Metamorpha:Allmosphere

Metamorpha:Allmosphere is based on Sound Aesthetics Sampling recent library Broken Bells, which has been produced in collaboration with Erick McNerney, who is best known for his work with Beautiful Void Audio, Halflightsampling and Audio Reward. Paul took the original Bell and Bowed recordings Erick made and created a vast array of totally different sounds. From beautifully resonating Glass Pads over Soaring Sustains to even Synthesized String and Brass Ensembles and much more.

• Powerful but simple engine
• ASR control
• Texturizer and Spreader Functions to make every keypress create a unique outcome
• Dynamic purging for saving system resources
• Simple sound browsing by either selecting via menu or jumping forward and backward by pressing the arrows
• Based upon our library Broken Bells
• Over 115 Patches to get you started
• 35 Multis
• Beautiful 3D GUI for your inspiration

Metamorpha:Allmosphere includes a few features, which help you no create a rich, full sound like the texturizer or the spread function.

Allmosphere takes the step a bit further and carries anything from Pads, Strings, Brass, Synthetic, Textures, Keys and much more, all designed only from the Broken Bells content. The core of the library is the raw sample content of course for your own sound design.

About Sound Aesthetics Sampling

Sound Aesthetics Sampling consists of a small team of sound designers and composers, bringing you inspirational and easy to use virtual instruments and sounds for NI Kontakt. All sample libraries Sound Aesthetics Sampling produces are currently focused on cinematic sound.

Metamorpha:Allmosphere Specifications 

• 117 Kontakt patches (.nki) 
• 36 Kontakt Multis (.nkm) 
• 890 samples (48KHz/24bit or 48Khz/16bit) 
• 825 mb (ncw compressed from 1,5 GB of raw data) 
• Requires Kontakt 5.8 or higher 

Metamorpha:Allmosphere is the first in a new smaller series of libraries Sound Aesthetics Sampling is releasing. The idea behind this is to have beautiful little instruments at your fingertips that inspire you and that do not have an overcomplicated engine. The Instruments will both be based on the original recordings of a bigger library, with pushing it into a different direction mood-wise tough. But also sampled instruments, that have been recorded for this series exclusively like a Glockenspiel, various Bells, etc. 

Autumn Choirs by Sound Aesthetics Sampling Review

Did you ever wonder how the beautiful sound of wind can be used in your next score or as a sound design element? In our review, we are taking a look at a library that does understand to take wind field recordings and take those captured sounds into very organic sounding instruments. Autumn Choirs is all about underscore, drones, and textures.

Sound Aesthetics Sampling did send a review copy with no strings attached.

Sound

I dig processed field recordings used for ambiance or as an instrument. One of my very first purchases was a field recording library several years back. Autumn Choirs is based on wind recorded in the field.

The sound of the progressed field recordings within Autumn Choirs is exceptional good. There are a few useful libraries in this space, most of the time they are priced at a different level like the great Haunted Spaces. The benefit for you as a composer when buying  Autumn Choirs is first the quality and the low price point.

The included sounds are grouped by harsh, smooth, pulsing, drones, pads, experimental, degraded and pluck sounds.

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When you use the included sounds in a musical relation, you get some elements to be placed in the back maybe the lower end — if you use it as a sound bed or sound design, possibly processed with some external plugin in your DAW to create some fresh-sounding tracks.

User interface & Usability

Overall the UI meets the expectations that every library is measured against. I found the main page well designed and easy to use.

It is good that the development team (Lead: Paul Lebküchner) made it possible to change used sound within the loaded Kontakt patch. The included presets/patches do help tremendously to go through the included sounds.  More than 160 patches are included.  Erick McNerney and Paul Lebküchner are geniuses behind those great patches.

Rating:  Five out of five stars

AutumnChoirs includes Drones, Ambiences, and Textures procured from original field recordings of wind. The processed wind sounds are very usable fresh and great to use. With the quality and ridiculously low price point, you can not miss out on this tremendous sounding library.