Royalties are payments made to the owners of copyrights for the use of their intellectual property. In the context of scoring, royalties are payments made to composers for the use of their music.
Royalty rates vary depending on the type of scoring being used, with higher rates typically charged for the use of popular music. In addition, the length of the scoring and the territory in which it will be used also play a role in determining royalty rates.
Film Scorers Do Get Royalties
For example, a composer who writes a piece of music that is two minutes long and will be used in a film that is shown in theaters in North America would charge a higher royalty rate than a composer who writes a piece of music that is two minutes long and will be used in a film that is shown in theaters in Europe.
The bottom line is that film scorers do get royalties, but the amount they receive depends on a number of factors.
Flat Fee is Common
Film music is one of the most important, and yet least understood, aspects of the filmmaking process. A great film score can elevate a movie from merely good to truly great, while a bad one can drag even the best film down.
Given its importance, it’s no surprise that composing music for the film is a highly sought-after gig. In most cases, composers are paid a flat fee for their work. However, in some cases, producers own the copyright to the original music in a “work for hire” contract.
In these cases, composers still maintain financial interests in the copyright and receive a portion of the royalties called a public performance fee. No matter how they are compensated, composing music for the film is challenging and rewarding.
While a flat fee is the most common way that composers are paid for their work on a film, there are a number of other ways that they can receive compensation. In some cases, producers may own the copyright to the original music in a “work for hire” contract.
How Much Is in For the Composer
A composer’s skill lies in creating beautiful music, not in marketing or negotiating usage rights. For this reason, many composers choose to hire a music publisher to handle these tasks. In most cases, the publisher will take a commission of around 10%.
This may seem like a high fee, but it’s important to remember that the publisher is taking on all the risk. If the score is not successful, the composer will not owe the publisher anything. In contrast, if the score is successful, the composer will reap the benefits of having his work used in film and television.
Given the high stakes involved, it’s easy to see why most composers choose to leave these matters in the hands of professionals.
Filmmakers Want to Keep Production Costs Low
As a filmmaker, you are constantly under pressure to keep production costs low. This can lead to offers that are far below industry standards, but it is important to remember that you have the right to negotiate a fair price for your work.
When you are approached with an offer, take the time to consider the scope of the project and the level of compensation that you deserve. If the offer is below your expectations, don’t be afraid to counter with a fair price. Remember, your work has value and you should be compensated accordingly.
Conclusion
Film scorers do get royalties, but the amount they receive depends on a number of factors. In most cases, they are paid a flat fee for their work, but in some cases, producers own the copyright to the original music in a “work for hire” contract.
How much the composer receives in royalties also depends on how the music is used and in what territory. Ultimately, it is up to the composer to negotiate a fair price for their work.
Film Scorers Do Get Royalties FAQ
What is a flat fee?
A flat fee is a one-time payment for a specific project. It is the most common way that composers are paid for their work on a film.
What is a public performance fee?
A public performance fee is a royalty that composers receive when their music is used in a public setting, such as in a film shown in theaters.
How much does a composer typically earn in royalties?
The amount of royalties earned depends on many factors, such as the use of the music and the territory in which it is used. In general, composers can expect to earn around 10% of the total budget for the film.
What is a work for hire contract?
In a work for hire contract, the producer owns the copyright to the original music. This type of contract is often used when the composer is paid a flat fee for their work.
How can I ensure that I am fairly compensated for my work?
The best way to ensure that you are fairly compensated is to negotiate a fair price upfront. When you are approached with an offer, take the time to consider the scope of the project and the level of compensation that you deserve. If the offer is below your expectations, don’t be afraid to counter with a fair price. Remember, your work has value and you should be compensated accordingly.
