The dulcitone celesta is a unique tuning-fork piano that has a vibrant and mellow sound. This instrument was built around 1910 and has a beautiful patina that gives it a unique look.

The dulcitone celesta is perfect for composers who are looking for an instrument with a new sound. Pjotr Tschaikowsky wrote some parts of his Nutcracker for a celesta like the dulcitone. The dulcitone is a unique and intriguing instrument that has captured the imagination of musicians for centuries.

A Unique Tuning-Fork Piano With a Vibrant, Mellow Sound

Also known as a celesta, the dulcitone is a keyboard instrument that uses metal plates instead of strings to produce sound. The dulcitone first appeared in the early 19th century, and it was immediately hailed as a new and exciting addition to the world of music.

Pjotr Tschaikowsky was one of the first composers to experiment with the dulcitone, and he wrote several pieces specifically for the instrument. However, due to its relatively quiet sound, the dulcitone was often overshadowed by louder instruments such as the glockenspiel.

Thanks to modern technology, this is no longer an issue – today, the dulcitone can be easily amplified using a sampler, making it a perfect choice for use in an orchestra. As a result, the dulcitone is once again gaining popularity amongst musicians of all genres.

The celesta is a type of keyboard instrument that has been around for over a century. Though it was once considered a novelty item, the celesta has seen a resurgence in popularity in recent years. This is largely due to the fact that the celesta is the acoustic ancestor of the most popular vintage electric pianos.

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Sound Principles as The Celesta

These instruments share the same basic sound principles as the celesta, but they have a much wider range of sound options. As a result, the celesta has become an essential tool for many musicians. In addition to its unique sound, the celesta is also known for its wide range of dynamics.

This makes it an ideal choice for any track that requires a warm and full bass sound. Whether you’re looking for something new and different or you’re trying to recreate the sound of a classic electric piano, the celesta is sure to meet your needs.

Unique and Beautiful Instrument

The Dulcitone is a unique and beautiful instrument, but it can be very difficult to play. The celesta is an original Dulcitone, and it offers a very rough-running and tight dynamic response. Capturing the dynamic shades of the instrument, realsamples recorded every note with 8 samples. This makes it very hard to play, but the results are worth it. The Dulcitone celesta is a truly special instrument, and it is worth the effort to learn how to play it correctly.

Part of The Package

The Dulcitone is a unique and little-known instrument that has been brought to new life through the power of sampling. The Dulcitone includes presets for the Kontakt software sampler, which allows users to access nearly 1,500 single samples.

In addition, the library contains an essay in German from collector Andreas Beurmann, explaining the background of the instrument. The Dulcitone is a fascinating tool for creating new and original sounds, and with the included presets, it is easy to get started. Whether you are a beginner or a seasoned pro, the Dulcitone is sure to add a new dimension to your music.

Realsamples The Company

Nicolay Ketterer founded realsamples in 2003 with a focus on large sample libraries that provide authentic virtual representations of acoustic instruments. In 2007, realsamples released the Edition Beurmann, a collection of historical harpsichords, spinets, and pianos.

The following year, the company released a virtual version of the Luthéal, an instrument residing at the Musical Instruments Museum (MIM) in Brussels. Today, realsamples continues to produce high-quality virtual instruments for music producers and composers around the world. With over a decade of experience in the industry, realsamples has firmly established itself as a leading provider of virtual musical instruments.

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Dulcitone Celesta

The Dulcitone Celesta is a recording studio in a box, and it delivers stunning results. The unit is packed with top-notch gear, including Neuman or Wagner mics, Crane Song preamps, and Universal Audio conversion.

The sound quality is superb, and the unit is easy to use. The price tag is a bit steep, but the Dulcitone Celesta is worth every penny. If you’re looking for the ultimate recording studio experience, the Dulcitone Celesta is the way to go. Thanks for your time.

Composing a Film Score or Trailer Music

Composing a film score or trailer music with a Dulcitone Celesta can be a challenge, but the rewards are worth it. The Dulcitone Celesta is a unique instrument that combines the best features of a keyboard and a percussion instrument.

The resulting sound is both powerful and delicate, making it ideal for movie trailers and other types of cinematic music. In order to get the most out of this instrument, it is important to understand how to use its unique capabilities.

For example, the Dulcitone Celesta can be played in two different ways: by striking the keys with your hands or by using a mallet. Each method produces a different sound, so it is important to experiment and find the right balance for your composition. With a little practice, you will be able to create film scores and trailer music that are truly unique.

The harpsichord is a keyboard instrument that was popular in the Baroque period. It produces a sound that is similar to a piano but has a more delicate texture. In this blog post, we will be discussing the Realsamples Austrian Harpsichord library.

Austrian Harpsichord – Edition Beurmann by Realsamples

This library features an instrument built by Johann Anton Miklis in 1671 in Prague. The harpsichord offers all three sounds of the instrument – the sonorous 8-foot stop, the sweet and jangly 4-foot stop, and the recorded combination of both. If you are looking for a rich and slinky-sounding harpsichord, then this library is definitely for you!

Austrian Harpsichord – Edition Beurmann 

The Austrian Harpsichord Library houses an instrument created by Johann Anton Miklis in 1671 in Prague, which was owned by Austria at the time. It has three notes – 8′, 4′ register, and a combination of both – demonstrating the deep and sinuous quality of Austrian-built instruments that Mozart would have played.

The harpsichord is characterized by its lavish and sinuous tone. It’s likely that Mozart would have been familiar with Austrian-built instruments, as they sound similar to the ones he played. The Realsamples Austrian Harpsichord library includes a harpsichord created by Johann Anton Miklis in 1671 in Prague (which was an Austrian city at the time).

The instrument is not touch-sensitive like a piano, as with all harpsichords. However, striking a note might not always produce the same result due to differences in soundboard and string resonances.

This pack contains all three tones of the instrument — a sonorous 8-foot stop, a pleasant and jangly 4-foot stop, and a recorded combination of both.

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Almost 1.600 single recordings are available in the sample library. Many samplers have previously used the same digital sample of a harpsichord. Realsamples used up to eight variations of each note in order to avoid the machine-like effect. The delicate key release noises were recorded using four samples per note.

The Valotti-tuning of the harpsichord is 392 Hz, as indicated in its original label. Presets with a 440 Hz pitch and equal temperament tuning are also accessible.

Austrian Harpsichord – Edition Beurmann

It is downsampled from its original 192 kHz/24 bit frequency to 44.1 kHz/24 bit before being recorded. The song was previously sampled at 192 kHz/24 bit and is now downsampled to 44.1 kHz/24 bit. It was included in the collection put together by musicologist Andreas Beurmann.

Conclusion

The Realsamples Austrian Harpsichord library features an instrument built by Johann Anton Miklis in 1671 in Prague. This harpsichord offers all three sounds of the instrument – the sonorous 8-foot stop, the sweet and jangly 4-foot stop, and the recorded combination of both. If you are looking for a rich and slinky-sounding harpsichord, then this library is definitely for you!

Austrian Harpsichord FAQ

What is the difference between a harpsichord and a piano?

The main difference between a harpsichord and a piano is that the former is not touch-sensitive. With a harpsichord, you have to hit the key with the same force in order to produce the desired sound. Pianos are more forgiving in this regard, as you can vary the intensity of your playing. Additionally, harpsichords usually have strings that run parallel to one another, while pianos have strings that cross each other. This makes the latter instrument louder and brighter sounding than its Baroque counterpart.

What type of tuning does an Austrian Harpsichord use?

An Austrian Harpsichord uses Valotti tuning, which is 392 Hz. There are also presets available that use 440 Hz tuning and equal temperament.

How many samples are included in the library?

The Austrian Harpsichord – Edition Beurmann library includes almost 1600 single recordings. This ensures that you will get a realistic sounding harpsichord no matter what note you play. Additionally, four different samples were used to capture the key release noises for a more lifelike experience.

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What is the Valotti-tuning of an Austrian Harpsichord?

The Valotti-tuning of an Austrian Harpsichord is 392 Hz. This means that the pitch of each note is lowered by a whole step when compared to the standard concert pitch (440 Hz).

How many variations of each note are included in the library?

There are up to eight variations of each note included in the Austrian Harpsichord – Edition Beurmann library. This prevents the harpsichord from sounding too machine-like when playing repeated notes.

Is the harpsichord touch-sensitive?

The Austrian Harpsichord is not touch-sensitive, which is true for all harpsichords. This means that you have to hit each key with the same force in order to produce a consistent sound.

What is the difference between an Austrian Harpsichord and other types of harpsichords?

Austrian Harpsichords are known for their rich and slinky texture. This is due to the way they are built, with strings that run parallel to one another. Additionally, the Valotti-tuning gives these instruments a unique sound that is different from other types of harpsichords.

How many stops does an Austrian Harpsichord have?

An Austrian Harpsichord has three stops: a sonorous eight-foot stop, a sweet and jangly four-foot stop, and a recorded combination of both. This allows you to create a variety of sounds with your instrument.

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Can I use an Austrian Harpsichord in my compositions?

Yes, you can definitely use an Austrian Harpsichord in your compositions. The library includes presets that are compatible with a variety of DAWs, as well as MIDI files for added flexibility. You can also adjust the tuning and key to match the sound you are looking for.

What is the difference between a harpsichord and a clavichord?

The main difference between a harpsichord and a clavichord is that the former has strings that run parallel to one another, while the latter has strings that cross each other. This makes the clavichord louder and brighter sounding than its Baroque counterpart. Additionally, the clavichord is touch-sensitive, while the harpsichord is not. This means that you can vary the intensity of your playing on a clavichord, while harpsichords are more consistent in terms of sound.

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For just $19.99 (instead of $219.90), get the Piano Pioneers Bundle from REALSAMPLES (Affiliate Link) featuring 2 unique sounding piano libraries from their Beurmann series: Dulcitone Celesta and Early Pianoforte!

Early Pianoforte

Early Pianoforte – one of the earliest pianoforte instruments, built by Johann Andreas Stein built in Augsburg in 1793

Clearly showing influences of harpsichords of that time, the instrument offers an uncommon piano sound: Svelte, present and with courtly elegance. The Stein instruments were a personal favourite of Mozart.

The pianoforte is sampled in its original pitch at 417 Hz (presets at 440 Hz included as well). We captured the sound with 32 velocity layers of each note. Furthermore, we recorded the key release sounds of each key in eight variations.

The sample library contains over 2.500 single samples.

Dulcitone Celesta

Built around 1910 by Dyson & Sons, this unique small tuning-fork piano sports a vibrant, mellow and charming sound remeniscent of a vibraphone, glockenspiel, marimba or a piano. The Dulcitone is the ancestor to the orchestral Celesta. Providing a warm and full bass, it is great for any track demanding an unconsumed yet familiar sound.

An original Dulcitone celesta is very hard to play, offering rough-running and tight dynamic response. We captured the sound with 8 velocity layers per note. Furthermore, we recorded 4 key release sounds per key. The library contains two versions of the instrument, recorded with different stereo settings.

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The sample library contains nearly 1.500 single recordings.

Built around 1910 by Dyson & Sons, the unique Dulcitone Celesta is a small tuning-fork piano sporting a vibrant, mellow and charming sound reminiscent of a vibraphone, glockenspiel, marimba and a piano.

The Early Pianoforte library offers the unique sound of a historical pianoforte by Johann Andreas Stein built in Augsburg in 1793.

Both libraries in this bundle come with presets for Native Instruments™’ Kontakt® sampler (full version required)

Pricing and Availability

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Originally $219.90, the Piano Pioneers Bundle (Affiliate Link) is now available for just $19.99 for a limited time only – you save $200! This is an amazing offer you should not miss!