SINE
SINE Version 1.0.5
2025
New SINE Update Available
SINE Player version 1.0.5. It’s a stability update, and it resolves freezes and crashes that some people experienced recently in Logic. We’ve also added a number of other fixes, tweaks, and improvements.
SINE Player 1.0.5 resolves an issue leading to freezes and crashes in some sequencers, and brings some other fixes and tweaks.
New Features
- The Mic Remote will now show sound levels for all mic positions.
UI Improvements
- The Library will now no longer refresh automatically and reset open folders while downloads are running.
- If no instrument is loaded in the Articulation List, the Performance View will show a message to that effect.
Performance and Reliability Improvements
- SINE wrongly assumed that all audio production would run on a sequencer’s audio thread(s). Turned out some do their own thing, and now SINE is ready for it. This fix solves the Logic Pro crashes and freezes reported, as well as stopping SINE from freezing when using Cubase’s “Freeze” feature. It also makes SINE work in Cakewalk again.
- Fixed a crash when unloading a plugin instance while preloading was still running.
- Fixed an issue where the host would freeze if started without an audio driver selected.
- When overlapping notes while key switching, in some cases notes could hang. Now they will correctly stop.
- When you had single articulations of an instrument loaded, and afterward installed additional mic positions of that instrument, existing projects would wrongly load all articulations of the instrument. Now they only load what was loaded previously.
- When you dragged an instrument on top of an existing instrument, it would lose its MIDI channel assignment.
- When importing existing content, in some cases a duplicate Series entry was created.
- When two instruments were set to “Omni” MIDI channel and you adjusted the playable range of the 2nd instrument, it would not react to MIDI anymore.
- If you try to delete a mic position that was already removed from your hard drive for whatever reason, SINE won’t crash anymore.
- Some small edge cases with Polymap creation were improved. If you’ve had weird results with Polymaps in the past, try again and let us know any issues you come across!
Pricing and Availability
SINE Player 1.0.5 is available now.
Review of Tom Holkenborg’s Percussion by Orchestral Tools
In this article, we will be reviewing Tom Holkenborg’s Orchestral Percussion. Tom Holkenborg is a Dutch composer and producer who has worked on various notable projects such as the soundtrack of Deadpool 2. He also produced music for video games including Arkham Knight and Quantum Break. His latest Library, Orchestral Tools – Tom Holkenborg’s Percussion, contains some incredible sounds from his percussion instrument library which you can use in your own compositions!
Tom Holkenborg’s Orchestral Tools – Percussion is a comprehensive library for adding percussion to your compositions. The library includes almost every type of percussion instrument that you can imagine, from snares and cymbals to various ethnic instruments from different cultures around the world. We will take a look at how easy it is to use these tools in your projects and why they are so valuable for professionals in the industry.
About Tom Holkenborg
Tom is a Dutch film composer, also known as Junkie XL. Tom is best known for his scores on the films Black Hawk Down and The Dark Knight Rises. He also has written scores for other films like Deadpool, Logan, Mad Max: Fury Road, Robin Hood (2010), Kung Fu Panda 3, and Atomic Blonde. But what does he have to do with orchestral percussion?
Push the limits of loud with this powerful library
The library is a marvel. Just when you think that there’s nothing more to this world, another invention comes out and blows your mind with how much it can do! The sounds coming off these drum machines will make any producer proud because not only did they capture his signature style but also added their own twist on top by adding different noises throughout each beat or shell progression which gives them such an authentic feel.
One of the most often used tools in a film composer’s arsenal is orchestral percussion. In this article, we will take a look at some of Tom Holkenborg’s percussion recordings and see what they have to offer composers.
Perfect for creating a big sound
This unique collection of instruments, assembled over more than 7 years has an impressive sound. The instrument’s patches are perfect for creating a truly massive feel with the four kits that play in parallel and special quad toms included! This orchestral tool plugin has a wide variety of instruments, from the bass drum to custom drums.
Tom Holkenborg’s expansion on the drums is a breath of fresh air for any player. He takes what would be an average sound and makes it extraordinary, evolving with time as well!
How do you make a sound bigger?
With 100 dynamic layers of instruments, drums can be played with your MIDI pad or controller. You might also like to try out some electric drumming for an even more authentic experience!
I did the test with an 88-key keyboard and controller, it will freshen up your creative approach to drum sounds. You’ll be able to cancel out some of those simple punch triggers from other libraries too!
You can change your beats from boring to thrilling with just a few clicks. Thanks to the drum samples and their ready-to-mix sound, they offer a tight attack that’s more biting than typical orchestral scoring percussion.
Tom’s orchestral brass library is the perfect companion to her recently released percussion instrument. It can give your production an organic, live feel while giving it some bite and spice – just like Tom Holkenborg’s style! Tom Holkenborg is one of the most sought-after composers in this world, and he’s curated what many consider to be his own museum.
Find drums of different shapes, sizes and colors
The library is a unique instrument store with drums of every shape, size, and color. It features 60 different instruments so you can find the perfect sound for any project or style! Tom Holkenborg is a musical genius. He knows that sometimes the best way to get your message across, or just have some fun with instruments in general – is by using an eclectic mix of different ones! In this case, we’re talking drums from all over: tom own Surdos and tupan-built ones alike; Conga Drums lined up side by side like soldiers at attention awaiting their orders. A collection worth looking at for any aspiring musician!
Tom’s personal setup
The drumming enthusiast has been copying his personal setup for the last 8 years, which consists of a large number of instruments he acquired over that time period. Drum kits have revolutionized action film scores and can be yours with this library pack!
The orchestral instruments are made with the latest in sampling and synthesis technology to create a lush sound that’s perfect for any professional composer. In addition, the precision and attention to detail in the sound design of these instruments make them ideal for use in film scoring, video game soundtracks, and other media projects. Additionally, the flexibility of the samples and synthesis technology allows composers to tailor the sound to their specific needs and preferences. If you’re interested in exploring this cutting-edge technology further, be sure to check out the latest orb composer review to see how this software can enhance your orchestral compositions.
What are Surdos, Tupan & Taye Toms?
Surdos are a type of drum from Brazil. The Surdo is a cylindrical drum with a hole in the middle about 8 inches wide. The drum is played with the hands.
The tupan is a Brazilian drum that is played in religious ceremonies. The instrument has two parts that are played with the hands, one to hit the head and the other to manage the tension on the ropes.
Taye Toms is a one-of-a-kind drum with a sound that’s completely in league with the brilliant, iconic artist they were designed for. From their stunning Taye Black finish to their refined dimensions, these are drums that are not just played – they are honored.
Accompaniment for strings in film scores
With its rich rhythm, the bass drum and tom can be used to provide a simple yet effective accompaniment for brass and strings in film scores. The percussions also make an excellent partner with orchestral sounds such as those found on piano or cello during solo instrument performances which need extra support from syncopation without being too overbearing – just enough so they don’t get lost against all that melody going on around them!
When you have a library full of instruments and orchestras to choose from, it’s no easy task finding the right tone for your score. For the price, it’s an amazing option for composers in need of a powerful drum library. With its Orchestral Tools and Percussion section alone this is one resource that would be hard to beat if you’re looking at scoring action or trailer films. Holkenborg’s Percussion Library is a virtual instrument that puts its drums in the hands of producers and composers around the world.
An addition to my arsenal orchestral libraries
When working on any given project there are certain things that can make the process easier: having access to an arsenal orchestral libraries as well other percussive sounds is one such advantage; another would be being able to work with professional scoring format software without limits or restrictions imposed by traditional formats like vinyl records which may not always translate into digital playback environments. It sounds so cool and the sound makes me feel like I’m in another world or something.
Rating: Four out of five stars
The library presents percussion instruments from many scores, films, and movies. All of these drums were sampled and post-processed by himself over the years. They are still a key part of his template today!
This library is so deep you’ll be able to create anything from subtle rhythms, aggressive bursts of sound all the way through with over 100 layers in total. It’s not just drums either.
Tom Holkenborg’s library is perfect for scoring trailers and action scores. The sound is so clear, you’ll be able to hear every detail. You can control the dynamics in a way that will make your mixes come alive like never before! This package also includes everything else needed for making your next big beat including sampled percussion instruments and richly layered synths that will have an audience stunned in their seat while watching what’s playing up there on the screen.
Tallinn – Baltic Voices and Strings
This new library only for a few day available for a pre-order price is featuring The Estonian Philharmonic Chamber Choir and The Tallinn Chamber Orchestra
The Estonian Philharmonic Chamber Choir
Tallinn features the Grammy Award–winning Estonian Philharmonic Chamber Choir (EPCC), founded in 1981 by Tõnu Kaljuste. The choir’s repertoire ranges from Gregorian chant and Baroque music to contemporary compositions, in particular from Estonian composers.
The Tallinn Chamber Orchestra
Established in 1993, also by Tõnu Kaljuste, the Tallinn Chamber Orchestra (TCO) performs works that span the Baroque, Classical and Romantic eras to the twenty-first century. The TCO collaborates frequently with the EPCC, participating in joint performances and highly regarded recordings, including the Grammy Award–winning Adam’s Lament by Arvo Pärt.
Tallinn Walkthrough
Watch this walkthrough to get an in-depth look into Tallinn, our latest collection. The video takes you through the sound of the choir, strings, and organs, and covers mic positions and the various articulations in detail.
Explore the sound of Tallinn—featuring the world-famous Estonian Philharmonic Chamber Choir and Tallinn Chamber Orchestra plus two organs—all recorded in the iconic Niguliste church.
Pricing and Availability
Tallinn will be available on May 5, 2021 and you can pre-order now for a special price: Only €249 (regular price €399). Tallinn will be available for download on May 5, 2021.
Is this the only sample library comparison video you will ever need?
Is this the only sample library comparison video you will ever need? Let’s find out, and talk about when it makes sense comparing sample libraries … and when it doesn’t! 🙂
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