classic Synth Sounds

Polaris, the latest sound library from Grammy-nominated composer, electronic music pioneer & technologist Brian Transeau, AKA BT, is a mesmerizing aural innovation.

Polaris tastefully pairs the worlds of synthesis and orchestra to take your scores into 2022 and beyond. This sophisticated yet eclectic sound library offers massive multi-layers of organic string orchestral recordings, performed by London’s top-tier players at AIR Studios resampled using an array of classic and rare synthesizers.

Polaris Review: A Modern String Orchestra Imitating Classic Synth Sounds

Polaris is a modern string orchestra with classic synth sounds. It features a massive multi-layering of complex synth sounds made accessible, as well as endless customization sounds using the eDNA engine. The all-new Granular Engine provides even more sonic possibilities.

There are 129 articulations, including 94 articulations from the original string performances, 35 layered ‘Synergy’ patches for use in the eDNA engine, and 421 presets created by BT himself and the Spitfire Team. The noise sources were recorded by BT himself for an authentic experience.

It may appear strange to simulate a synth using an orchestra, but Polaris is fantastic. There is something special about the sound of a well-played acoustic guitar. It exists in that space where massive pads meet massive strings, gliding electrical signals meet sliding fingers, and the wobble of vintage circuits meets the organic nature of wood and catgut.

I love this. The sound of an acoustic guitar is like no other; it is at once both natural and artificial, familiar and strange. When played well, it can transport me to another place entirely. It is the sound of my favorite memories and the sound of my deepest yearnings. It is the sound of home.

There’s something about certain sounds that just instantly catches your attention. It could be a particularly resonant note in a song or how a particular sound seems to cut through the noise of everything else around you.

Whatever the case may be, there’s no denying that certain sounds have the power to immediately grab your attention and hold it captive. And that’s precisely what Polaris does so well.

Massive multi-layered organic string orchestral recordings, resampled with a wide range of vintage and rare hardware samplers and synthesizers, including Fairlight, EMU E-II, and others.

Hardware Sampler

A hardware sampler is a piece of electronic music equipment that allows users to record and playback digital samples. Unlike software samplers, which are programs that run on computers, hardware samplers are standalone devices.

This means that they can be used without a computer, making them ideal for live performances. Hardware samplers typically have a keyboard and other controls that allow the user to playback the recorded samples.

IF you are interested in resampling I would hight recommend watching the Junkie XL video below:

Effects – Shaping Sound

They may also have onboard effects, such as reverb and echo, that can be applied to the sampled sound. In addition, many hardware samplers allow the user to resample, or record, new sounds from external sources, such as turntables or other instruments. This makes them versatile tools for creative sound design.

Polaris Resampled Content

Polaris exists in that space where massive pads meet massive strings, gliding electrical signals meet sliding fingers, and the wobble of vintage circuits meets the organic nature of wood and catgut.

I love the way that synthesizers can create new sounds while still retaining a sense of musicality, and I love the way that they can be used to create both complex compositions and catchy hooks.

Software Synthesizers like Polaris are truly one of the most versatile instruments out there, capable of producing almost any sound imaginable. From the gentle strains of a simple melody to the pulse-pounding bass of an EDM track, synthesizers have the ability to transport us to another world entirely. Whether you’re a seasoned producer or a bedroom musician, there’s a synthesizer out there that’s perfect for you.

And Polaris is the perfect example of a modern synthesis that retains a sense of musicality.

The result is an ever-evolving, organic soundscape that is at once classic and modern. The use of classic and rare samplers gives the music a timeless quality, while the inclusion of organic and synth samples gives it a contemporary edge.

The result is a sound that is both familiar and new, and which will appeal to fans of all genres. BT, Spitfire, and their team of sound artists have created something truly special with this album, and it is sure to be appreciated by fans of all kinds of music.

There’s no doubt that the topic of synths and guitars sounds epically cinematic and thoroughly engaging. However, I often wonder about the constant reinvention of sample libraries and rompler-based virtual instruments and how they jostle for space in such a crowded market. One thing that stands out to me is the increasing focus on melody creation software, which aims to provide musicians with more intuitive and creative tools for composing and arranging music. These software programs are designed to streamline the process of creating unique melodies and harmonies, offering a more user-friendly and interactive experience for musicians. As a result, the competition among developers to create the most innovative and user-friendly melody creation software is fiercer than ever. It will be interesting to see how this trend continues to evolve and influence the landscape of music production in the future.

Perhaps in the same way that we’re never done with making synths or building new guitars, then we’ll never be done with sampling another orchestra. The thing is, at what point do these sample libraries and virtual instruments begin to lose their luster? I’m not sure if anyone has the answer, but it’s something to think about. Regardless, it’s clear that the market for these products is always changing and that there’s always something new on the horizon. So, if you’re looking for a fresh take on the classic sound of an orchestra, Polaris is definitely worth checking out.

AIR Lyndhurst Hall

In today’s film industry, it’s all about creating a unique soundscape that captivates audiences and immerses them in the story. To that end, this library features an eclectic mix of sounds performed by some of London’s top contemporary players.

From the heart-pounding action of a battle scene to the emotional intensity of the sensitive drama, this collection has everything you need to take your score to the next level. Recorded at the renowned AIR Lyndhurst Hall, this library captures the future of blockbuster scoring.

So if you’re looking to create an unforgettable experience for your audience, this is the perfect resource for you.

Transformed & Synthesised Outside Reality

Polaris is a powerful new synth that offers a unique take on sound design. The three parts of the synth – the organic Strings Orchestra, Classic synths, and Vintage Resampling – can be combined to create a wide range of sounds.

The eDNA engine also allows for further experimentation and customization. With its flexible sound design capabilities, Polaris is perfect for a wide range of musical styles.

The eDNA interface is an incredibly powerful tool for music producers and sound designers. With its ability to play and pair two sound sources from the 129 articulations available, it opens up a whole new world of possibilities for creating custom sounds.

The interface also allows you to manipulate, layer, and blend sound with FX, gates, and much more, giving you the freedom to create a truly unique sound that fit your music. Whether you’re looking to add some extra spice to your tracks or completely change the way they sound, the eDNA interface is sure to take your music to the next level.

By tastefully combining the worlds of synthesis and orchestra, Polaris creates sounds that are at once familiar and otherworldly, catchy, and unforgettable.

In short, Polaris is the perfect tool for scoring movies, video games, and TV shows set in the future. So if you’re looking to take your music into the next decade, look no further than Polaris.

Polaris Presets

BT is one of the most prolific and innovative electronic music producers of our time. His new preset included in Polaris pays homage to his signature sound while also pushing it into new territory. The result is a collection of 421 expertly crafted presets that are perfect for any producer looking to create modern, cutting-edge music.

From pulsing basslines to soaring melodies, the BT presets has everything you need to get your next track started on the right foot.

Conclusion

In Polaris, BT has created a unique sound library that pairs the world of synthesis and orchestra in a way that is both fresh and exciting. With its massive multi-layer recordings of an orchestra, Polaris is perfect for creating blockbuster scores that immerse audiences in the story. Additionally, Polaris’ powerful eDNA engine allows for further sound design experimentation, giving producers and sound designers the freedom to create truly unique sounds.

If you’re looking for an orchestral sound library that goes beyond the ordinary, Polaris is definitely worth checking out. This innovative new product from Grammy-nominated composer and electronic music pioneer Brian Transeau (AKA BT) offers a mesmerizing mix of synthesis and orchestra recordings to take your scores into the future. Whether you’re working on film or video game music, Polaris is sure to add sophistication and intrigue to your compositions.

Rating: Five out Of Five

There’s something about certain sounds that just instantly catches your attention. The first time I heard the sound library Polaris, I was immediately seduced by its magnitude and power. Performing with Polaris is an incredibly exhilarating experience. The sheer size and force of the sound waves are truly awe-inspiring.

What’s even more impressive is that Polaris is able to create such a massive sound without any sort of physical interaction. It’s purely electronic, yet it has the ability to move people in a way that few other things can. That’s what makes Polaris so special to me.

If you’re looking for an orchestral sound library that goes beyond the ordinary, Polaris is definitely worth checking out. This innovative new product from Grammy-nominated composer and electronic music pioneer Brian Transeau (AKA BT) offers a mesmerizing mix of synthesis and orchestra recordings to take your scores into the future.

This powerful instrument Polaris features a massive multi-layering of complex synth sounds, making it accessible for musicians of all levels. With the eDNA engine, you can endlessly customize your sound, and with the all-new Granular Engine, you can explore even more sonic possibilities.

With 129 articulations, including 94 original string performances and 35 layered ‘Synergy’ patches, this instrument is capable of creating a wide range of sounds. In addition, there are 421 presets created by BT himself and the Spitfire team, ensuring that you’ll always have something new to explore. For those who want to add an extra layer of texture to their music, Polaris also comes with a library of FX and gates.

Polaris is the perfect tool for scoring movies, video games, and TV shows set in the future. So if you’re looking to take your music into the next decade, look no further than Polaris.

I give Polaris five out of five stars.