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4ms

Atmospherical – 4ms SWN | Eowave Fluctuations Magnetiques

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Atmospherical – 4ms SWN | Eowave Fluctuations Magnetiques

When I got the 4ms SWN, I was expecting a wonderful ‘pad machine’ because it offers six wavetable voices that each can be set up as a separate voice and played polyphonically. At first I was a bit disappointed because of the sound. It’s not the module’s fault, because the sound you hear in most videos is also what you get.

A wavetable uses very short 512 sample snippets that roughly add up to one cycle (like one sine wave). So it can sound as a conventional sine, block, triangle and saw, and everything in between. The SWN is an extremely powerful and feature packed module, but if you want to ‘escape’ it’s either conventional or metallic sound, you’ll need to hook it up with other modules and treat it as a ‘raw’ oscillator. So I personally feel it needs reverb, a filter and FM. What happens then, is pure bliss. A wonderful ‘pad machine’.

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4ms

Ensemble Oscillator | by 4MS & Matthias Puech

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Ensemble Oscillator

I’ve been intrigued by this module for a long time but hesitated to get one until I saw Jeremy’s demo on the Red Means Recording channel. I’ve included a link to his video so I don’t have to explain how it works.

The Ensemble Oscillator is a 16 sinewave sound design dream that supports superfat leads, chords, drones, soundscapes, and total sonic madness. If you like my channel, I bet you’ll like it too!

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Expert Guides

Why Modular Sample Players Rock (4MS Stereo Triggered Sampler)

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Why Modular Sample Players Rock

Hi! Today we are going over the basic features of my favourite sample player, the 4MS Stereo Triggered Sampler. More importantly, we’ll have a look at some things I like to do with sample players. Like turning them into a piano or synth voice. We’ll have a look at a few tricks to play chords and use textures and noise in your tracks.

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eurorack

Eurorack Live Patch Explained – Drums and Samples

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Eurorack Live Patch Explained – Drums and Samples

Hey there! This is the second video of a three-part series explaining the patch on my eurorack modular synth for live performances. This time we’ll have a look at the parts of the patch responsible for drums and sample playback. Next week we go over how I clock and mix everything.

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