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Granulate 2 by Fracture Sounds Review

2025

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Granulate 2 by Fracture Sounds Review Morph Pad

Granulate 2 by Fracture Sounds Review

Granulate 2 was added to my library back in 2016 and is a PAD, Underscore,  and sound design tool for Kontakt 5.

It is an amazing tool for sound design and adds new ways to make use of all of the great Kontakt libraries out there (I am a huge fan of  Goliath and find it even more useful with Granulate 2). The way that everything works is by importing any WAV file into the Granulate 2 editor, giving it some time to process your file, and creating unique soundscapes, pads, textures, etc.

One thing I really like about this software is that you can import almost any sample or WAV file (the one requirement is that your files are 44.1 kHz) – so if there’s a sound that you’ve heard and you want to explore it further, simply import the WAV into Granulate 2.

The interface is very organized with a file browser on the left, the center editor window, and patch list/load buttons on the right. You can save patches for later use in your library which is my preferred way of using Granulate 2.

Granulate 2 by Fracture Sounds Evil Presence
Granulate 2 by Fracture Sounds Review

Granulate 2 Installation

Granulate 2  requires the full version of Kontakt 5.1 or above. It will NOT work in the free Kontakt Player. Some preset feature public domain samples from Philharmonia Orchestra and MusOpen.org – you may have to confirm that you can use the results commercially.

Granulate 2 Sound

Granulate 2 is an efficacious manipulation engine for modifying included ones or your own (see below) into pads, drones, textures, and rhythmic goodness.

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Textures and drones are two of my favorite sounds to create, and Granulate 2 is the perfect tool for both. I love the way you can import any WAV file into the editor and create unique soundscapes, pads, textures, etc. – so if there’s a sound that you’ve heard and you want to explore it further, simply import the WAV into Granulate 2.

The interface is very organized with a file browser on the left, the center editor window, and patch list/load buttons on the right. You can save patches for later use in your library which is my preferred way of using Granulate 2.

I’ve used Granulate 2 to create some amazing drones and textures that I’ve used in various music projects. I love the way that I can import any sound and give it a go with Granulate 2!

Granulate 2 extends notably surpassing conventional synthesizer. The engine transforms your and included samples not only in pads and drones. It also shines when generating rhythmic loops.

https://youtu.be/r7-qtAuNExM

Over 80 presets are included in Granulate 2. They are categorized by Tonal, Chordal, Atonal, and Rhythmic sounds.

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Granulate 2 by Fracture Sounds Review Directory Overview
Granulate 2 by Fracture Sounds Review Directory Overview

When released Granulate 2 used the main tool to drive the sound in the form of a Pad. The Pad is called Granulate Quad and is presented as an extended engine. Through the Pad you mix 4 different sounds and morph between the samples. Morphing pads are very common these days and are a great visual way to blend different sound sources and the possibility to generate movement.

Granulate 2 by Fracture Sounds Review Morph Pad
Granulate 2 by Fracture Sounds Review Morph Pad

Granulate 2 User interface & Usability

It is almost effortless to produce usable pad. The Kontakt library is due to the Interface design very supportive to build promptly magnificent sounding pads.

Granulate 2 by Fracture Sounds Major Bliss
Granulate 2 by Fracture Sounds Major Bliss

When you want to include your own samples and use them in Kontakt, you have to go deeper than you might when performing a Kontakt instrument. The developer provides some guidance on how you can include your own sounds. For more details go to their main website and take a look at the Manual that ships (in electronic form) with the product. One important thing to keep in mind when including your own samples is that they should be high-quality and well-recorded to ensure the best sound possible within Kontakt. If you’re looking for a comprehensive review of Spitfire Studio Strings, I recommend checking out the spitfire studio strings review on their website or other reputable music gear review sites. This will give you a better understanding of the product’s capabilities and whether it aligns with your music production needs.

The manual is basic and written for the more advanced Kontakt user. Some parts of the manual might be over the top if you just start with the sample player and available libraries.

When I back in 2016 struggled with the importing my own files someone said in a forum to me “Spend the time to learn how to import the wav’s. Its well worth it. Yes, you do have to open the Kontakt interface and drag it onto the mapping page. But once you get used to that, its a piece of cake” What can I say he was right, you learn the basics and you are set for the future.

Granulate 2 Make your own instrument
Granulate 2 – Make your own instrument

Before you use external effect plugins you can leverage the included effects: Amp, Flanger, Delay, Rotator, Transient Shaper, and Convolution Reverb.

Conclusion

Granulate 2 by Fracture Sounds is an amazing tool for creating drones, textures, and rhythmic loops. The interface is very easy to use, and the presets are categorized by type. I’ve used Granulate 2 in a number of music projects and love the results. Highly recommend!

Rating:  Four out of five stars

Granulate 2 is an excellent tool, easy to use Kontakt library to create pads, for any composer it is a refreshing extension to your toolbox. to any composer’s arsenal.

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Fracture Sounds

Fractal Sounds – Vapor Voices – Create Immersive Soundscapes With These Vocal Effects for Pigment

2025

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Fractal Sounds – Vapor Voices

Fractal Sounds – Vapor Voices for Pigments 3

What do you get when you mix vaporwave and modern classical music? The answer is something that sounds like a coloring book coming to life. Fractal Sounds is an electronic artist who creates these mesmerizing soundscapes with influences from both genres.

If you’re looking for something to relax your mind and take you on a journey, the latest release, Fractal Sounds – Vapor Voices for Pigments 3, is worth a “look”. Each “soundset” feels like its painting, with layers of pads and synthesizers that create an ethereal atmosphere. Whether you’re new to the genre or just looking for some new music to relax to, be sure to check out the soundset for Pigments 3 below!

Fractal Sounds Shamanic Voices for Pigments 3
Fractal Sounds – Shamanic Voices for Pigments 3

Shamanic Voices and Vapor Voices

Shamanic Voices and Vapor Voices for Pigments may not share the same universe, but they offer readers a unique and engaging experience. Shamanic Voices tells the story of a young woman who discovers her shamanic powers and must use them to defeat an evil spirit. Vapor Voices for Pigments, on the other hand, follows the adventures of a group of teens who discover they can control pigments with their minds.

Fractal Sounds – Vapor Voices for Pigments 3 Vapor
Fractal Sounds – Vapor Voices – Create Immersive Soundscapes With These Vocal Effects for Pigment

Despite their differences, both soundsets share a sense of adventure and intrigue to appeal to readers. In addition, both Pigment soundsets are designed in an alluring and engaging style that will keep listeners occupied from beginning to end. Whether you’re looking for an exciting new world to explore or want to be considered, Shamanic Voices and Vapor Voices for Pigments are sure to please your audience.

Zoe Sol’s Voice

Fractal Sounds is always looking for new talent, and they struck gold when they found Zoe Sol. She’s a classically trained opera singer with a powerful voice that can fill any room. But what Fractal Sounds loved about her was her versatility. Zoe can sing in various styles, from metal to pop to jazz. And she’s not afraid to experiment with her voice, which is why Fractal Sounds knew she was the perfect person to provide vocals for their latest preset pack. With her incredible range and willingness to try new things, Zoe Sol is sure to become a favorite among Fractal Sounds fans.

Fractal Sounds – Vapor Voices Soundset for Pigments 3

Vapor Voices is an ethereal and mesmerizing vocal soundscape that will transport you to another realm. Zoe Sol’s voice is beautifully integrated within Pigment’s granular synthesis engine, creating a lush and deep soundscape that is both dreamy and futuristic. The result is a truly unique and otherworldly experience perfect for relaxation or deep meditation tracks.

If you’re looking to add a little zen to your youtube channel, why not try creating your relaxation or deep meditation tracks? You can use anything from classical music to nature sounds to create a calming and soothing atmosphere. Just make sure to choose a style that fits your overall channel theme. You don’t want your viewers to be confused when they stumble across your relaxation tracks while trying to watch a funny cat video!

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Once you’ve created your tracks, all you need to do is add some visualizations or relaxation techniques, and you’re good to go. Your viewers will appreciate having a place to relax and unwind, and you’ll provide them with valuable content that they can use repeatedly. So why not give it a try? You might get a little calmer and more relaxed in the process!

Whether you are looking to escape the hustle and bustle of everyday life or connect with your higher self, Vapor Voices will take you on a journey you will never forget.

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Fracture Sounds

Percussion Sample Library made of Cardboard Boxes? | Fracture Sounds Box Factory

2025

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Fracture Sounds Box Factory

Ok, I was skeptical when I heard of that Kontakt percussion sample library made of cardboard boxes. In this video, let’s explore Fracture Sounds Box Factory and how to spice up your existing compositions and percussion sample libs. Fracture Sounds’ Box Factory stands out as a unique and innovative percussion sample library that offers a fresh take on traditional percussion sounds. With its unconventional source material, the library brings a new level of creativity and originality to compositions. One of the standout features of Box Factory is its instrument placement solution, allowing for easy and intuitive organization and manipulation of the various sound sources within the Kontakt interface. This makes it incredibly versatile and easy to integrate into existing compositions and percussion sample libraries.

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Virtual Instrument Library

Box Factory an Unprecedented Cinematic Percussion Kontakt Library

2025

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Box Factory an Unprecedented Cinematic Percussion Kontakt Library

Box Factory by Fracture Sounds

Fracture Sounds released a new Kontakt library for the free Kontakt Player. Box Factory is an unusual cinematic percussion library prepared for professional composers and producers alike, featuring a huge 40-piece ensemble of cardboard boxes, masterfully sampled in a concert hall.

Box Factory an Unprecedented Cinematic Percussion Kontakt Library box factory main page shadow 3
Box Factory an Unprecedented Cinematic Percussion Kontakt Library 60

Fracture Sounds assembled six performers and 40 boxes of different shapes and sizes in a concert hall and curated 13 unique ensembles ranging from large to small boxes with a range of stick types and performance techniques.
The sound of Box Factory is familiar, yet totally unique. It is presented in a way that will feel at home if you’ve used any other percussion library – you can approach it in the same way as you would toms, taikos, and snares – yet it offers a certain organic, raw, and tactile sound that is unlike any conventional percussion instrument.
Whether used as the sole percussion instrument in composition (as is the case with all the demo tracks on this page), or layered with other drums, the diverse tones and flexible sound-shaping controls offered by Box Factory will be an essential sonic ingredient for anyone looking to freshen up their percussion palette.

Box Factory Sound

Fracture Sounds returned to the same concert hall where they recorded Glacier Keys, Frozen Percussion, Dulciano, and many others. Using a selection of 32 top-shelf microphones from Neumann, Coles, DPA, and Sennheiser, Fracture Sounds captured the ensembles from multiple perspectives in the room. From these recordings, the company created four distinct mixes – NaturalAggressiveGritty, and Snappy – giving you a diverse palette of sounds to complement any musical style.

Natural – This mix is the closest sound to the source recordings. With just some gentle processing to enhance and polish the raw recordings, the Natural mix is perfect for those situations where an organic, un-hyped sound is required.

Aggressive – With a carefully selected processing chain, the Aggressive mix turns up the heat and adds some extra dirt and girth. The heavy compression and saturation in this mix bring out the ambiance in the room mics, and this can be manipulated further with the ‘Punch’ and ‘Decay Trim’ controls to yield a wide range of results.

Gritty – This mix chain uses some pretty unusual processes (including running the signal through a bass amp!), and offers a very powerful sound with some real mojo, and a particular emphasis on the mid-range. The Gritty mix is Fracture Sounds personal favorite.

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Snappy – While the Aggressive and Gritty mixes are focused on hyping the raw recordings so they sound larger than life, the Snappy mix is the opposite. This mix offers short and snappy hits with sharp transients and a less roomy sound. With an emphasis on dynamic range, the Snappy mix is super responsive under the fingers and feels great to play.

Each of the four mixes includes three individual microphone perspectives (Close, Mid, and Far). These signals can be blended with ease using the ‘perspective’ slider, or controlled with greater precision using the separate microphone faders, letting you dial in the perfect amount of ambiance, whether you want a dry ‘studio’ sound or a spacious sound that sits at the back of a mix.

Rhythm Engine

The Rhythm page contains a step sequencer for easily creating tempo-synced rhythms. Velocity and lp/hp filter cutoff can be controlled per-step by dragging across the interactive tables. When the Rhythm Engine is engaged, pressing a key will play the inputted rhythm using the articulation assigned to that key.

box factory rhythm engine page shadow
Box Factory an Unprecedented Cinematic Percussion Kontakt Library 61

Pricing and Availability

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Box Factory is available now.

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