Kirk Hunter Studios
Lyric Series String Quintet: Native Instruments Kontakt Library for Melodic Lines
2025
Looking for an easy-to-use string quintet library that will provide melodic lines right out of the box? Look no further than Lyric Series String Quintet by Kirk Hunter Studios. This library was developed in the Native Instruments Kontakt engine and delivers the finest quality sampled sound with extremely detailed user control. Whether you’re a film scorer, video game composer, or just need some strings for your next project, Lyric Series String Quintet is perfect for you!
The Lyric Series String Quintet is the perfect choice for small string ensembles looking for an edge. Its innovative vibrato control and rapid-fire spiccato add intensity to any phrase, while its easy-to-learn interface makes it simple to get up and running fast. With multis for small ensemble work, the Lyric Series String Quintet is your new go-to for professional-sounding strings.
Lyric Series String Quintet from Kirk Hunter Studios
The Lyric Series String Quintet from Kirk Hunter Studios is designed to provide musical, melody lines right out of the box. The library includes recordings of a solo violin, viola, cello, double bass, and a full-string quintet. The focus on melodic lines makes this product a valuable asset for composers who are looking to shorten their workflow time.
The recordings are high-quality and offer a wide range of dynamics and expressions. In addition, the flexibility of the software allows users to create their own custom patches. As a result, the Lyric Series String Quintet is an impressive tool for anyone looking to add realistic string parts to their compositions.
While there are plenty of good-sounding solo string libraries out there, I found it interesting that for me, a professional string player, it took a lot of “fiddling” with the instrument to get really musical phrases and melody lines. It was easy to get nice “pads” and “fillers” for sure, but I really wanted a believable single, melody line.
Nothing out there, not even my older libraries, seemed to capture that certain essence you hear when listening to a professional player unless you took a lot of time to tweak whatever you were working on. This was both frustrating and enlightening.
Frustrating because it seemed like I was spending more time editing than actually playing, but enlightening in that I realized that if I really wanted something to sound realistic, I had to put in the extra effort. In the end, it’s all worth it when you hear your hard work come to life in a beautiful melody.
Intuitive, String-Oriented Legato Transitions
Over the years, there have been many attempts to create a legato sound using various techniques. Some of these methods have been quite successful, while others have fallen short. One common problem with many legato techniques is that they can sound clunky or uneven when played at faster tempos. Another issue is that some legato techniques only work well at certain tempos.
As a result, it can be difficult to find a legato technique that sounds good at all tempos. However, there are some legato tricks that can help to overcome these problems. For example, using slurs or hammer-ons can help to smooth out the sound at faster tempos. Additionally, practicing Legato with a metronome can help to ensure that the technique sounds good at any tempo. With enough practice, it is possible to create a smooth and polished legato sound regardless of the tempo.
There are many small details that go into making a good string performance, from the way the bow is held to the angle of the fingers on the strings. While there is no easy way to capture all of these details, the one thing that seems to be loudly apparent is the sound that happens when string players play larger intervals on the same string. (Especially cellos) It’s not really a true portamento and does not always happen.
It seems to occur most when the players need to move their left hand up or down from it’s current position to achieve the note. This often results in a sharp, almost percussive sound as the bow hits the string in a different spot than it was intended. While this might seem like a small detail, it can have a big impact on the overall sound of the piece.
Consequently, string players need to be aware of this effect and make sure that it is being used to create the desired musical effect. To create a more realistic and dynamic sound, Kirk Hunter Studios has implemented different playing styles into the instruments of the Lyric Series String Quintet.
sing calculated probabilities, they have been able to replicate the sound of different instruments being played in a more realistic way. This allows for a more natural and realistic sound when multiple instruments are being played at once. By successfully implementing these techniques, Kirk Hunter Studios has created a more realistic and dynamic sound that is sure to please any musician.
Realistic Bow Changes
As any musician knows, achieving a smooth, legato sound is essential to playing classical music. Unfortunately, many virtual instruments fall short in this area, producing a choppy, disconnected sound instead. This is especially noticeable when playing melodies that require a lot of string crossing, such as those often found in Bach’s works.
The problem is that most virtual instruments are unable to replicate the subtle movements of the bow that are necessary to produce a truly legato sound. As a result, the music can sound stilted and artificial.
However, there are some companies that are working on improving this aspect of virtual instruments, and with each new generation of technology, the legato sound becomes more realistic. With any luck, one day we will be able to enjoy the full range of classical music without ever having to pick up a real instrument.
But go listen to real performances with separated bowing. They’re not usually fluid, especially at faster tempos. It seems that the few libraries out there which have tackled this problem with some, if the little, degree of success have been met with negative critique, falling to claims that the “legato” is too abrupt or bumpy.
In my opinion, this is simply a case of people being used to hearing fluidity where there is none. And frankly, at slower tempos, it’s not really an issue. So I say give these libraries a chance. They may not be perfect, but they’re a lot better than nothing.
The Lyric Series Strings Quintet features realistic bow changes that allow you to create more nuanced and expressive phrases. By default, the bow changes are distinctly separate, giving you a clear and precise sound.
However, if you prefer a more “fluid” sound, you can certainly “connect” the bowing for a more continuous phrase. And of course, legato playing is also possible with either “slurred” or “fingered” techniques. As a result, the Lyric Series Strings Quintet provides you with a wide range of tonal possibilities to explore.
Unrivaled Vibrato Control
And then, there’s the issue of vibrato. I know of no professional string player who uses the same vibrato amount, speed, or fade-in time statically. In trying to capture vibrato, most of the time, (if handled at all) it is by means of assigning vibrato to a controller. Usually, this is just the amount of vibrato and nothing else.
This may work in some cases but it doesn’t give you much control over how the vibrato sounds. By its very nature, vibrato is an ever-changing articulation and to try to replicate it with a single control is like trying to put a square peg in a round hole – it’s just not going to fit very well. The other problem with using controllers for vibrato is that they are often located in inconvenient places, making them difficult to use whilst playing. What’s needed is a more expressive and realistic way to capture the nuances of this important articulation.
One of the most difficult things about playing a virtual instrument is replicating the natural vibrato of a real performer. This can often result in a clunky, forced sound that doesn’t sit well with the rest of the music. One way to avoid this issue is to have the samples be “baked in” with the performer’s own vibrato. This way, you can get a more natural sound that fits better with the rest of the music. Of course, this only works if you happen to love that particular performer’s style. If not, you have no options.
One of the most important aspects of creating realistic and believable strings samples is the use of vibrato. Violins, violas, and cellos all utilize vibrato to varying degrees, and it’s one of the main ways that string players add expression to their playing. Without vibrato, strings can sound thin and lifeless. However, too much vibrato can sound artificial and overbearing. The key is to find the right balance. When sampling strings, sometimes “no vibrato” samples are included.
This gives you the flexibility to transition to and from them as needed. But most of the time, one can hear the crossfades between different vibrato styles, which can take away from the desired “soloistic” sound. To avoid this issue, it’s best to use only one style of vibrato throughout your sample library. This will help create a more cohesive and realistic sounding strings section.
The Lyric Series String Quintet is a new type of string instrument that takes your playing style into account. The instruments (except the Romantic Guarnerius Violin) all have sensors that analyze your playing style and adjust the amount, speed, and fade-in of the vibrato accordingly.
This allows the Quintet to give you the closest approximation of a real string player’s style, making it the perfect choice for those who want to create realistic-sounding strings. Whether you’re a classical musician or a rock star, the Lyric Series String Quintet will help you get the most out of your performance.
Conclusion
The Lyric Series String Quintet is a library of sampled string instruments that were designed to be versatile and easy to use. The main focus of the library is to provide musical, melody lines right out of the box, which can save you time in your workflow.
The instruments were sampled in the Native Instruments Kontakt engine, which delivers the finest quality sampled sound with extremely detailed user control. The Lyric Series String Quintet is a great choice for those who want to create realistic-sounding strings.
Kirk Hunter Studios
Review of Kinetic Brass Motion Engine by Kirk Hunter Studios: Create Sophisticated Patterns with No Musical Theory Training Necessary!
2025
If you’re looking for a way to create sophisticated patterns without any musical theory training, look no further than the Kinetic Brass Motion Engine by Kirk Hunter Studios! This powerful software allows you to create complex rhythms and melodies with ease. You don’t need any prior experience or training to get started – it’s as easy as clicking a few buttons!
Looking for a creative and engaging way to add some motion to your brass sections? Look no further than the Kinetic Brass Motion Engine! This amazing instrument provides unlimited possibilities for creating sophisticated patterns with ease, without any need for musical theory training.
But with Kinetic, you get the entire brass section in one instrument. That means you get a separate timeline for each section. This gives you an unprecedented level of control over your sound. You can create infinitely complex patterns and rhythms, and change them on the fly. The possibilities are truly endless.
The intelligent brass motion engine is capable of generating instant brass rhythms that will add an epic and cinematic feel to your music. With infinite results possible, the Kinetic Brass Motion Engine is the perfect tool for bringing your brass sections to life!
Review of Kinetic Brass Motion Engine by Kirk Hunter Studios
Kirk Hunter Studios’ Kinetic Brass is a powerful and versatile virtual instrument that combines brass samples with an inspiring sequencer. The result is a truly next-level sound that can go from graceful to aggressive in an instant.
Kinetic Brass is perfect for any producer or composer looking to add some serious firepower to their sound palette with its easy-to-use interface and deep editing capabilities. Whether you’re creating epic cinematic scores or hard-hitting club tracks, Kinetic Brass is sure to give your music the edge it needs to stand out from the crowd.
Plays Four Short Sample Brass Sections
At the time of this publication, the Only Brass 4-Way is the only instrument that lets you play FOUR short sample brass sections (trumpets, French horns, trombones, and tubas) at the SAME TIME. This revolutionary new instrument gives you the ability to play all four brass instruments in a single, easy-to-use unit.
The Only Brass 4-Way is perfect for those who want to add a little bit of brass to their music without having to learn how to play each individual instrument. With this unique instrument, you can easily create brass harmonies and solve complex musical problems. Order your Kinetic Brass Motion Engine – your Only Brass 4-Way today and start enjoying the benefits of playing all four brass instruments in one!
Form Brass Section Sounds
Kinetic is a new type of musical instrument that allows users to create brass section sounds. The instrument has a separate timeline for each section, which contains 64 notes or the rest events. These events can be divided into up to 4 regions, allowing users to create different patterns.
Each timeline can also be set to play a different pattern when a single note or chord is held down. This makes it easy to create complex brass sounds without having to learn multiple instruments.
30 Joy-To-Play Presets
The Kinetic Brass Motion Engine comes with 30 fun-to-play presets, and if you really want to get wild, you can choose any of the same 30 presets for each section separately. With so many possibilities, you’re sure to find the perfect sound for any situation.
Imagine the possibilities! You could have the trumpets playing the “Superman” preset, the French horns playing the “Terminator” preset, the trombones playing the “Xmen” preset, and the tubas playing the “Cap. America” preset ALL AT THE SAME TIME! And of course, any or all of these patterns can be edited to create your own unique sound. The possibilities are truly endless. With Kinetic Brass Motion Engine at your disposal, you could create the most incredible music ever heard. And why stop at brass? With the ability to mix and match presets and edit them to your liking, you could also incorporate the incredible power of strings to further elevate your music. Imagine the trumpets playing the “Superman” preset alongside an awe-inspiring review of iconic strings playing the “Lord of the Rings” preset. The possibilities for creating an epic and unforgettable sound are truly within your grasp with the Kinetic Brass Motion Engine.
Perpetual Motion Patterns Supported
Perpetual motion patterns are not only aesthetically pleasing, but they can also be quite useful. By basing the accents on certain numbers of events, you can create a rhythmic foundation that helps to keep the flow of the music going. Additionally, the accents can be set to different levels of intensity, depending on your needs.
For example, if you want to create a more laid-back atmosphere, you can use subtle accents. However, if you’re looking for something with a little more energy, you can use dynamic accents. Regardless of your choices, perpetual motion patterns can add a lot of interest and variety to your music.
Kinetic Brass Instruments
Kinetic Brass is a powerful and dynamic virtual instrument that captures the essence of a brass section. The library contains 4 trumpets, 4 French horns, 4 trombones, and 2 tubas, each with a unique sound and range of expression.
The included articulations are Staccato, Marcato, and Portato, and each articulation can be “tightened or broadened” to suit the player’s needs. Kinetic Brass is the perfect tool for creating big brass hits, heart-pounding crescendos, or simply adding some extra punch to your tracks.
The trumpet players recorded are able to play with great accuracy and power, while the trombone players add a sense of richness and depth to the sound. The French horns provide a beautiful, mellow tone that is perfect for ballads and slower pieces. And the tubas add a sense of weight and gravity to the sound. The articulations are also very well done. The staccato is clean and crisp, the marcato is powerful and precise, and the portato is smooth and expressive.
Recording Space First Presbyterian Church
The First Presbyterian Church of Santa Monica is one of the most popular venues for recording and performing orchestras in Los Angeles. Located in the heart of downtown Santa Monica, the church is just a short drive from Hollywood and other major studio facilities.
As a result, it has become a go-to destination for many of the city’s top orchestras. The church’s acoustics are impeccable, and its size is perfect for large ensembles. In addition, the church’s stained glass windows and beautiful architecture provide a stunning backdrop for performances. As a result, the First Presbyterian Church has become one of the most revered recordings and performance venues in Los Angeles.
When you’re working on a track and you need that perfect church ambiance, look no further than Recorded at First Presbyterian Church, Santa Monica. The Round Robin feature ensures that you never hear a “loop” effect, and the samples of the church are carefully mixed in for a very natural sound. Plus, the repetition will always follow the tempo of your DAW.
No Musical Theory Training Necessary
Music theory can be a difficult and daunting prospect for new musicians. However, it is not necessary to have a degree in music theory in order to create sophisticated patterns. There are a number of simple techniques that can be used to create complex and interesting rhythms. One approach is to vary the timing of notes within a pattern.
For example, by playing a note on the beat and then waiting a fraction of a second before playing the next note, it is possible to create a lot of interest and variety. Another approach is to use different note values. For example, by alternating between quarter notes and eighth notes, it is possible to create a more syncopated feel. These are just two of the many ways that patterns can be varied. With a little experimentation, it is possible to create a wide range of interesting and sophisticated patterns.
Kirk Hunter Studios has created a powerful and easy-to-use tool that makes it possible to create sophisticated patterns without any musical theory training. The Kinetic Brass Motion Engine is perfect for anyone who wants to add interest and variety to their tracks. With its simple interface and powerful features, it is easy to create complex and interesting rhythms. So if you’re looking for a way to add some extra punch to your tracks, or if you just want to try something new, be sure to check out the Kinetic Brass Motion Engine.
Flexible Ostinato Pattern Brass
Kontakt’s Motion Engine is perfect for adding realistic and organic movement to your brass patches. With four different types of brass sections to choose from, you can create anything from a gentle swirl to a full-on blare.
And because the engine is Intelligent, it adapts to the music you feed it, making the patterns sound more natural. No musical training is necessary – just load up a brass section and let the engine do its thing. You’ll be surprised at how sophisticated your patterns can sound.
Conclusion
The Kinetic Brass Motion Engine is a new type of musical instrument that uses motion to create sound. The Kinetic Brass Motion Engine is the best tool for creating sophisticated patterns and rhythms.
With no musical theory training necessary, this intelligent brass motion engine brings unparalleled ease to your brass playing. The infinite results and instant brass rhythms make this the perfect tool for epic and cinematic playing. You’ll be amazed at the possibilities with the Kinetic Brass Motion Engine.
The Kinetic Brass Motion Engine by Kirk Hunter Studios is a powerful and easy-to-use tool that makes it possible to create sophisticated patterns without any musical theory training. The engine is perfect for anyone who wants to add interest and variety to their tracks. With its simple interface and powerful features, it is easy to create complex and interesting rhythms.
Rating: Five out Of Five
Kirk Hunter Studios has done it again! They have created another amazing tool that will make your music sound more professional and polished. The Kirk Hunter Studio’s Kinetic Brass Motion Engine is an impressive tool that gives you the power to create complicated patterns without any prior musical theory training. This easy-to-use Kontakt Instrument makes it so anyone can add extra interest and excitement to their tracks.
TheKinetic Brass Motion Engine is a Kontakt Library that allows you to create unique and interesting sounds by moving brass instruments in a three-dimensional space. By using the kinetic brass motion engine, you can add a new dimension to your music and make it sound more dynamic and exciting.
The kinetic brass motion engine is easy to use and can be set up in minutes. All you need is a power source and an audio interface. The kinetic brass motion engine comes with a variety of different presets that allow you to create different types of sounds.
Kirk Hunter Studios’ Kinetic Brass is a powerful and versatile tool for composers and sound designers. Combining a state-of-the-art sequencer with high-quality brass samples, Kinetic Brass can create everything from graceful, lyrical passages to aggressive, driving rhythms.
The included library of brass samples covers a wide range of articulations and tonalities, making it easy to find the perfect sound for any project. And with the ability to tweak each sample to perfection, Kinetic Brass gives users total control over their sound. Whether you’re looking for realistic brass parts or something more unique and original, Kinetic Brass is the perfect tool for the job.
With its many features and user-friendly interface, it is sure to become one of your go-to tools in the studio. The possibilities are endless! If you are looking for a way to make your music stand out, the Kinetic Brass Motion Engine is the perfect tool for you.
Review of Kinetic Brass Motion Engine by Kirk Hunter Studios: Create Sophisticated Patterns with No Musical Theory Training Necessary!
Summary
The kinetic brass motion engine is easy to use and can be set up in minutes. All you need is a power source and an audio interface. The kinetic brass motion engine comes with a variety of different presets that allow you to create different types of sounds.
Kirk Hunter Studios’ Kinetic Brass is a powerful and versatile tool for composers and sound designers. Combining a state-of-the-art sequencer with high-quality brass samples, Kinetic Brass can create everything from graceful, lyrical passages to aggressive, driving rhythms.
It’s a deal that can’t be beaten! For just $49.99 (normally $499.99), you get the Diamond Symphonic Orchestra – a full orchestra library with 4 section sizes by Kirk Hunter Studios! This limited-time offer is available now on Audio Plugin Deals website, so don’t miss out on your chance to save 90% off of the normal price of this product!
The sound of this library is so realistic it sounds like you’re standing in the room with them. It doesn’t have that artificial cleanliness that other libraries generate, and for me, I prefer a more natural tone because my music has an organic feel to its production methods!
This is a great sounding orchestra and it has solo string programs to die for! Those musicians are so talented. I love how they can make any type of music come alive with just their voices or instruments alone…
With the Diamond Symphonic Orchestra, you can virtually experience a live performance. With its amazing features and easy-to-use interface for all instruments. With this product, you can virtually experience a live performance with its amazing features and easy-to-use interface!
IntervaLive®- this is used for notes in legato position. Raising or lowering the pitch wheel (TVEC2) triggers manufactured release samples that bend up or down to lead into a target note.
Used correctly, this effect can be almost as if your note is “portamenting” between two different pitches. But when used more subtly it just adds a realistic transition to whatever sound you’re making and gives depth without coming off as overly electronic or overbearing; perfect for those who enjoy elements from the live performance without any of its drawbacks!
The farther you move the pitch wheel, the louder it becomes. You can also dial-up or down on-screen controls for a more customized effect
The tone of voice changes as well with this particular pedal because there are so many ways to adjust your sound!
What is Human Pitch Correction?
Human Pitch Correction or “HPC” is a technology that imitates what real players do when they start out and then gradually adjust, with the amount of this effect being customizable. You can control how much you want in your simulation so it will be more accurate for an individual player’s instrumentation preference!
It’s clear that the library was recorded with a great deal of care and attention. The tone is realistic without being too artificial – just what you would want in your production! There are solo string programs, which means they’ll be perfect for any project needing that unique touch to make it stand out from others on soundtrack libraries like these ones by Kirk Hunter or other composers alike
I really enjoyed how natural everything sounded here; not only because it sounds authentic but also due to its excellent quality as well. It doesn’t have that artificial cleanliness that other libraries generate, and for me, I prefer a more natural tone because my music has an organic feel to its production methods!
What’s even better is the fact this orchestra sound is very versatile. You can use it in any type of music you want with ease! The Diamond Symphonic Orchestra is the perfect choice for those who want to be able to make their own music sound like it was performed by real people.
It’s a great way to learn how each instrument sounds and what notes they play. You can also load lighter versions of all the instruments, so you’re able to work with individual articulations without any added weight on your computer system!
Pricing and Availability
For just $49.99 (normally $499.99), get the massive Diamond Symphonic Orchestra (Affiliate Link) – a full orchestra library with 4 section sizes by Kirk Hunter Studios!
The main focus of the Lyric Series String Quintet is to provide musical, melody lines right out of the box. It is Kirk Hunter Studios’ goal to reduce your workflow time as much as possible. It’s not a “do everything” library, but Kirk Hunter Studios believes that the attention to being able to create melodic lines makes this product a valuable asset.
UNRIVALED VIBRATO CONTROL
The Lyric Series String Quintet instruments (except the Romantic Guarnerius Violin) all analyze your playing style and handle all three vibrato parameters (amount, speed, and fade-in) accordingly so as to give you the closest approximation of a real string player’s style.
INTUITIVE, STRING-ORIENTED LEGATO TRANSITIONS
While there is no easy way to capture some details from playing an actual string instrument, the one thing that seems to be loudly apparent is the sound that happens when string players play larger intervals on the same string. (Especially cellos) It’s not really a true portamento and does not always happen. It seems to occur most when the players need to move their left hand up or down from its current position to achieve the note. Kirk Hunter Studios has calculated certain probabilities of this happening during certain types of playing styles, and have successfully, to a point, implemented them into the instruments of the Lyric Series String Quintet. And it’s all very dynamic depending on the way you play.
Developed in the Native Instruments Kontakt engine, Lyric Series String Quintet delivers the finest quality sampled sound with extremely detailed user control; perfect for your final productions.
Pricing and Availability
For only $79.99 (instead of $399.99), get Lyric Series String Quintet (Affiliate Link) from Kirk Hunter Studios!
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