Sound design is an art form that can be used to evoke a wide range of emotions in people. It can be used to create suspense, tension, and fear in horror movies, or to create calm and relaxation in nature documentaries.

When creating music to evoke suspense, tension, and fear, it’s important to use sounds that are dark and creepy. You might want to use sounds that are dissonant or that have a lot of reverb, so they sound spooky and ethereal. You can also use sound effects like screams, whispers, and heavy footsteps to create an atmosphere of fear.

Beautiful Void Audio – Deep Conjuring 2 for Kontakt 6

You might be wondering why you would want to evoke suspense, tension, and fear in your listeners. There are a few reasons why this might be desirable. perhaps you are creating a horror movie and want your audience to feel scared. Maybe you are working on a thriller and want your listeners to feel on the edge of their seats. Or maybe you just want to create an emotionally powerful experience for your listeners.

Deep Conjuring 2 for Kontakt 6 can be used to dial-up your nightmares or your wildest dreams.

Deep Conjuring 2 Prospects

What are some of the possibilities of using “Deep Conjuring 2 for Kontakt 6”?

• “Deep Conjuring 2 for Kontakt 6” can be used to create dark and spooky soundscapes for horror movies.
• “Deep Conjuring 2 for Kontakt 6” can be used to create relaxing and calming soundscapes for nature documentaries.
• “Deep Conjuring 2 for Kontakt 6” can be used to create suspenseful and tension-filled music tracks.
• “Deep Conjuring 2 for Kontakt 6” can be used to create scary sound effects

With Deep Conjuring 2 for Kontakt 6, Beautiful Void Audio has created a deep sound design instrument that can be used to dial-up your nightmares or your wildest dreams. This library is the result of a collaboration between Sound Aesthetics Sampling and Beautiful Void Audio.

The goal was to make strange, lovely, and otherworldly sounds that have a distinct flavor and atmosphere. That being said, the instrument’s ability to produce genuinely unique and terrifying presets is also an asset.

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A Dark, Cinematic Sound Design Instrument

There are a total of 138 sound sources (203 samples, at 24bit 48hz) and 353 presets available. The full (paid) version of Kontakt 6.2.2+ is required (does NOT work with the free Kontakt Player).

The distinctive sound design and the innovative engine allow for a diverse set of presets to be generated. The sounds in this library are full and organic, with a variety of instruments including piano, strings, glockenspiels, bells, wind chimes, tinkling water drops.

Sound design has the ability to elicit a wide range of sentiments in people. Suspense, tension, and dread may be generated in horror films using sound, while calm and relaxation can be achieved through sound in nature documentaries. There’s also a wide range of impressive soundscapes to choose from for your next project!

The user interface is designed to be both easy to use and visually appealing. The main window consists of four sections: the preset browser, the sound source display, the controls, and the modulation matrix.

The preset browser contains all of the presets that are available in Deep Conjuring. The sound source display shows you which sounds are being used in the preset. The controls allow you to adjust the volume, panning, and pitch of each sound. The modulation matrix allows for deep sonic manipulation.

In short, “Deep Conjuring II for Kontakt” is a powerful tool that can be used to create some truly unique sounds. It’s perfect for horror movie soundtracks, dark and suspenseful music, and any other situation where you need to create a sense of fear or dread. If you’re looking for something new and different, this is definitely worth checking out.

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Beautiful Void Audio subjected various noises to convolution reverb then varied certain properties of the reverb and recorded the variations live for each sample in order to generate distinct samples.

Conclusion

Deep Conjuring 2 for Kontakt 6 is a deep sound design instrument that can dial up your nightmares or your wildest dreams. This library is the result of a collaboration between Sound Aesthetics Sampling and Beautiful Void Audio.

The goal was to make strange, lovely, and otherworldly sounds that have a distinct flavor and atmosphere. That being said, the instrument’s ability to produce genuinely unique and terrifying presets is also an asset.

There are a total of 138 sound sources (203 samples, at 24bit 48hz) and 353 presets available. The full (paid) version of Kontakt 6.2.2+ is required (does NOT work with the free Kontakt Player).

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Hybrid Tongue Drum for Kontakt 5

Mists Volume 1 – Hybrid Tongue Drum is a new library created by Beautiful Void Audio and Triple Spiral Audio for the full version of Kontakt 5 (please note that this will NOT work with the free Kontakt Player).

Key features:

• 165 snapshots
• 50+ sound sources
• 1 GB in size
• Dual layers
• Reversed version of the sounds (in a separate .nki file)
• FX – Reverb, Delay, Chorus, Phaser, Saturation, Skreamer
• LFO control
• ADSR controls for Attack and Mod Envelope
• Randomize feature for the sound sources
• Watermarked and installed via the Pulse Downloader (you will receive a serial key which can be used to download the library via PULSE)
• Requires the full (paid) version of Kontakt 5.8.1+ (does NOT work with the free Kontakt Player)

Erick from Beautiful Void Audio created a great collection of soundsources and what he did is the following:

“With the main sounds, I basically “deconstructed” a single pitch from a particular instrument, and sampled each frequency from its harmonic series. After that, I could then reconstruct various parts of that harmonic series from different instruments. For instance, with one of them, I combined a Flute, Harp, Piano and Tongue Drum. Tongue Drum took the fundamental, Harp took the octave, piano took the 5th above the octave, and then Flute took all of the top end (everything above the piano). So it’s a hybridization at a note/frequency level, rather than being a physically modeled hybrid or some algorithmic cross between 2 or more instruments – which I guess those could be argued to be more of a “true” hybrid.”

With this concept in mind, we created a Kontakt engine with 2 layers and a series of effects and created 165 snapshots (presets) for it. The style of the library is mellow, ambient, vintage, and even experimental and it contains a nice variety of sounds going from key-like instruments, to shimmering pads and textures, lo-fi and vintage sounds, and even a selection of arcade-like presets.

Pricing and Availability

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Mists Volume 1 – Hybrid Tongue Drum is available now.

Paradox Lost Redux – Strange, Beautiful, And Bizarre Soundscapes, Drones And Tones

Paradox Lost Redux is a complete overhaul of an earlier release, which was a collection of weird, strange, and dense soundscapes.

One of the things that Beautiful Void Audio wanted to address in with the initial release was that the sounds were not all that playable. They were rather fixed and static. Through reworking the original sound sources, and in many cases actually using the samples from the initial release as a source, Beautiful Void Audio created instruments that are much more playable, but still capture the strange and alluring vibe of the initial release. There is also a wider range of sounds.

Paul from Sound Aesthetics Sampling developed a really great engine which also allowed the sounds to be more playable (through random sample start, sample start off-set, and much more).

Special Pricing

The full price is $20, but it’s 50% off for the next 10 days. Those who’ve purchased the Halflight Sampling Collection on Kontakthub should have received an email with an additional discount code (PARADOX50). This code only works if you’ve purchased the collection previously.

Paradox Lost Redux Features

• 93 Samples (96khz, 24bit, lossless compression with NCW).
• 1.13GB (as NCW files) – uncompressed, 1.51GB
• 130 Snapshots in several different categories.
• 27 unique and enthralling Multis.
• 4 unique and strange NKI presets.
  Sounds by Erick McNerney
  Presets by Erick McNerney and Paul Lebküchner.
  Engine and GUI by Paul Lebküchner (Sound Aesthetics Sampling).
• 47 Samples (44.1khz, 16bit)
• 659MB uncompressed
• 48 NKI presets using the free Photosynthesis engine by Exotic States (Jeremiah Pena).
• The Full Version of Kontakt 5.8.1 is required for this library to function correctly.