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StrongMocha’s Review of FabFilter Volcano 3: A Powerful Filter Plug-in for Creative Filtering

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New Vintage filter plug in Volcano3

FabFilter has released the latest version of its filter plug-in, Volcano 3. With an entirely reimagined interface, a raft of new vintage-style filter shapes, per-filter saturation control, full visualization of modulation sources and targets, and much more.

What does FabFilter Volcano do?

The FabFilter Volcano 3 plug-in is designed to emulate the sound of old-school analog filters. With tons of features, modulation options and an intuitive user interface it’s one plugin you should have in your arsenal!

FabFilter’s latest release, Volcano 3 provides more than just improvements to the filter and mod options. It also includes a new characterful bell sound effect that can be used in multiple ways such as an airy siren or warm ringing tone for your next track!

Beautiful new interface and improved workflow

A completely reimagined interface, new vintage-style filter shapes, and per-filter saturation control are just some of the additions that bring Volcano 3 to life. A raft of modulation sources can be heard for each type in real-time visualizations which gives you unprecedented insight into how your sound changes with these simple gestures on stage or while performing at home without ever having touched a keyboard!

The first thing you will notice when opening up Volcano 3 is its new, streamlined interface. The completely redesigned look makes working on the software a joy!

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The new FabFilter Volcano 3 is a complete product for musicians with its intuitive and immediate design. The aim of the designers was to make it as easy on users, whether they are engineers or producers who have been in this industry before but want something more simple now that advances have caught up to them – either way you’re covered! In addition to its user-friendly interface, the FabFilter Volcano 3 also boasts a wide range of powerful, cutting-edge features that provide endless creative possibilities for sound sculpting and manipulation. This has been echoed in the latest ‘storm choir 2 review‘, where users have praised the plugin for its versatility and innovative effects. Whether you’re looking to add subtle texture to your tracks or completely reshape the sound, the FabFilter Volcano 3 is a must-have tool for any musician or producer.

The Fabfilter Company’s newest venture into audio engineering has set out their stall early: there won’t be any unnecessary complications bogging down your workflow because everything about these plug-ins seems designed around keeping things minimalistic while still maintaining clarity at every turn.

Designed to be used in long sessions

The interface is now so intuitive and visually stunning that you can’t help but be in awe.

The source flow area gives an eye-catching overview of all active modulations while floating slot panels enable collective balancing for sources who want to control the currently selected GPO, master channel, or external device from within Studio One DAW software without ever leaving their session window! The new full-screen mode is a game-changer for people who work on their computers all day. It maximizes the filtering workspace and provides an easy-to-view background that will keep you more engaged in longer sessions, without any strain on your eyesight!

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Improved Performace

The new filter display speeds up workflow with the selection of multiple filters at once and presents a unified response curve that can be further customized to your liking. There’s also stereo separation so you get an accurate sense of how one sound will differently affect another when playing back through speakers or headphones in different rooms! The result is an audio interface that offers many improvements over its predecessor including improved visibility of all channels’ waveforms.

Let’s get into the nitty-gritty of this smoother workflow. With intelligent algorithms that adjust playback speed when you need it most, your keys won’t get stuck at any tempo or subdivision rate thanks in part to a key filter engine with automatic adjustments for faster conversion rates on slower computers!

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Its smooth workflow makes it perfect for creative filtering with no limits on flexibility or authentic analog sound.

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Characterful new filters

The new filter display speeds up workflow with the selection of multiple filters at once and presents a unified response curve that can be further customized to your liking. There’s also stereo separation so you get an accurate sense of how one sound will differently affect another when playing back through speakers or headphones in different rooms! The result is an audio interface that offers many improvements over its predecessor including improved visibility of all channels’ waveforms.

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The beating heart of Volcano 3 is, of course, its bank of four analog-modeled filters. These are the core to what makes this synth worth every penny you spend on it as they provide almost endless ways for sound designers and musicians alike can create their next hit song or just vibe out in style with something comforting like piano melodies!

Easy peasy lemon squeezy sounds and vibes

It was clear from looking at all these features that making sounds would be easy peasy lemon squeezy here because not only do we get access to both oscillators which allow us more tonal options but also one dedicated sigtriller generator per voice polyphony allowing maximum flexibility when layering up different instruments against each other without any fear whatsoever by being too repetitive sounding due lack if unison tuned voices across multiple layers

Easy peasy lemon squeezy sounds and vibes
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Expanding on the already-established High-, Low-, and Band Pass types, Volcano 3 more than doubles your options with Vintage Style Bells tailored for players who want to hear depth in their sound. You can also choose between shelf or notch filters as well! And if all else fails there’s always an All-Pass mode that will give you something new every time – just like when classic analog equipment used these same components back in the day!

Easy drag-and-drop modulation

The Volcano 3’s modulation possibilities are endless. With all those extra modules, it is easy to create your own unique sound with a few clicks of the mouse! Just drag and drop connections from module to module for quick setups without sacrificing musicality or complexity in favor of ease-of-use design features that have been proven effective by pro musicians around the world who use them every day on stage as well as behind closed doors at home studios.

With its diverse and ever-growing arsenal of modulation options, Volcano 3 offers endless possibilities for the musician. Setting up new connections couldn’t be easier: just drag and drop!

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FabFilter Look and Feel

It’s worth noting that all filters are based on the same concept as used in FabFilter similar plugins – so what you can do there, you can now do here.

Just because it has three basic frequency bands doesn’t mean they’re boring; instead, look at them through fresh eyes thanks to our wide variety of styles. When we think about the low bass, mid-range, and high notes as a palette out into which musicians can paint their own masterpiece with great ease, there’s no such thing as too many colors!

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Just like the original trio, these are all highly non-linear for a palpably analog sound and can be switched through an array of sonic colorations using Volcano’s transformative Style settings. Each filter also now incorporates its own variable saturation circuit, further increasing the character-shaping potential, along with a 6 dB/octave slope option, and independent volume and pan controls bring a whole new level of depth to parallel routing setups.

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Beyond discussed new innovations

The Volcano 3 app is an ever-increasing work of art. It’s not only stunning to look at but also full of useful functional additions, refinements, and tweaks that make your life easier every day!

The new Slider can be found in the modulation section, offering a vertical-only variant on XY Controller. This means it only has two axes of control for both pitch and volume instead of three like other controllers which makes this pretty unique! You get adjustable Attack/Decay curves along with Transient Detection Mode providing extra filter cutoff sounds when pressing keys down quickly while playing—allowing you to create more dynamic sounds without having any silence between them since they’ll still sound great no matter what interval was used before starting playback at that point.

Key features

Then there’s the new High Quality (4x oversampling) processing mode, four interface size options, the ability to rename modulation sources, and a full overhaul of the preset library, taking advantage of Volcano 3’s new filter types and features. 

  • Up to four simultaneous filters, each drawing on an extensive range of modes and styles for an infinite palette of coloration
  • Wide variety of parallel, serial, and hybrid routing schemes in Stereo, L/R, and M/S modes
  • Fully redesigned, highly streamlined interface
  • Rebuilt filter control panel, including selection and adjustment of multiple filters at once, integrated spectrum analyzer, and optional piano display
  • Even better-sounding filter algorithms
  • Independent Drive control for each filter
  • Vintage-style Bell, High/Low Shelf, Notch, and All-Pass filter modes, and extra 6 dB/octave slope option
  • Per-filter level and pan controls
  • Endless modulation options, with as many 16-step XLFOs, XY controllers, envelope generators, envelope followers, and MIDI sources as desired
  • New real-time modulation visualization of both targets and sources, and floating slot panels on all targets
  • High Quality (4x oversampling) mode
  • Curve shaping of Attack, Decay, and Release Envelope Generator stages
  • Envelope Follower transient detection mode
  • Resizable interface with full-screen mode
  • Carefully designed and curated factory presets, plus support for earlier Volcano presets
  • All the usual features FabFilter users have come to expect: perfectly fine-tuned knobs and controllers, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample-accurate automation, SSE optimization, and more 

FabFilter has cool things

The FabFilter Pro-Tracks bundle brings you all of the usual goodies, like perfectly tuned knobs and MIDI Learn for creating your own unique sound. 

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Perfectly tuned knobs, MIDI learn for unlimited automation potential, and Smart Parameter Interpolation that smooths out parameters changes.

About FabFilter

Beautiful sound. Fantastic workflow. These are the foundations of FabFilter. Continually challenging and rethinking industry standards, FabFilter creates powerful audio plug-ins with superb sound quality and innovative interfaces. FabFilter was founded in 2002 by Frederik Slijkerman and Floris Klinkert, and is based in Amsterdam, The Netherlands. 

Availability

FabFilter Volcano 3 is now available for EUR 109, USD 129 or GBP 94, supporting both Windows and macOS in VST and VST 3, Audio Units, AAX, and AudioSuite plug-in formats. Bundles with FabFilter Volcano 3 and other FabFilter plug-ins are also available. For iOS users, FabFilter Volcano 3 is also available as an AUv3 plug-in via the App Store.

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To make self-quarantine just a little bit easier during the COVID-19 pandemic, FabFilter offers free 30-day evaluation extensions for all their plug-ins, including Volcano 3.

Existing FabFilter customers

FabFilter Volcano 3 released! FabFilter Volcano 3 is a new major version of the Volcano filter plug-in, introducing new filter shapes, drive, enhanced sound, modulation visualization, and much more. Please check and uncheck the products below to discover your personal discount price.

Existing FabFilter customers can purchase or upgrade to FabFilter Volcano 3 with very attractive discounts by logging into their online user account.

Conclusion

When you open up Volcano 3 for the first time, it is like stepping into an entirely new world. The completely redesigned interface makes working with this app more pleasant and efficient!

The plugin is a must-have for any creative media professional. It has no limits and offers an endlessly flexible workflow with the capability to create a stunningly authentic analog sound that will make you feel like your work doesn’t need anything else!

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With Volcano 3, FabFilter has taken its sound design to the next level with an impressive selection of new features. You can now use bell-like filters or notch resonators for added character in your production!

The notch filter type is a great way to add some special uniqueness and vibe!

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Audio Brewers

Peace by Audio Brewers – An Overview, the Innovative Bowed Instrument

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Peace by Audio Brewers An Overview the Innovative Bowed Instrument Cover Booklet

If you’re a music producer or composer, you’ll know that an instrument’s sound can significantly impact the overall feel of a piece.

That’s why DustBowl Cinematic and Audio Brewers are so excited to present their one-of-a-kind bowed instrument – Peace! Let’s explore just what makes this innovative instrument so unique.

Design and Craft Process

Created by master luthier Stamatis Stringaris through a laborious transformation process, Peace was crafted from a decommissioned Soviet missile shell.

The delicacy and precision required for such an endeavor is truly awe-inspiring.

Audio Brewers partnered with DustBowl Cinematic during the creation process to capture every minute detail of this unique instrument to create the highest quality samples possible.

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Finding the Best Sonic Spots

The team at Audio Brewers then set out to find the best sonic spots where they could capture the sound of Peace in its purest form.

This involved creating an immersive sonic ambiance for each note and adjusting each sample until it perfectly reflected the instrument’s original sound. As a result, listeners can expect crisp, detailed notes that evoke feelings of peace and tranquility with each listen.

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Power and Versatility of Next-Gen Adaptive Polyphonic Legato

What sets this bowed instrument apart from other musical offerings is its use of Next-Gen Adaptive Polyphonic Legato technology which allows it to automatically adapt to playing speed and dynamics without any mouse or DAW control needed – freeing musicians from being slaves to technology.

Additionally, Voice Movement Awareness ensures that even when using many voices simultaneously, each one will remain distinct and true to its original sound.

Stamatis Stringaris Pushes Boundaries with One-Of-A-Kind Missile Shell-Bowed Instrument

Stamatis Stringaris has taken his artistry to the next level by creating a one-of-a-kind bowed instrument crafted from the shell of a missile. Stringaris, the founder of DustBowl Cinematic, was inspired by unconventional materials such as found objects and fabrics to create something truly unique.

Using his skill and creativity, he fashioned this instrument out of all things industrial – an object built for destructive purposes now fashioned into something musical. He is pushing boundaries with his new design and immersing himself in the world of neo-traditionalism.

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Audio Brewers and Dust Bowl Cinematic Collaborate to Bring Unique, Expressive Instrument to Life with Intuitive User Interface

Audio Brewers and DustBowl Cinematic have come together to bring a unique instrument to life. Through the detailed sampling of the instrument, its true personality can be heard.

Every nuance is captured, recreating a one-of-a-kind sound perfect for any artist. This expressive creativity is further amplified with the bonus of an intuitive user interface, making it easier than ever before to come up with seriously professional-looking results.

With the combined efforts of Audio Brewers and DustBowl Cinematic, this instrument’s power can be unleashed from studio productions to everyday music creation!

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Peaceful Sound Achieved: The Complex Process of Crafting and Sampling a Calming Instrument

The development of peace is a highly complex process, beginning with the initial design and crafting of the instrument. Subsequently, finding its best sonic spots requires meticulous attention to craft an instrument that meets the desired specifications.

Sampling and mixing using immersive techniques isn’t quick or easy either; much trial and error must be used to find the optimal combination for a peaceful sound. Ultimately all of this work helps create a truly calming listening experience when these elements are brought together perfectly.

Revolutionary Polyphonic Legato Technology Brings New Level of Peace and Harmony to Musical Performances

Peace and harmony can now be achieved with the aid of enhanced Polyphonic Legato technology. This revolutionary product is adept at automatically adapting to the nuances and dynamics of an individual’s playing speed, allowing players of all levels to express themselves much more naturally.

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A wide range of sound types, instruments, and evolution techniques make this a truly unique product that provides crystal-clear sound quality no matter the genre or style. Finally, players can enjoy unrivaled performances thanks to this innovative technology that takes their musical talents to new heights.

Revolutionary Adaptive Polyphonic Legato Liberates Musicians, Revolutionizes Music Production

Adaptive Polyphonic Legato technology liberates musicians from restrictive editing and production methods, revolutionizing the way music is made.

Adaptive Polyphonic Legato (APL) is musicians’ next big game changer. The vision of APL was born out of a need to break free from the often daunting and restrictive areas of using a mouse for music editing and a DAW for music production.

It is designed, coded, and explicitly adapted by and for musicians so that they can be liberated from tedious click-and-drag tasks. By harnessing the power of APL to its full potential, creatives can produce more freely and create groundbreaking music faster than ever before. Ultimately, this powerful new technology looks to revolutionize the way music is made in the 21st century!

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True Panning and Dolby Atmos

When it comes to mixing, True Panning is an innovative technique that Crescent has pioneered. It allows users to place a strings ensemble around the listener’s head in three-dimensional space, creating an immersive experience unlike any other. It utilizes Ambisonics technology to achieve this, allowing for a much more realistic representation of the performance than traditional stereo hard panning.

Dolby Atmos is another technique that can take advantage of the spatial capabilities presented by Crescent products. Instead of simulating spaces and then placing a stereo signal in them like most other methods, Atmos uses a fully spatialized recording and unfolds it around the listener’s head – providing an incredibly accurate representation of what you would hear if you were present during the recording session. Furthermore, this process can be done in a matter of seconds and requires minimal effort on the part of the mixer.

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Both techniques provide users with unprecedented levels of immersion and accuracy when compared to traditional processes, thus making them invaluable tools for achieving superior recordings and mixes.

The ease-of-use and impressive sound quality provided by both True Panning and Dolby Atmos make them essential components for any musician or engineer looking to take their productions to the next level.

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4 Stereo Mixes Included

  • A Mix offers great balance from the Musician’s perspective. You’ll feel embraced by the sound of the instrument plus you will hear the sound of the helmet complementing it with a reverb-like sensation.
  • A BODY Mix offers the sound the shell emanates. The sound contains much more body and colour in the lower end.
  • A HELMET Mix offers the sound that comes from the military helmet. Filling your music field with a thin reverb-like sound.
  • A BINAURAL Mix offers the best Immersive type of sound if you are wearing headphones.

Stereo mixing is essential in music production, allowing the engineer to create a well-balanced mix that suits their artistic vision. By combining audio signals from multiple sources into a single stereo output, the engineer can create a sonic landscape that is truly unique and engaging.

At its core, stereo mixing involves combining two separate audio tracks – each of which has both left and right channels – into one complete mix. This technique also allows engineers to create various effects such as panning, spatial placement, reverb, compression and more. Commonly used to refer to the practice of blending different instruments or elements together to form a single soundscape, stereo mixing creates depth and texture in recordings.

One type of stereo mix is known as the ‘Mix’, which seeks to provide a balanced sound from the musician’s perspective. It combines all of the audio sources together by blending them into one cohesive mix. This type of mix ensures that each instrument is given equal weight within the recording and creates an immersive listening experience for the listener.

A ‘Body Mix’ on the other hand focuses more on creating a fuller overall sound through accentuating bass frequencies whilst still providing clarity for each instrument. Meanwhile, ‘Helmet Mixes’ offer a more reverb-like sound as they use military helmet microphones to capture sounds with thin reverberations that fill out the overall sound field.

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Lastly, binaural mixes are explicitly designed for headphone listening experiences, offering an even more immersive sonic experience because they take advantage of directional cues inherent in natural 3D sound fields.

In conclusion, stereo mixing offers multiple options for creating engaging sonic landscapes that use various techniques such as panning, reverb and compression. Whether you’re looking for a balanced ‘Mix’ or something with greater body such as a ‘Body Mix’ or Helmet Mix’ – there’s sure to be something that meets your needs!

Experience the Future of Sound: Immersive Perspectives Revolutionizes Music Listening with Ambisonic Technology

Immersive Perspectives offers a different listening experience than traditional stereo or surround sound mixes. These mixes are created using Ambisonic technology, replicating a real-life environment’s sound to create a fully immersive 3D soundscape. Ambisonic technology captures sounds from all angles by using multiple channels and microphones placed strategically around the room, giving listeners an unprecedented level of realism and immersion. 

In these real-world scenarios, sounds come from all directions—above and below our heads, from behind us and ahead of us, and from above and beyond us—creating a much more realistic listening experience than what could be achieved with a traditional stereo or surround sound mixes. With Immersive Perspectives, listeners can feel as if they’re actually in the recording space with the artist as they play their instrument. 

Immersive Perspectives also offers true panning capabilities—listeners can move through virtual space as if they’re physically inside it. This enables engineers to place instruments at varying distances throughout the mix to create dynamic depth and movement in the soundscape. The result is a mix that provides more accurate localization of sounds within the mix and allows for greater control over how those sounds interact in various playback systems

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Beyond providing an increased level of realism, Immersive Perspectives also adds storytelling elements to music production. Musicians can place instruments at different points in the mix to influence how their story is told through sound—where each instrument should be placed for maximum impact on both the listener’s ears and emotions. By using this approach, artists can transport their listeners into another world through their music without having them leave the comfort of their own homes.

Conclusion

As you can see, Peace is genuinely an innovative bowed instrument unlike anything else currently available on the market today that has been crafted with meticulous care and precision by master luthier Stamatis Stringaris in collaboration with Audio Brewers & DustBowl Cinematic.

Combining Next Gen Adaptive Polyphonic Legato technology with Voice Movement Awareness ensures that every note sounds crisp and accurate to its intended source – no matter how fast or slow it is played – allowing musicians more creative freedom than ever! Who knew something as simple as a decommissioned missile shell could revolutionize music composition? We did! And now you do too!

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Best Service

Exploring the World of CH-OCTA with Chris Hein – OCTA

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Chris Hein – OCTA (CH-OCTA) is a revolutionary new music instrument from Chris Hein Instruments. Its mission is to provide musicians with an innovative, comprehensive musical experience.

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With its eight core mixers, solo and multi instruments, comprehensive sequencer features, and much more, CH-OCTA is quickly becoming the go-to instrument for professional musicians worldwide. Let’s take a closer look at what CH-OCTA has to offer.

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Chris Hein – OCTA Crossgrade Option

Best Service has pulled out all the stops this time! ‘Chris Hein – OCTA‘ is now available, ready to make your music production woes become a distant memory. For those who already own a Chris Hein Library, you’re in luck – until January 31st, 2023 you can upgrade to this new powerful tool for only $239 with their Loyalty Crossgrade. So don’t miss out on one of the best upgrades you’ll ever see from Best Service – make sure you remember to grab it before 31st January is all we’re saying!

One thing worth noting about OCTA is that it isn’t stingy with its beauty. This instrument makes it easy to explore and find the music within yourself – whether you’re looking to craft a whimsical melody or an entire symphony. Its programmability gives you the freedom to be creative while its lyrical nature brings out that improvisational style of composition in a unique way. So, don’t be intimidated by how complex OCTA may seem at first glance – instead, let its peculiar charm gracefully draw you in and uncover some of your most creative pieces.

The MEGA STRUCTURE Engine

At the heart of CH-OCTA is its MEGA STRUCTURE engine. This 8-core mixer allows users to layer multiple instruments in up to 8 different channels or combine multiple instruments in a single track.

In addition, it offers a range of solo and multi instruments that can be further customized by changing their parameters or adding effects such as reverb and distortion.

For those who want more control over their sound creation process, the comprehensive sequencer features allow users to create intricate patterns and rhythms easily.

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CH-OCTA as the First Instrument in the Series As the first instrument in the CHRIS HEIN series, CH-OCTA has some impressive features that make it stand out from other instruments on the market today.

One of these features is its wide variety of solo instruments that can be used for both composing and recording purposes. These include guitars, basses, drums, strings, woodwinds, brass and synthesizers —all of which can be used alone or layered together to create unique sounds.

Also, CH-OCTA has a number of multi-channel instruments that make it easy and quick to combine different sounds and make complex compositions.

Finally, its sequencing capabilities are top notch; users can sequence up to 8 channels simultaneously for maximum flexibility when creating their music.

Comments and Reviews from Professional Musicians Many professional musicians have already been blown away by CH-OCTA’s impressive capabilities.

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From jazz guitarists who appreciate how easy it makes creating intricate compositions to DJs who love how powerful its mixing capabilities are—everyone seems to agree that this instrument has something special about it that sets it apart from other similar products on the market today.

Moreover, many users also attest to how intuitively designed this instrument is; they find that even novices can get up and running with minimal effort thanks to its user friendly interface design.

Chris Hein Blends Traditional and Unique Instruments to Create Out-of-this-World Soundscapes

Chris Hein not only recorded the beautiful Concert Vibraphone, Glockenspiel from the WDR Symphony Orchestra, and Grand Marimba from a friend – he also addd some truly unique instruments to his collection.

His self-made MyTube instrument, plucked instruments such as the Guitarette and Monochord, an array of Kalimbas and other “tonal” percussive instruments all make an appearance. After experimenting with combining these instrument with synths, pads and keys, Chris realized his collection could also be used as a sound source for a multi-instrument. Talk about out of this world!

OCTA Instrument: A Revolutionary New Product for Studio Creativity

Chris Hein’s OCTA instrument concept revolutionizes modern studio set-ups with groundbreaking versatility and comprehensive sound capabilities.

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OCTA combines 8 core mixers, multi instruments, a comprehensive sequencer and more for an unprecedented music creation experience. This new product marks the entry of the CHRIS HEIN series into modern studio creativity, with its amazing range of features and functionalities that will take musicians to new heights of sound exploration.

After 3 long years of research, development, and hard work, the introduction of Chris Hein’s OCTA instrument concept is finally here! This groundbreaking new product brings a variety of sounds and textures to the studio that were previously unavailable.

Users have praised its complexity for being so versatile and comprehensive, allowing them to create not just unique sounds but entire musical ideas in one place.

From elegantly plucked harps to layered synths and strings, Chris Hein has truly revolutionized the modern studio set-up with OCTA and given producers far-reaching creative potential.

Unleash Your Musical Creativity with the Revolutionary MEGA STRUCTURE Engine

The MEGA STRUCTURE engine is an intriguing musical tool that offers composers the chance to explore their talents in the digital realm.

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With eight core mixers and a host of solo and multi-instrument options, it has everything a musician needs to create and enhance their sound.

Including a comprehensive sequencer also allows musicians to sequence various instruments at different times and layer different melodies and parts over one another.

This opens up a world of possibilities for musicians venturing into the digital realm, allowing them to take their compositions further than ever before without sacrificing quality or creativity.

Revolutionize Your Vocal Sound with the Groundbreaking CH-OCTA: 8-Channel Dynamic Vocal Processor

The CH-OCTA is a groundbreaking instrument and the first of its kind to be developed in the MEGA STRUCTURE series. It houses an amazing 8-channel dynamic vocal processor, which allows users to shape their sound with unprecedented control.

The unique combination of advanced technology and user-friendly controls make it easy to create professional-quality vocal sounds quickly and easily. With the ability to record, mix, and master up to 8 different channels of sound simultaneously, this instrument stands out as a powerful tool for any musician.

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Whether you’re a novice or professional, the CH-OCTA can help you take your musical creativity to an entirely new level.

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Unleash Your Creativity and Explore a New Sonic Environment by Combining Multiple Sound Sources

What happens when you take the natural woody tones of a marimba and layer them with the metallic voices of a vibraphone? You might think you’ve heard beautiful music, but why not take it to the next level? CH-OCTA is here to do exactly that – it allows you to combine up to 8 sound sources and explore an entirely new sonic environment.

Get creative! Carefully arrange different instruments in order to create something totally unique, and channel your inner music maestro.

CH-OCTA: The Ultimate Music Production System Combining Cutting Edge Technology and Simple Design

CH-OCTA marries cutting edge technology with a refreshingly simple design, making it one of the most powerful music production systems in the industry.

With 100 high-quality solo instruments, 8 core multi-channel instruments, and an 8-channel sequencer, there is something for everyone no matter their level of expertise or the style of music they are creating.

Allowing users to mix and match different sound combinations provides endless options for experienced and novice musicians. Experience the flexibility and power of CH-OCTA today!

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Conclusion

CH-OCTA’s debut to the MEGA STRUCTURE series is a prizewinning performance – its versatility in both the solo and 8-channel instruments led it to top the ranks when it comes to creative, improvisational sound.

Boasting an impressive line-up of 100 solo instruments and 8 core multi-channel ones, all under the aegis of an 8-channel sequencer, this workhorse is ready to make your every musical impulse come alive! With CH-OCTA’s incredible blend of functionality and spark, you’re just one spark away from creating your very own symphonic masterpiece.

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If you’re looking for an innovative way to compose or perform your music without sacrificing quality or creativity then you should definitely check out Chris Hein – OCTA!

With its wide variety of solo instruments along with its powerful multi channel options and comprehensive sequencing tools—you’ll quickly discover why so many professionals are now choosing CH-OCTA as their go-to instrument for all their music making needs! Try it out today!

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Omnisphere

Tom Wolfe’s Binaural Soundscapes: A Revolutionary New Soundbank for Spectrasonics Omnisphere

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Are you a producer or composer looking for new, unique sounds to add to your music? Look no further than Tom Wolfe’s Binaural Soundscapes, a revolutionary soundbank for Spectrasonics Omnisphere.

This soundset is made up of 50 presets and 72 sound sources. Together, they create a cinematic atmosphere in an immersive 3D space that producers and composers can use to make textures with a depth that has never been seen before.

Let’s take a closer look at how Tom Wolfe’s Binaural Soundscapes are revolutionizing the world of music production.

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Tom Wolfe's Binaural Soundscapes: A Revolutionary New Soundbank for Spectrasonics Omnisphere 152

History of Binaural Audio and its Advantages

Binaural audio is a technique that uses two microphones placed in the ears of a dummy head to capture recordings that mimic how humans hear sounds in real life. It has been used since the late 19th century, but has become increasingly popular in recent years due to its ability to recreate lifelike soundscapes with amazing realism.

This makes it particularly beneficial for producers and composers who want to create more dynamic and realistic-sounding tracks. Additionally, binaural audio allows for bigger, more spacious textures than ever before.

Cinematic Binaural Textures

The idea of ​​cinematic binaural textures may sound complicated, but pretty simple. It’s like having surround sound through headphones, each sound precisely placed to create an immersive listening experience that transports the listener right into the middle of a movie.

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Through its complexity of layered noises and effects, cinematic binaural audio forms a landscape that provides an emotional response, allowing each individual to enjoy their unique version of the movie that’s tailored to their taste. With its ability to enhance the viewing experience, it’s not hard to see why cinematic binaural textures have become such fan favorites!

What Is Binaural Soundscapes?

Is your music feeling a little flat? Consider adding some binaural soundscapes to liven things up. What’s that, you ask? Binaural audio is an exciting new technique that brings a three-dimensional sonic experience as you’ve never heard before.

Omnisphere’s Binaural Soundscapes is the perfect way to get started – with 50 presets and 72 sound sources going beyond essential ambiance to create stunning sonic spaces. You can bring your music to a new level of depth and atmosphere without ever having to leave the house!

Put: If your tracks are stuck in 2D, it sounds like it’s time for a 3D upgrade.

Exploring Tom Wolfe’s Binaural Soundscapes

Tom Wolfe’s binaural soundscapes are explicitly designed for use with Spectrasonics Omnisphere. The collection features 50 presets as well as 72 sound sources with a cinematic nature.

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It also has multiple formats available so that producers can work with their favorite software programs (VST, AU, etc.). Examples of tracks created using this soundbank can be found on Tom Wolfe’s website and pricing information.

About Tom Wolfe

Tom Wolfe is a British sound designer. Tom is a well-known voice in the world of synthesizer presets. He has also won awards for his work as an independent film composer. His store, tomwolfe.co.uk, has soundbanks for some of the biggest and most popular software synthesizers and effects plugins on the market.

Users and critics alike praise Tom’s presets for being unique, creative, and easy to use. He has worked with several industry-leading companies and his sounds have been used by Oscar-winning film composers, Grammy-winning record producers, and AAA game composers.

Conclusion

Tom Wolfe’s Binaural Soundscapes provide an exciting new addition to Spectrasonics Omnisphere library of sound sources. This groundbreaking collection of 50 presets and 72 sound sources gives you a cinematic atmosphere in an immersive 3D space. This lets producers and composers make big textures with more depth and realism than ever before.

To learn more about this groundbreaking soundbank or purchase it online, visit Tom Wolfe’s website today!

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Special Launch – Pricing

For a limited time only, Binaural Soundscapes is available for the introductory price of £14.99 (regularly £19.99). Also on sale is Tom Wolfe’s Omnisphere Collection, featuring all 1350 of Tom’s Omnisphere Presets, currently just £174.99 (regularly £249.99). Offers end at 23:59 GMT on 25th January 2023.

Binaural Soundscapes FAQ

What is binaural soundscape?

Binaural soundscapes are recordings of 3D immersive audio experiences that use advanced recording techniques to capture and recreate the acoustics of a physical space. They are designed to immerse listeners in a realistic auditory environment, often using sounds from nature or other real-world settings.

How do binaural soundscapes work?

Binaural soundscapes are created by recording audio with two microphones placed at different distances from the sound source, and then processing the signals to recreate a 3D spatial image for the listener. The human brain perceives this as being in a real-world environment and can help with relaxation, focus, and mindfulness.

What are the benefits of binaural soundscapes?

Binaural soundscapes can be used to promote relaxation, reduce stress and anxiety, improve concentration and focus, enhance creativity, and encourage mindfulness. They can also be used to help with insomnia, tinnitus relief, enhanced meditation practices, and more.

Where can I get binaural soundscapes?

You can find a variety of binaural soundscapes available for purchase online or streaming services such as Spotify or Apple Music. There are also many free binaural recordings available on YouTube that you can use to begin exploring the world of 3D immersive audio experiences.

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Are there any risks associated with binaural soundscapes?

Binaural soundscapes are generally considered to be safe and harmless. However, as with any audio recordings, users should take caution when using headphones at high volumes or for extended periods to avoid potential hearing damage. Additionally, some people may experience headaches or dizziness when listening to certain sounds in a 3D environment. If this is the case, it is recommended that users take frequent breaks from listening and adjust the volume accordingly.

Do binaural soundscapes work on all devices?

Due to varying hardware specifications between devices, it is difficult to guarantee that a binaural soundscape will work on all devices. It is recommended that you check the specifications of your device before purchasing or streaming a binaural soundscape. Additionally, some devices may require specific software to play back the 3D audio correctly.

Are there any other tips for using binaural soundscapes?

For best results, it is recommended to use headphones when listening to binaural soundscapes, as this helps create a more realistic and immersive experience.

Additionally, taking breaks during listening sessions can also help with concentration and focus. Finally, it is important to keep in mind that everyone reacts differently to different types of audio experiences and what works for some may not work for others. Experimenting with different sounds and environments can be helpful in finding the perfect binaural soundscape for your needs.

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For best results, it is recommended to use headphones when listening to binaural soundscapes as this helps create a more realistic and immersive experience. Additionally, taking breaks during listening sessions can also help with concentration and focus. Finally, it is important to keep in mind that everyone reacts differently to different types of audio experiences and what works for some may not work for others. Experimenting with different sounds and environments can be helpful in finding the perfect binaural soundscape for your needs.

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