HoRNet

HoRNet ELM128 MK2 Released

Published

5 years ago

Wednesday, 29 January 2020

HoRNet ELM128 MK2 – EBU R128 compliant loudness meter with 5.1 support and realtime normalization

HoRNet ELM 128 MK2 is a metering plugin that complies with the EBU R128 standard. The plugin provides five different loudness measurements: momentary, short-term, integrated, dynamic range and true peak.

The five meters use different integration times and metering concepts:

Momentary: measures the loudness of the last 400ms
Short term: measures the loudness of the last 3s
Integrated: it’s the recorded loudness since the beginning of the measurement (or from the last reset operation) but discarding the longest silence parts or the highest passages that may occur in a long program (a movie, a tv show, etc.)
Range: is the loudness range of the program in LU
True Peak: this meter shows the maximum level of the signal in dBFS using a 4x oversampling (below 192KHz sampling frequency) to faithfully represent the inter-sample peaks.

The plugin supports mono, stereo and 5.1 surround metering with a handy history graph that you can use to see the loudness of your signals up to 12 hours earlier.

ELM128 MK2 Features

EBU R128 compliance
Mono, stereo and 5.1 support
Momentary, Short Term, Integrated loudness metering
Loudness range display
True Peak display
True Peak meters
History chart with selectable time and dB range
Realtime normalization to the reference level using any of the available loudness measures
Resizable interface
Load and Save custom presets
Mac OS X (10.7 and later ) and Windows (Vista and later) support
64-bit compatibility both on Mac and Windows
Audio Units VST2.4, VST3, and AAX format

Availablility

ELM128 MK2 2.0.1 is available, this update is free and includes. Download the update logging into your account. Go here for your purchase HoRNet ELM 128 MK2.

HoRNet

HoRNet August Summer Sale

Published

4 years ago

Monday, 3 August 2020

Thorsten Meyer

HoRNet August Summer Sale – Almost Every Plugin 50% off, Bundles 20% off

HoRNet is having a Summer Sale for August: 50% off every plugin and 20% off all bundles The sale is valid from August 3rd, 2020 and will last only until August 7th at 21:00 (Italy time) 2020. Have a look at the countdown on our site and do not miss the chance to have our latest plugins for half the price!

About HoRNet Plugins

HoRNet Plugins was born in 2011 with the release of the ChannelStrip, the first plugin developed by Saverio Vigni mainly for it’s own use. The development is still carried over by him and driven by the needs of real day by day usage. Saverio only uses his plugins for his studio work so every time a new need arise a new plugin is made.

HoRNet

HATEFISh RhyGenerator – a Euclidean Rhythm Generator Plugin by HoRNet

Published

5 years ago

Sunday, 28 July 2019

Thorsten Meyer

Euclidean Rhythm Generator modules are quite common in Eurorack, with HATEFISh RhyGenerator you have an option in the box now.

Simply put, with RhyGenerator you can create up to 16 different rhythms, consisting of up to 32 steps each. Those 16 lanes you have on the GUI of the plugin are actually 16 different step sequencer linked to your DAW tempo and each of the sequencers can work in multiple modes:

Single note
Arpeggiator up
Arpeggiator down
Chord
MIDI Control

In the “Note” mode the sequencer outputs the specified note following the rhythm generated by the Euclidean algorithm, in “Arpeggiator up” or “Arpeggiator down” mode the sequencer outputs the notes on the plugin input from lowest to highest (or vice versa) following the specified rhythmic pattern.
In “Chord” mode all the notes on the input are played together on every active beat and in the last mode, the “Control” mode MIDI control change messages are used instead of notes, allowing you to automate rhythmically any parameter of your synths.

HATEFISh RhyGenerator a Euclidean Rhythm Generator Plugin by HoRNet — HATEFISh RhyGenerator, euclidean rhythm generator plugin by HoRNet and HATEFISh

Every one of the sequencers allows you to control the number of steps and beats separately, also the note mode you can control the velocity and the length of the note, in the control change mode the note number becomes the “control number” and the velocity becomes the “control value”.
Of course you can assign a different MIDI channel to every one of the step sequencers to be able to control up to 16 different synths and in addition to these controls we also thought it was cool to add an LFO to every sequencer that can modulate the MIDI message value, velocity for “Note” mode and value for “Control” mode.