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Parawave Audio Rapid Synth Major Update

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Parawave Audio Rapid

Since the last 1.6.x updates in December 2018 Parawave Audio released with version 1.7 new crucial features to the Rapid synthesizer. With the latest version 1.7.0. the additional plugin RAPID FX is available to customers. This effect plugin allows you the use as an effect unit on DAW mixer, insert and send channels and opens up a whole new dimension of sound processing possibilities.

The new updates focus on an enhanced look and feel, the new effect plugin feature for your DAW, three low-pass filters, enhanced reverb effect, and added presets.

Parawave Audio Rapid Synth Major Update

New RAPID Version – 1.7.0

  • A NEW LOOK – The version added a new main theme and improve the overall visual style.
  • INSERT POWER – There are three new oscillator insert effects. The new synchronization bends combine hard sync and phase bending to achieve some interesting and complex wave manipulations. The drift insert adds a randomized organic behavior to each unison voice, ideal for analog emulation and vintage patches. It’s comparable to the heat dependent properties of the analog components and adds small inaccuracies to add unique characteristics.
  • FILTER WIZARDRY – There are three new lowpass filters (Pro LP 12dB, Pro LP 24dB, Xtreme LP II). The designs of these filters are based on analog architectures and implement a more intricate feedback drive and resonance behavior.
  • REVERB MAGIC – The new models extend the existing reverb by adding a new internal early and late reflection model and smooth the spectral impulse and frequency decay. They simulate different space sizes from small (Nuclear) to very large (Space).
  • RAPID FX – It’s now possible to use Rapid as an effect plugin. The FX (Effect) version of Rapid is an additional plugin and already included in the new setup. It will be installed alongside the normal Rapid Synthesizer plugin. You may have to re-scan your plugin list/database.
  • FX PRESETS – The new version added a basic set of 93 FX presets. You can find them in the preset browser, mostly named with the prefix FX. e.g. “FX Ambiance” includes some reverb effects. Definitely try out the macros of these presets, they can easily add very complex motion to your mixer track and are ideally suited for build-ups, drops, and other track highlights.

1.7.0 – 29. October 2019 Detailed Features List

Additions:

  • New oscillator inserts effect: Sync Bend A & B.
  • New oscillator inserts effect: Organic Drift.
  • New filter: Lowpass-Pro 12dB and 24dB.
  • New filter: Xtreme Lowpass II.
  • New insert: Attack Booster.
  • New insert: Lowpass Highpass 12dB. Serial & Parallel.
  • New Reverb models: Nuclear, Solar, Nova, and Space.
  • New Talker FX formant modes “Mate”, “Babe” and “Daft”.
  • Modulation targets now show an icon in the top left corner when routed.
  • The routing amount is now directly settable from the corresponding target knob.
  • Solo layers. Right-click the layer button LED to toggle solo states. Holding Command-key (CTRL) to un-solo all.
  • BPM synced rates in modulators and other modules are now routable as a target.
  • The oscillator context menu now contains a reset function.
  • New Option: One-Click loading of sound presets within the preset browser.
  • Quickly change dropdown parameters with Command-key (CTRL) plus Left- or Right-click to select the previous or next parameter value.

Changes:

  • Increased modulation value interpolation accuracy.
  • Increased sub-buffer midi offset accuracy.
  • Smoother UI parameter change interpolation.
  • Voice stealing now has an immediate effect on active voices according to the voice limit.
  • Improved voice stealing heuristic, so oldest voices are robbed first.
  • Arpeggiator timing is now modulatable.
  • If a routing entry gets in focus, the position is now always in a visible area.
  • Reordered context menu entries in the routing target selection.
  • Additional DC Filter on Glitch declick values greater than 50%.
  • Increased layer name character maximum to 10.

Fixes:

  • Very high MIDI mode arpeggiator loops used an invalid note index.
  • MIDI note events are now cleared when switching from a preset with MIDI data to one without.
  • MB Saturator. Corrected per band ring modulator phases.
  • Moving the sequence loop point now avoids unpredictable jumps.
  • When changing BPM synced rates in modulators the index now continues at the correct position.
  • Sequences now begin at the start of each step when using a mode with a random phase.
  • The arpeggiator phase in UI now shows a more precise shuffle timing.
  • Arpeggiator MIDI note-off events at the end of the sequence, on rare occasions, were not triggered correctly.
  • Improved monophonic voice mode. Phases and envelopes now continue smoothly when retriggering a note.
  • Improved fade out of robbed voice release state when the voice limit is reached.
  • After reloading, Ensemble FX damping was only updated when changing the knob value.
  • Time-based effect interpolations are now correctly initialized on preset/state change.

Visual:

  • Added new “Modern” theme as default.
  • Replaced and unified all fonts.
  • Moved master compressor display up and band control knobs down.
  • Changed layout of master modifiers.
  • Added beat markers to trance gate display.
  • Arpeggiator note tooltip shows note key-value and velocity percent.
  • Increased frame count of knobs and wheels.
  • Polaris and Crimson theme don’t use pattern backgrounds anymore.
  • Replaced “Gold” theme with “Titanium”.
  • Removed “Paradise” and “Retro” theme.
  • Various layout adjustments of knob and label positions.
  • Various small pixel enhancement and rounded corners.
  • Various color adjustments in different color themes.
  • Style Data version changed to 1.7.

Presets:

  • 93 Rapid FX Presets.
  • 18 Rapid FX Templates.
  • 24 Feature Presets.
  • 14 Sound Presets.
  • 75 Sequences.
  • 38 Reverb Presets.
  • 17 Dual Delay Presets.
  • 17 Saturator Presets.
  • 13 Delay Presets.
  • 7 Trancegate Presets.

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Expert Guides

Pocket Miku: A Unique Vocal Synthesizer from Japan

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Pocket Miku A Unique Vocal Synthesizer from Japan

One of the unique things about the Pocket Miku project is that it is a vocal synthesizer that is inspired by Vocaloid Hatsune Miku (初音ミク) , and yet it is not a Vocaloid in its own right. It uses existing vocal synthesizer technology from Vocaloid 2/3/4, but then repurposes it and adds features to make it a unique vocal synthesizer in its own right.

Gakken’s “Pocket Miku”

In a ribbon synthesizer, make music, write music, and sing with the world’s most famous virtual vocaloid pop star. A stylus for playing and a 3.5mm/0.125″ output are included with this 16-key NSX-39 keyboard. Five distinct sounds are available: A – E – I – O – U, with vibrato, octave control, and volume and vowel control.

About Gakken

Gakken was established in 1946 as a Japanese publishing house. They started selling instructional toys, books, periodicals, and electrical kits in the 1970s. In Japan and the United States, their uniforms are noted for their innovative design, ease of use, and large cult following.

Vocal Synthesizer

A vocal synthesizer is a device that can generate artificial or computer-generated speech. It is usually used to create singing or other sounds that are impossible to produce with the human voice. Vocal synthesizers can be used to create sounds that are similar to the human voice, or they can create entirely new and unique sounds.

Vocal synthesizers are pieces of audio equipment specifically made to produce sounds similar to a human voice. They can be used to create sounds that are similar to a real-life voice, or they can be used to create unique sounds. These extraordinary sounds can include anything from animal noises to electronic beats. With the recent development of software and technology, vocal synthesizers have become easier to use, allowing any person to create his or her unique sounds.

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How Musicians can use a Vocal Synthesizer

A vocal synthesizer can be a powerful tool for musicians, allowing them to create and manipulate sounds that would otherwise be impossible to produce. Using various techniques, musicians can use a vocal synthesizer to develop new and unique sounds or imitate other instruments’ sounds. Vocal synthesis can create eclectic sounds, from simple melodies to complex textures.

By varying the pitch, timbre, and envelope of the sound, musicians can create infinite possibilities. By experimenting with different settings, musicians can find the perfect sound for their music. A vocal synthesizer can also be used to imitate the sounds of other instruments. By matching the pitch and timbre of the sound, musicians can create a realistic imitation of another instrument.

This can be useful for creating new textures and layers in a composition. Vocal synthesis can be a powerful and versatile tool for musicians. By experimenting with different settings, musicians can make various sounds, from simple melodies to complex textures. By matching the pitch and timbre of the sound, musicians can also create realistic imitations of other instruments.

Microcosm

Microcosm is an incredibly versatile machine that can create striking ambient effects to tight, tap-tempo synchronized rhythms. By utilizing granular sampling, delay, and looping techniques, Microcosm can take your sound and completely transform it into something new and exciting. This machine can do everything if you want to create cascading micro-loops, diffused drones, or hypnotic textures. David uses the Microcosm in his video below.

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Decent Sampler

Soviet PIF Synth: A Cute Analog Synthesizer for Children

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Soviet PIF Synth A Cute Analog Synthesizer for Children

Do you remember the good old days of Soviet Russia? If you’re a fan of analog synthesizers, then you’ll love the new Soviet PIF Synth! This adorable little synth is perfect for children, and it comes with a FREE sample library that will give you hours of fun!

Soviet PIF Synth

These colorful little synths were clearly designed with children in mind. They are small and lightweight, making them easy to carry around. The controls are large and brightly colored, making them easy to use. And the sound quality is surprisingly good for such a small and inexpensive instrument.

The Pif was produced from roughly 1989-1993 in a city called Ромны in Ukraine. The factory that produced them, Роменский завод АТС, specialized in industrial telephone equipment, but also made several consumer products including this synthesizer.

Despite their child-friendly design, the Pif synths are capable of producing a wide range of sounds, from energetic dance beats to atmospheric pads to serene melodies. Thanks to their affordability and portability, the Pif synths remain popular among musicians of all ages.

Soviet PIF Synth: A Cute Analog Synthesizer for Children
Soviet PIF Synth: A Cute Analog Synthesizer for Children

A Cute Analog Synthesizer for Children

The Soviet PIF Synth is a unique and powerful tool for anyone looking to create original and arresting sounds. The synth uses raw analog waveforms to generate its sound, resulting in a harsh and industrial sound that is perfect for any aggressive or dark production.

In addition, the synth comes with a wide variety of modulation options, making it possible to create complex and evolving soundscapes. The Soviet PIF Synth is a must-have for any serious producer looking to add some edge to their productions.

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USSR Synths – The Best Soviet Synthesizers of All Time

The Soviet Union was a powerhouse when it came to synthesizers. Many of the best synths of all time were developed in the USSR, and they remain popular to this day. In this blog post, we will take a look at some of the best Soviet synthesizers ever made. We will discuss their features and how they have influenced music over the years. If you are interested in learning more about Soviet synths, this blog post is for you!

The first synth on our list is the Polivoks. This synth was developed in the early 1980s and it quickly became one of the most popular synths in the USSR. The Polivoks is known for its unique sound, which has been used by many famous musicians over the years. The Polivoks is also notable for its durability; many of these synths are still in use today, more than 30 years after they were first created.

Next on our list is the Formanta EMS-01. This synth was developed in the late 1970s and it was one of the first affordable synthesizers available to Soviet musicians. The Formanta EMS-01 is a simple yet powerful synth that can create a wide variety of sounds. This synth is still used by many musicians today, and it remains a popular choice for those looking for an affordable and versatile synth.

Free Soviet PIF Synth Sample Library

This sample library performs with the FREE DecentSampler plug-in. You can download the Decent Library here.

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Bass

Donner B1: A 303-Style Analog Synth

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Donner B1 A 303 Style Analog Synth for 152

I checked out the brand new Donner B1 Bass Synthesizer:

Donner B1 analog bass synthesizer has made unprecedented innovation in the operation interface, provide simpler and more intuitive interface for all music lovers

Donner B1- A 303-Style Analog Synth for $152!
Donner B1: A 303-Style Analog Synth for $152!

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