Cello Ibrida – Sound Design Collection
Cello Ibrida is a sound design cello sample library. This Kontakt instrument combines textural samples using the normal cello section with hybrid samples from those samples like pads, sfx, multisamples, and finally loops as pulses, sfx, mostly in the low/lower mids keys | left side of the keyboard. Plus some added hardware synths.
PulseSetter loves sound design and recording a cello section to later use it as a sound playground was just the start. There was also a cheap blue cello involved that barley survived the mangling when recording it. There is also Gabriel Di Marco’s (Bear McCreary Cellist) amazing Cello sound and PulseSetter also sampled a Moog sub37, the Arturia Matrixbrute, and finally they also ran the Cello multi-samples through eurorack modular and Cassette decks. We call these patches “sound sources” and there are about 260 of them.
- 260 Patches: Cello, Hybrid, Pads, Loops, Sfx
- 500+ Snapshots made from patches.
- 6gb Sample content
- Film composing oriented sounds
- Advanced Kontakt GUI (Not Player compatible)
- MIDI assignable cc parameters for Macro1&2, Xfade and LFOs
- When I first played the first 3 patches that are predefined I was already blown away and found very useful sounds, anyone, a composer can use in their track.
Cello Ibrida contains different types of sampling and sound design techniques inside one advanced GUI. The concept relies on not focusing on a single traditional library concept but several that when combined will bring out modern sounds that retain an organic sound. A cello section was recorded to do “texture” articulations and multisample. From there we edited and processed a variety of sound design style patches to create low pulses, hybrid plucks, pads and sfx.
The matrix GUI contains a two-layer system each with its own effects chain, LFOs, Sequencer, and gate. But the magic happens in the performance matrix page where two macros, two envelope sequencers, and velocity source modulators can be individually assigned to different master effects, chord maker, and a detuner. This enables even the simplest of sounds to be continuously modulated and ever-changing. Additionally, we added CC assignable inputs for crossfade, macro1/2 and LFO rate/amount to let composers modulate all these parameters in real-time and thus, creating a great performance sound design instrument.
Klengel: Technical Studies for the Violoncello – Vol 1 | Schirmer Library of Classics Volume 1816| Cello Method Book with Unaccompanied Exercises for Finger Strength Bow Control and Dexterity
Pages: 44
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Pricing and Availability
Cello Ibrida is available now.
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