Synthesizer
PlugInGuru Updates Unify to Version 1.1.10
2025
PlugInGuru Unify 1.1.10 UPDATE
Unify is a TOTALLY UNIQUE Plug-In that combines over 50 plug-ins when installed, producing over 500 John Lehmkuhl designed patches with a powerful HOST plug-in that can load all of your Instruments, Audio Effects and MIDI Effects in a flexible and fun environment! It also comes with 505 patches and over 3.5GB of samples from John’s 12 PlugInGuru sample-based libraries that were originally designed for Omnisphere 2.
Version 1.1 brings 2 new MIDI Effects to the family: MIDIBox and JitterBox. 4 new reverb audio effects are also added in this free update along with interface enhancements and a bunch of new capabilities! Seamless Play is one of the coolest things – you can now right+click on any patch and load it INTO your existing patch and it will do this with no audio glitch! You don’t really need playlists or a Live button when you can seamlessly load ANY Patch using ANY PlugIn at ANYTIME into Unify 1.1. It’s a complete game changer!
This update is recommended for all Unify users. It includes a number of new features, some of which are not yet documented in the online manual. Keep checking; the manual will be updated ASAP.
Version 1.1.10
- Drag/drop to reorder layers:
- Linked parameter paths will be re-numbered automatically.
- Velocity-based fading for layer note-range bounds:
- Key-range part of title strip does not extend under ops button
- Active key range is always shown, and right-mouse can be used at any time
- Double-clicking right mouse button (or left + Ctrl) resets whatever would be changed by a drag, depending on other modifier keys:
- No modifier: reset to min or max
- Option/Alt: reset fade region to zero width
- Shift: reset fade curvature to zero
- MIDI bank/patch selection based on user-edited “bank” text files:
- Plain text files in MIDI Bank Files folder under main Unify data folder.
- Files are named e.g. BB_SS.txt where BB is bank number 1-128 (MIDI CC#0 values 0-127) and SS is sub-bank number 1-128 (MIDI CC#32 values 0-127).
- Blank lines and lines beginning with # sign are ignored (comments).
- Active lines consist of a patch number (1-128) followed by the name of a patch (spelling must be exact) OR name of a patch file (ending in .unify or .upf.
- PolyBox: New “Random” checkbox activates layers in random order, instead of strict round-robin.
- MIDIBox: Output note-range defaults to C1-C6 instead of C-2 to G8.
- Patch loading:
- A patch-load request (by mouse click or MIDI) will be ignored if it occurs less than 500 milliseconds after the previous patch change.
- This avoids multiple redundant patch loads due to accidental double-clicking, or rapid-fire MIDI events.
- Sorted lists in patch browser: All lists in the patch browser (libraries, tags, etc.) are explicitly sorted.
- In previous versions, lists were generated in the order the items appeared in the patch database, which was usually sorted alphabetically, but this was not guaranteed.
- MIDI CC-assignments can be saved for embedded Unify instances only.
- This allows e.g. MIDI CC messages generated by MIDI effects in the outer Unify to be linked to macro knobs in the embedded instance.
- MIDI Monitor has new option to filter by MIDI channel:
- Default setting is “ALL”.
- Active key range is always shown, and right-mouse can be used at any time
- Channels 1 through 16 may also be selected.
- Copy/Paste plug-in state: special handling for embedded Unify instances.
- If the plug-in is an embedded Unify VST instance, its state will be decoded before putting it onto the clipboard.
- The instance can then be swapped for a built-in Unify instance, and the state pasted directly in.
- This is to faciliate quick conversion of older patches built with the Unify VST, to use the newer built-in format.
- Guru Sampler: now has a “reverse playback” option.
- Miscellaneous:
- Layer-stack scroll position no longer resets when Unify window is resized.
- MIDIBox: bar count, start bar number are retained after loading a new MIDI file, unless they are not valid for that file.
- MIDI Monitor: Display updates when GUI is opened, Clear button resets relative event-times.
- Bug fixes (partial list):
- Previous Unify versions would crash if more than 1,000 layer presets were defined. This limit has been raised to 100,000.
- Fixed bug which caused crashing when loading patches with Kontakt instances.
- Numerous issues involving linked parameters.
- Fixed bug which caused non-4/4 MIDI files to play incorrectly.
Pricing and Availability
f you purchased Unify from anywhere other than PlugInGuru.com, you can get the updates HERE. If you purchased from PlugInGuru.com, log into your account and the links are on the “MY ACCOUNT” page to download.
One of the unique things about the Pocket Miku project is that it is a vocal synthesizer that is inspired by Vocaloid Hatsune Miku (初音ミク) , and yet it is not a Vocaloid in its own right. It uses existing vocal synthesizer technology from Vocaloid 2/3/4, but then repurposes it and adds features to make it a unique vocal synthesizer in its own right.
Gakken’s “Pocket Miku”
In a ribbon synthesizer, make music, write music, and sing with the world’s most famous virtual vocaloid pop star. A stylus for playing and a 3.5mm/0.125″ output are included with this 16-key NSX-39 keyboard. Five distinct sounds are available: A – E – I – O – U, with vibrato, octave control, and volume and vowel control.
About Gakken
Gakken was established in 1946 as a Japanese publishing house. They started selling instructional toys, books, periodicals, and electrical kits in the 1970s. In Japan and the United States, their uniforms are noted for their innovative design, ease of use, and large cult following.
Vocal Synthesizer
A vocal synthesizer is a device that can generate artificial or computer-generated speech. It is usually used to create singing or other sounds that are impossible to produce with the human voice. Vocal synthesizers can be used to create sounds that are similar to the human voice, or they can create entirely new and unique sounds.
Vocal synthesizers are pieces of audio equipment specifically made to produce sounds similar to a human voice. They can be used to create sounds that are similar to a real-life voice, or they can be used to create unique sounds. These extraordinary sounds can include anything from animal noises to electronic beats. With the recent development of software and technology, vocal synthesizers have become easier to use, allowing any person to create his or her unique sounds.
How Musicians can use a Vocal Synthesizer
A vocal synthesizer can be a powerful tool for musicians, allowing them to create and manipulate sounds that would otherwise be impossible to produce. Using various techniques, musicians can use a vocal synthesizer to develop new and unique sounds or imitate other instruments’ sounds. Vocal synthesis can create eclectic sounds, from simple melodies to complex textures.
By varying the pitch, timbre, and envelope of the sound, musicians can create infinite possibilities. By experimenting with different settings, musicians can find the perfect sound for their music. A vocal synthesizer can also be used to imitate the sounds of other instruments. By matching the pitch and timbre of the sound, musicians can create a realistic imitation of another instrument.
This can be useful for creating new textures and layers in a composition. Vocal synthesis can be a powerful and versatile tool for musicians. By experimenting with different settings, musicians can make various sounds, from simple melodies to complex textures. By matching the pitch and timbre of the sound, musicians can also create realistic imitations of other instruments.
Microcosm
Microcosm is an incredibly versatile machine that can create striking ambient effects to tight, tap-tempo synchronized rhythms. By utilizing granular sampling, delay, and looping techniques, Microcosm can take your sound and completely transform it into something new and exciting. This machine can do everything if you want to create cascading micro-loops, diffused drones, or hypnotic textures. David uses the Microcosm in his video below.
Do you remember the good old days of Soviet Russia? If you’re a fan of analog synthesizers, then you’ll love the new Soviet PIF Synth! This adorable little synth is perfect for children, and it comes with a FREE sample library that will give you hours of fun!
Soviet PIF Synth
These colorful little synths were clearly designed with children in mind. They are small and lightweight, making them easy to carry around. The controls are large and brightly colored, making them easy to use. And the sound quality is surprisingly good for such a small and inexpensive instrument.
The Pif was produced from roughly 1989-1993 in a city called Ромны in Ukraine. The factory that produced them, Роменский завод АТС, specialized in industrial telephone equipment, but also made several consumer products including this synthesizer.
Despite their child-friendly design, the Pif synths are capable of producing a wide range of sounds, from energetic dance beats to atmospheric pads to serene melodies. Thanks to their affordability and portability, the Pif synths remain popular among musicians of all ages.
A Cute Analog Synthesizer for Children
The Soviet PIF Synth is a unique and powerful tool for anyone looking to create original and arresting sounds. The synth uses raw analog waveforms to generate its sound, resulting in a harsh and industrial sound that is perfect for any aggressive or dark production.
In addition, the synth comes with a wide variety of modulation options, making it possible to create complex and evolving soundscapes. The Soviet PIF Synth is a must-have for any serious producer looking to add some edge to their productions.
USSR Synths – The Best Soviet Synthesizers of All Time
The Soviet Union was a powerhouse when it came to synthesizers. Many of the best synths of all time were developed in the USSR, and they remain popular to this day. In this blog post, we will take a look at some of the best Soviet synthesizers ever made. We will discuss their features and how they have influenced music over the years. If you are interested in learning more about Soviet synths, this blog post is for you!
The first synth on our list is the Polivoks. This synth was developed in the early 1980s and it quickly became one of the most popular synths in the USSR. The Polivoks is known for its unique sound, which has been used by many famous musicians over the years. The Polivoks is also notable for its durability; many of these synths are still in use today, more than 30 years after they were first created.
Next on our list is the Formanta EMS-01. This synth was developed in the late 1970s and it was one of the first affordable synthesizers available to Soviet musicians. The Formanta EMS-01 is a simple yet powerful synth that can create a wide variety of sounds. This synth is still used by many musicians today, and it remains a popular choice for those looking for an affordable and versatile synth.
Free Soviet PIF Synth Sample Library
This sample library performs with the FREE DecentSampler plug-in. You can download the Decent Library here.
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