The art of retouching clip from room.tv a Venice, CA based company shows how clips are polished these days.

This clip and the ones on room.tv web site shows a great before and after comparison from the wonderland of retouching. On room’s website you find more fx & design examples of their recent work. room’s mission is to merge editorial, motion graphics, computer animation and sound design into a complete creative experience. room edits commercials, music videos and films, design CG effects and title sequences and more.

room’s team members are:

Jeff Selis (editor), Elisa Bonora (editor), Bill Pollock (online artist/editor), Elad Marish (composer/designer), Brandon Toh (sound designer/mixer), John Musemecki (cgi arist) & Jason Barager (executive producer)

Are you looking for an authentic, vintage tone? Look no further than TONEX. IK Multimedia’s groundbreaking software and app ecosystem give you access to thousands of amp and pedal rigs to find the perfect sound for any situation.

And IK Multimedia AI-powered machine modeling delivers indistinguishable results from the real thing. So whether you’re practicing at home, jamming with friends, or performing live, TONEX has the perfect tone for you. Plus, the IK Multimedia system is easy to use so that you can turn your real amps, cabs, pedals, and complete rigs into your Tone Models in minutes.

AmpliTube TONEX Ecosystem

IK Multimedia has just released AmpliTube TONEX, a revolutionary new product that uses AI Machine Modeling technology to create Tone Models of guitar and bass gear. With TONEX, you can capture the sound of any amp, cabinet, combo, or pedal and turn it into a Tone Model, all with ease and sonic accuracy that’s virtually indistinguishable from the real thing. This is a massive breakthrough in rig modeling, and IK Multimedia is the first company to bring this technology to market.

If you’re a musician, there’s a good chance you’ve struggled with getting the perfect sound out of your rig. And if you’re a studio engineer, there’s a good chance you’ve worked with getting your clients’ rigs to sound exactly how they want them to. But what if there was a way to get the perfect sound every time, without all the hassle?

Enter TONEX Mac/PC, the revolutionary new rig modeling software that uses AI Machine Modeling technology to let users capture the sound of any amp, cabinet, combo, or pedal and turn it into a Tone Model. With TONEX, you can get the exact sound you’re looking for with ease and sonic accuracy that’s virtually indistinguishable from the real. So if you’re looking for the perfect tone, look no further than TONEX Mac/PC.

AI Machine Modeling

TONEX is a new AI Machine Modeling™ technology that enables guitarists to model the sound of any amp, cabinet, or combo with accuracy virtually indistinguishable from the real thing. IK’s robust deep learning network lets you model your rig’s tone in minutes using accurate guitar signals, not just test tones, for a level of authenticity like you’ve never imagined.

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Create Your Tone Models

Ever wanted to clone your favorite rig? Now you can, with IK Multimedia’s new AI Machine Modeling software. Just record the sound of your rig using an IK Multimedia particular guitar/bass capture track, and feed it into IK Multimedia software with the original DI track.

In minutes, IK Multimedia AI software will generate an exact algorithm of the modeled rig. The result is a hyper-realistic, dynamic clone of your rig, called a “Tone Model.” Tone Models include every nuance of the amp and pedal in vivid detail. With advanced technology, you can even model an amp and cabinet together, then virtually separate the two to try other cabinets. Plus, the algorithm can capture an entire rig, including harmonically complex fuzz, overdrive, or other distortion pedals in front of an amp. So why wait? Clone your favorite rig today with IK Multimedia AI Machine Modeling software.

TONEX App

Coming soon to an App Store near you, the TONEX App lets iOS users use Tone Models on their mobile devices and experience the power of AI Machine Modeling, minus the modeling capability. TONEX App works both as a standalone app and as an AU plug-in for recording inside all the major mobile DAWs and includes the same Player section as TONEX Mac/PC software to play and practice.

Owners of TONEX Mac/PC will be able to use the free TONEX App and sync their Tone Model library seamlessly between desktop and mobile devices in the studio, at home or on the go. So whether you’re a musician who likes to record on the go or a producer who wants to take their work with them when they travel, the TONEX App will be a welcome addition to your arsenal.

Model library seamlessly between desktop and mobile devices in the studio, at home or on the go. So whether you’re a musician who likes to record on the go, or a producer who likes to take their work with them when they travel, the TONEX App will be a welcome addition to your arsenal.

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Conclusion

TONEX has always been committed to providing the best tone modeling system available. And now, for the first time, we’re making it available to everyone – regardless of budget. With our new TONEX ecosystem of products, you can start with just the accessible version of the software or app.

Or, if you need more power and flexibility, you can upgrade to one of our affordable download plans. Either way, you’ll get the most advanced tone modeling system available. So why wait? Get started today and experience the difference TONEX can make.

With over 1000 rigs instantly available to play, TONEX gives you access to the rarest and most sought-after amps ever made. Plus, you can model your guitar and bass rigs in minutes. And with ToneNET integration, you can share your Tone Models with other TONEX users worldwide. So what are you waiting for? Get TONEX today and start taking your guitar playing to new heights!

In the world of music production, mixing a song means many things. Mixing can improve the song’s sound, create a unique production style or enhance a song’s performance. The process of mixing involves balancing and adjusting the levels and dynamics of each sound. You can also add effects to the recording such as reverb.

Compression

Compression is one of the most important steps in mixing a song. It can reveal details or obscure important parts. The right compression level enhances basic musical qualities such as the groove and complements the vocalist. The genre of music and your preference will determine the amount of compression needed.

There are two main modes of compression: attack and release. Attack determines how quickly the signal is compressed, and release controls how long it stays in effect. Mixing vocals is a complex process that requires both attack and release controls. Release controls the level of compression that remains after compression has finished. Compression should be set at an appropriate level to compensate for the attenuation, and release time should be set at a level that sounds balanced and natural.

Compression affects the overall dynamic range of a signal. It reduces the difference between loud and soft parts of a track, and helps to emphasize the emotions of a song. The compression also helps to control the volume so that a vocalist does not become too loud.

Panning

Panning can be a powerful tool when mixing a song. It creates the illusion of space and helps to balance vocals and instruments in a mix. It works best when it is used with instruments with similar or overlapping frequencies. It is best to panned lower-frequency instruments like vocals and snares towards the center. High-frequency instruments such as synths or ambiences should be panned either to the left or the right.

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When mixing a song, you should first determine the type of instruments you plan to use. For example, if the track is a pop song, the drums and bass should be panned in the middle of the mix. If you are mixing a dance song, however, you should pan the drums and bass to the right, and the lead vocals should be panned in the middle.

Panning is the most important tool when mixing a song. It determines where an instrument is located on the mix’s left and right walls, as well as how close it is to the walls. While panning is often overlooked, it can give your mix a huge amount of room.

EQ

When mixing a song with EQ, your goal is to make all of the elements fit together. You may have to reduce the lower-mids and upper-end frequencies in some cases to make the song flow better. You may also want to increase the low frequencies of a track and decrease its highs. However, be careful not to go overboard.

The way that you use EQ can make or break your mix. You might want to reduce certain frequencies so that a solo track sounds less sharp. This will make it easier for you to understand the sound of the song. Another common reason to use EQ is to filter out low-end sounds from reverb returns.

While EQ is the most basic tool for mixing a song, it is a powerful tool that can completely change the sound of any song. When used correctly, it can enhance the fundamental characteristics of an instrument while repairing unwanted frequencies. However, the best results can’t be achieved without a thorough understanding of the various EQ features and how they work.

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Reverb

The most important aspect of mixing a song with reverb is to understand the effect. This effect is used to add depth and ambience to a recording. In addition, it can be used to create a sense of space. To achieve the most realistic effect, you should use a longer delay (more than 130ms) than a short delay (less than 50ms). Adding a longer delay will create the illusion of depth and a sense of depth, while a short delay will make the signal sound more compressed.

Reverb is a very common tool for audio processing. It can be used to recreate specific acoustic environments. However, reverb can be overused. It is important that you know how much reverb you should use. You can choose to use a lesser amount of reverb if you don’t need it.

Reverb can have a dramatic effect on the master of a song but it should be used with care. You should always check the width and depth of your song before applying reverb. Incorrect use can lead to unnatural sound that sounds unintelligible.

Dynamic swings

Mixing a song can be a delicate balance of dynamic swings and softer play. This can be a soft, smooth mix or a hard-edged, pedal to the-metal mix, depending on the song. It all depends on your experience and how you scoop it out.

Mixing a song should be done with an eye toward its end. If a song is primarily vocal you should think about how it will sound. Visualize the overall mix in terms frequency and colors. If you want it to sound vibrant, try to imagine the song’s ending as a spectrum of reds. You might also consider making minor cuts to instruments that can interfere with vocals.

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Balance

Mixing a song is about ensuring that each component is in balance with all the other elements. You won’t need any additional processing to make the track coherent. If everything is balanced, it will sound cohesive. If the mix is not balanced, it will sound unbalanced. This may require further processing.

Mixing a song means balancing its various parts, adjusting levels, and panning. Balancing can be a tedious process with many steps. The first step is to listen to every track. To do this, you should set all the faders to a lower level. You should also make note of the sound of each track and the names of the other tracks. Temporarily muting tracks is another way of ensuring that the mix is balanced.

Tonal balance can vary depending on the artist, genre, and dynamics. If a song is too dark, under-emphasized, or over-emphasized, the song will sound “off” or “muddy.” It’s important to know what kind of sound you’re after and what you’re comfortable with. Once you’ve determined the general sound you’re after, start listening to the song to get a feel for the balance between different components. Usually, you’ll want to cut down on low frequencies and add more high frequencies.

Automation

Automation is an important part of mixing a song. Automation can be used to enhance vocal clarity and smooth out instrumentals. By using automation in a song, you can enhance vocal clarity or smooth out virtual instruments. You can achieve desired results by setting up automation rides for the most important instruments. You can also use automation in a song to achieve a certain effect such as a phaser.

One of the most important uses for automation is the volume control. Automation is essential for lead vocals because they require volume control. Volume automation is used to control the volume and reduce harsh sounds. It is essential to use automation carefully, and you should use it sparingly.

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Automation can also be used to master. Automations are usually performed using one channel. However, some automations can be done on multiple tracks.