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Danny Elfman and Filter frontman Richard Patrick discussed new music, film scoring and their creative plans in an interview recorded backstage at Louisville’s Louder Than Life and published by Consequence. Elfman said his next album and a related film are due around the beginning of 2027; Patrick said Filter’s The Antidote is targeted for the first quarter of 2027.
Danny Elfman and Richard Patrick discussed forthcoming records, film scoring and their increasingly heavy musical directions in a new Kyle Meredith interview published by Consequence. Elfman said his next album, accompanied by a film, is due around the beginning of 2027, while Patrick said Filter’s The Antidote is targeted for the first quarter of 2027.
The conversation was recorded backstage at Louisville’s Louder Than Life festival, where Elfman and Patrick spoke separately with host Kyle Meredith. Consequence published the episode in October 2026 and made it available through podcast platforms and video. The interview offers the artists’ own descriptions of projects that are still forthcoming, rather than confirmation of final release dates or complete track and production details.
Elfman described his next album as a follow-up to Big Mess and said it will be paired with a film featuring Caleb Landry Jones, Slash and Thundercat. He characterized the project as “a fanboy David Lynch homage.” He also discussed his current live performances, which combine Oingo Boingo material, music from his film scores and abrasive solo work. Elfman called that mix “a mishmash of my brain.”
Patrick said Filter’s The Antidote grew out of momentum from The Algorithm and is expected in the first quarter of 2027. He described the record as making room for both forceful industrial sounds and more melodic passages. He also talked about A Place to Kill, a separate project that he summarized as “Skinny Puppy with hooks,” and about writing music for film, which he said requires serving another person’s story.
Two Rock Projects Point to 2027
The interview gives listeners an early account of two planned releases from established artists, while showing how each is balancing multiple forms of work. Elfman is linking an album to a film and continuing to draw from his stage, soundtrack and solo careers. Patrick is developing a new Filter record while also pursuing a harsher industrial project and composing for film.
The timing matters to fans following both acts: the artists place their respective album plans in early 2027, creating a broad release window to watch. But the remarks are previews, not a detailed release announcement. The interview does not supply confirmed day-by-day schedules, track lists or full production credits, so listeners should treat the timing as the artists’ current plans.
The discussion also provides a direct account of the musicians’ stated creative priorities. Patrick said he is “getting heavier as I get older, like meaner,” while describing the contrast between Filter’s aggression and the more melodic material planned for The Antidote. Elfman’s description of a live set drawing on several parts of his career suggests a similarly broad approach, though the conversation does not set out a fixed program for future performances.
Danny Elfman film score soundtrack
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From Big Mess to New Scores
Elfman’s planned record follows Big Mess, the solo album named in the interview. Consequence’s report says his return to performing began after an experience at Coachella helped persuade him to get back onstage. His current set brings together Oingo Boingo songs, film music and solo material, rather than focusing on just one part of his catalogue.
He also discussed scoring Gus Van Sant’s Dead Man’s Wire, describing experiments with harp, bass and percussion. Separately, Elfman said he listens to Tool’s Fear Inoculum while getting tattoos, joking that he has heard the full album around 40 times without knowing the name of a single song. These remarks offer personal context, but the report does not connect that album directly to his upcoming record.
Patrick traced some of Filter’s industrial influences to Ministry and his friendship with Al Jourgensen, which he said dates to his Nine Inch Nails days. The report places The Antidote after Filter’s The Algorithm and distinguishes the band’s forthcoming album from A Place to Kill. Patrick also described film scoring as work that asks him to support someone else’s narrative, while saying he feels compelled to keep making music.
“It’s kind of a fanboy David Lynch homage.”
— Danny Elfman, in the Kyle Meredith interview
Release Details Still Pending
The release dates remain targets, not confirmed dates: Elfman said his album is due at the beginning of 2027, and Patrick placed The Antidote in the first quarter of that year. The interview does not specify exact days, label announcements or whether either schedule could change.
Further details about Elfman’s accompanying film are also limited. The report names Caleb Landry Jones, Slash and Thundercat, but does not explain their roles, describe the film’s plot or provide a release plan. It also does not give track lists, recording timelines or complete credits for either artist’s upcoming album. Patrick’s comments about A Place to Kill do not establish a release date for that project.
Watch for Dates and Project Details
The next developments to look for are formal release announcements, including exact dates and further album information. Elfman’s comments point to an album and companion film around early 2027; Patrick’s stated window for The Antidote runs through the first quarter of the year.
For now, listeners can hear or watch the full Kyle Meredith conversation through the podcast platforms and video linked by Consequence. The interview is the current source for the artists’ plans; the report does not announce a new release date, a track list or a premiere for the accompanying film.
Key Questions
What did Danny Elfman and Richard Patrick announce?
In a Consequence podcast interview, they discussed planned albums, film-scoring work and other projects. Elfman described a new album with a companion film, while Patrick discussed Filter’s The Antidote and his separate project A Place to Kill.
When is Danny Elfman’s next album expected?
Elfman said it is due around the beginning of 2027. The interview did not provide an exact release date.
When is Filter’s The Antidote expected?
Patrick said the album is targeted for the first quarter of 2027. That is a planned window, not a confirmed release day.
Who is named as part of Elfman’s accompanying film?
The report names Caleb Landry Jones, Slash and Thundercat. It does not specify their roles or provide the film’s plot or release schedule.
Where was the interview recorded?
Elfman and Patrick spoke separately with Kyle Meredith backstage at Louisville’s Louder Than Life festival. Consequence published the episode in October 2026.
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