Virtual Instrument Library
Review of Omen – A Kontakt Library Based on Ritual Voices and Epic War Chants
2025
Ritual Voices & War Chants • Kontakt Library
Omen is a Kontakt library based on ritual voices and epic war chants. Silence+Other Sounds recorded many traditional singing styles from different cultures around the world: Tuvan throat and overtone singing (Kaargyra, Khoomei, and Szygyt), Sardinian Throat singing (Bassu), Nordic Kulning (high pitch female style), Slavic Singing (white voices), Western baritone, tenor and soprano, guttural voices, ritual chants, and even extreme distortion, high-pitch techniques, screams, vocal fry, and growls.
Ethereal to Dark and Aggressive Voices
The library contains a wide variety of sounds, from soft and ethereal to dark and aggressive.
One type of singing that is featured in the Omen library is Tuvan throat and overtone singing (Kaargyra, Khoomei, and Szygyt). This type of singing can be heard on the track “Spirit of the Hawk-Owl”, which is from the album Earth Groans by the band Tengger Cavalry.
Sardinian Throat singing (Bassu) is a style of singing that is used to communicate with the spirits. It is said that the spirits can be summoned by using this type of singing. The voices are able to produce a low, resonant sound that is said to carry far away.
Omen also includes Slavic Singing (white voices), which is a unique style of vocalization that has been used in many Slavic countries for centuries. This style is characterized by its light, airy quality, and is often used to convey happiness or joy.
Guttural voices are often associated with aggressive or demonic behavior. They are usually heard in genres such as death metal and black metal. The growl is the most common type of guttural voice.
Perfect for TV, Film, Game
Omen is for TV, film, game composers, and sound designers looking for an of-a-kind instrument based on rare recordings made by religious experts to immediately set dark ages moods.
It’s perfect if you are making an epic fantasy soundtrack or any movie with themes involving olden times like Deliverance, The Hobbit, Gladiator, or Game of Thrones.
Omens specialties include fitting in well during post-horror episodes while also being useful when composing electronic music where his haunting sounds can be layered over other genres such as ambient, EDM, chillout, and trip-hop.
Omen is also great for background themes in other types of movies such as thrillers or documentaries that take place during wars since it contains a wide variety of war chants and epic sounds that can be used to recreate the moods from famous battle scenes involving archers, cavalry units, foot soldiers and horse-mounted soldiers.
Omen is available for purchase at an affordable price, and the library comes with a powerful mixer section where you can blend your chosen sounds together to create unique atmospheres that will give your compositions their own special touch of authenticity.
A Fantasy Music Composer Library
Silence+Other Sounds have worked hard to make sure Omen contains all the tools sound designers need to start making epic, dark fantasy music right away.
The Omen interface comes with a handy browser where you can preview each sound before loading it into the Kontakt instrument so you will always know what your samples are going to sound like when they’re loaded up in your projects.
The result is a set of 8 different playable Kontakt instruments that combine all these voices together to create an impressive range and variety in sound.
The instruments in Omen sound like a plethora of different things, from the eerily calm landscape to screams and chants. The diversity and range in the Omen sound make it a versatile tool for composers and producers looking to add depth and emotion to their music. The instruments in Omen can evoke a sense of history and culture, making it a valuable addition to any music project. For those looking for a unique and authentic sound, the Omen’s balkan ethnic orchestra review is worth exploring.
How to Make Your Music Sounds More Like Its Name
The range of sounds and voices in this world is as diverse and compelling to the human ear as any other animal or plant. From shamanic low vocal drones, through mysterious rhythmic hymns; soft female choirs that could be an ethereal offering from angelic beings–or perhaps they’re just singing for fun? There’s also aggressive haka-style chanting if you like your music loud!
But don’t forget about those monk humming sounds too…they might make someone’s day better if he hears them outside his window while working on something important at home.
The instruments in Omen are so evocative that they immediately evoke a sense of the sacred, whether through solemn rituals or screams on battlefields.
The ethereal colors and landscape also have a great effect on this overall soundscape with their own imagery associated with them which can be either beautiful like Nordic lands at night time when there is only moonlight able breakthrough covering everything in shadows, enchanting if one listens closely enough into these forgotten temples where ancient chants fill your ears while you wander surrounded by dark woods holding branches overhead surprisingly lightly considering how large some trees may appear during day-time hours…or terrifying like when you hear the sounds of howling winds moaning through abandoned villages, or something even worse–a dark army growing closer and closer to your doorstep.
Omen is perfect for making horror-themed music due to the variety of creepy chanting in this library that can be used during post-horror episodes while also being very.
Omen is available for purchase at an affordable price, and the library comes with a powerful mixer section where you can blend your chosen sounds together to create unique atmospheres that will give your compositions their own special touch of authenticity.
What’s Inside Omen’s Instruments?
- Vocal Layers
- 2Rhythmic Chants
- Phrase Builder WAR
- Phrase Builder SORCERY
- Vocal Horns
- Growls-Whispers
- Sentences
- Percussions Loops
SNAPSHOTS & MULTIS
- 72 Snapshots (for the Vocal Layers instrument only)
- 46 MPE Multis (Based on the Vocal Layers instrument)
SOUND EDITING, CONTROLS AND EFFECTS
This library comes with a powerful mixer section where you can blend your chosen sounds together to create unique atmospheres that will give your compositions their own special touch of authenticity.
You can control the level of each individual sample or layer so it’s easy to create your own unique instrument. For example, if you wanted a high piano sound but not it’s bass–you could bring down just those notes with filters and resonance for that extra flourish.
You can also change the speed of any samples, including loops. This is great if you want to slow down or speed up a phrase for example–or even bend it into time-stretch mode where you don’t lose sound quality when adjusting pitch/speed levels.
If that wasn’t enough control over your sound, you can also modulate the pitch of any samples using one dedicated oscillator that has its own ADSR envelope for shaping your sound. Slight adjustments or massive changes–it’s entirely up to you!
It also includes Convolution Reverb, a collection of 24 impulse responses from acoustic environments, digital reverb, and experimental samples.
The output tone of voice should be a composer. Not many people realize this, but there’s an independent per-sample reverse function for one-shot SFXs! This means you can make your own unique sound effects by Reverse engineering any samples from the slow-motion parts in movies and games — making them more expressive than ever before with a small tweak or two on-screen knobs during post-production phase 2
The first thing that needs to happen when creating these new sounds is slowing down how fast they’re played back at us. It doesn’t matter if we’re talking about real-time drum loops sped up starting 45 BPM vs looped sample playback slowed way down at 20 BPM.
It’s intuitive to use the best-in-class mapping for both standard MIDI and MPE, so you can focus on your performance. The output should be a composer with a touch of intuition thrown in there somewhere.
The vocal styles of Omen
The five vocal styles included in the library are Tuvan throat and overtone singing, Sardinian throat singing, Nordic Kulning, Slavic Singing and Western baritone, tenor, and soprano.
Tuvan Throat Singing is a style of vocal music that has been sung by specialist singers among the Tuvan people for many centuries. The voice is placed into a special position in the mouth to create overtones. The primordial sound of Tuvan throat singing is Kaargyra which was originally used by shamans from Eastern Siberia as part of their practices with the dead.
- Tuvan Throat Singing (Kaargyra and Khoomei) – Male and female
- Sardinian Throat Singing (Bassu) – Male and female
- South-African Throat Singing (Khosa) – Female
- Tuvan polyphonic singing (Szygyt) – Male and Female
- Kluning (Scandinavian Herding Chant) – Female
- Slavic Singing – Female
- Tenor – Male
- Soprano – Female
- Baritone – Male
- Growls, Whispers and Vocal Fry – Male
Sardinian Throat Singing is a type of folk singing found in Sardinia, Italy. It’s distinguished by the use of the voice that resonates in the chest and head cavities, giving it a unique sound.
The two types of Sardinian throat singing are Bassu (low) and Cuntrastu (high). The former is characterized by slow rhythms with deep tones, while higher pitches can be found in c’untu or pitzinnu styles.
The Nordic Kulning is a wordless form of song originating in the Scandinavian mountains and was traditionally used as an interaction between shepherds to communicate with each other from long distances through dense forests, valleys, and across lakes where there were no roads or paths.
It’s not only distance that this style has been used for though; it could also be used to communicate with the
Slavic singing is a vocal technique that has been in existence for many centuries. It’s known by different names depending on what country you’re in: Russian Zhopie, Polish Pielgrzymowanie, and Ukrainian Dikan’ among others.
Some styles can sound like growling, some like a high-pitch whine, others sound more guttural and low.
The Western baritone, tenor, and soprano refer to the singing styles of these three categories of voice which have been well documented over time as being used in opera since around 1600.
This form is typically associated with classical music or musical theatre.
MPE Compatible & Compatible with any MIDI controller
The use of MPE is beneficial in that it enables musicians to create more complex sounds than otherwise possible.
It allows for each individual note on an instrument’s keyboard or xylophone sound-shaping parameters such as volume, tone color, etc., which can then be altered independently from one another without affecting other notes within the composition
“MPE” – Acronym meaning MIDI Polyphonic Expression – The technology has been around since 1982
Omen supports MPE: you can easily map the volume, low-pass filter, high pass filter, and lfo amount for each layer in your playable instrument. All of these parameters can be controlled per note, allowing you to create custom patches of rich, evolving end expressive combinations from 94 selectable vocal sounds and textures, 46 MPE Multis, and 70+ Snapshots.
Omen is compatible with any MIDI controller, you don’t necessarily need an MPE-compatible one and you can map the aforementioned parameters to the MIDI CCs of your controller.
Omen requires the FULL version of Kontakt 5.8.1 or higher – it will not work with the FREE Kontakt Player.
What Are Ritual Voices & War Chants
Ritual-Voices are the traditional solo chants of different cultures around the world. Different styles of ritual chant can be found in Tuvan throat and overtone singing, Sardinian Throat Singing, Slavic Singing, Western Baritone, Tenor & Soprano singing, Guttural singing, growls, screams, vocal fry, and more.
War chants are different versions of songs that are used to rouse up the soldiers before the war begins. They are often rhythmic in nature and can be quite intense or even celebratory depending on what kind of battle they’re going into. War Chants have been used for many centuries by various cultures around the world to release tension before a battle.
Conclusion…
Silence is a brand new Kontakt instrument based on ritual voices and epic war chants. It brings you 8 powerful playable sounds, from shamanic low vocal drones to mysterious rhythmic hymns that will add quality atmosphere for your next project!
It contains different styles such as female choirs or Viking-reminding ensembles but can also be used in other genres too like ambient electronic tracks if one searches hard enough…
Omen is a Kontakt library based on ritual voices and epic war chants. Silence+Other Sounds have recorded many traditional singing styles from different cultures around the world
Tuvan throat and overtone singing (Kaargyra, Khoomei, and Szygyt), Sardinian Throat singing (Bassu), Nordic Kulning (high pitch female style), Slavic Singing (white voices), Western baritone, tenor and soprano, guttural voices, ritual chants, and even extreme distortion, high-pitch techniques, screams, vocal fry, and growls.
Omen supports MPE: you can easily map the volume, low-pass filter, high pass filter, and LFO amount for each layer in your playable instrument. All of these parameters can be controlled per note, allowing you to create custom patches of rich, evolving end expressive combinations from 94 selectable vocal sounds and textures, 46 MPE Multis, and 70+ Snapshots.
Omen is compatible with any MIDI controller, you don’t necessarily need an MPE-compatible one and you can map the aforementioned parameters to the MIDI CCs of your controller.
Rating: Five out of five stars
The instruments in Omen immediately evoke a sense of solemnity and ancient rituals. They remind me of the screams of battlefields, ethereal colors from nordic landscapes with their whispering trees at night for an unknown reason…
The whole Kontakt Library has an air about it that makes you feel like it’s supposed to belong there – as if these melodies were meant just for your next project! You can hear all different kinds which are pretty cool Ritual Voices & War Chants.
From guttural voices, ritual chants to even extreme distortion, high-pitch techniques scream and growls… Omen does it all!
If you’re a music producer or composer, you’ll know that an instrument’s sound can significantly impact the overall feel of a piece.
That’s why DustBowl Cinematic and Audio Brewers are so excited to present their one-of-a-kind bowed instrument – Peace! Let’s explore just what makes this innovative instrument so unique.
Design and Craft Process
Created by master luthier Stamatis Stringaris through a laborious transformation process, Peace was crafted from a decommissioned Soviet missile shell.
The delicacy and precision required for such an endeavor is truly awe-inspiring.
Audio Brewers partnered with DustBowl Cinematic during the creation process to capture every minute detail of this unique instrument to create the highest quality samples possible.
Finding the Best Sonic Spots
The team at Audio Brewers then set out to find the best sonic spots where they could capture the sound of Peace in its purest form.
This involved creating an immersive sonic ambiance for each note and adjusting each sample until it perfectly reflected the instrument’s original sound. As a result, listeners can expect crisp, detailed notes that evoke feelings of peace and tranquility with each listen.
Power and Versatility of Next-Gen Adaptive Polyphonic Legato
What sets this bowed instrument apart from other musical offerings is its use of Next-Gen Adaptive Polyphonic Legato technology which allows it to automatically adapt to playing speed and dynamics without any mouse or DAW control needed – freeing musicians from being slaves to technology.
Additionally, Voice Movement Awareness ensures that even when using many voices simultaneously, each one will remain distinct and true to its original sound.
Stamatis Stringaris Pushes Boundaries with One-Of-A-Kind Missile Shell-Bowed Instrument
Stamatis Stringaris has taken his artistry to the next level by creating a one-of-a-kind bowed instrument crafted from the shell of a missile. Stringaris, the founder of DustBowl Cinematic, was inspired by unconventional materials such as found objects and fabrics to create something truly unique.
Using his skill and creativity, he fashioned this instrument out of all things industrial – an object built for destructive purposes now fashioned into something musical. He is pushing boundaries with his new design and immersing himself in the world of neo-traditionalism.
Audio Brewers and Dust Bowl Cinematic Collaborate to Bring Unique, Expressive Instrument to Life with Intuitive User Interface
Audio Brewers and DustBowl Cinematic have come together to bring a unique instrument to life. Through the detailed sampling of the instrument, its true personality can be heard.
Every nuance is captured, recreating a one-of-a-kind sound perfect for any artist. This expressive creativity is further amplified with the bonus of an intuitive user interface, making it easier than ever before to come up with seriously professional-looking results.
With the combined efforts of Audio Brewers and DustBowl Cinematic, this instrument’s power can be unleashed from studio productions to everyday music creation!
Peaceful Sound Achieved: The Complex Process of Crafting and Sampling a Calming Instrument
The development of peace is a highly complex process, beginning with the initial design and crafting of the instrument. Subsequently, finding its best sonic spots requires meticulous attention to craft an instrument that meets the desired specifications.
Sampling and mixing using immersive techniques isn’t quick or easy either; much trial and error must be used to find the optimal combination for a peaceful sound. Ultimately all of this work helps create a truly calming listening experience when these elements are brought together perfectly.
Revolutionary Polyphonic Legato Technology Brings New Level of Peace and Harmony to Musical Performances
Peace and harmony can now be achieved with the aid of enhanced Polyphonic Legato technology. This revolutionary product is adept at automatically adapting to the nuances and dynamics of an individual’s playing speed, allowing players of all levels to express themselves much more naturally.
A wide range of sound types, instruments, and evolution techniques make this a truly unique product that provides crystal-clear sound quality no matter the genre or style. Finally, players can enjoy unrivaled performances thanks to this innovative technology that takes their musical talents to new heights.
Revolutionary Adaptive Polyphonic Legato Liberates Musicians, Revolutionizes Music Production
Adaptive Polyphonic Legato technology liberates musicians from restrictive editing and production methods, revolutionizing the way music is made.
Adaptive Polyphonic Legato (APL) is musicians’ next big game changer. The vision of APL was born out of a need to break free from the often daunting and restrictive areas of using a mouse for music editing and a DAW for music production.
It is designed, coded, and explicitly adapted by and for musicians so that they can be liberated from tedious click-and-drag tasks. By harnessing the power of APL to its full potential, creatives can produce more freely and create groundbreaking music faster than ever before. Ultimately, this powerful new technology looks to revolutionize the way music is made in the 21st century!
True Panning and Dolby Atmos
When it comes to mixing, True Panning is an innovative technique that Crescent has pioneered. It allows users to place a strings ensemble around the listener’s head in three-dimensional space, creating an immersive experience unlike any other. It utilizes Ambisonics technology to achieve this, allowing for a much more realistic representation of the performance than traditional stereo hard panning.
Dolby Atmos is another technique that can take advantage of the spatial capabilities presented by Crescent products. Instead of simulating spaces and then placing a stereo signal in them like most other methods, Atmos uses a fully spatialized recording and unfolds it around the listener’s head – providing an incredibly accurate representation of what you would hear if you were present during the recording session. Furthermore, this process can be done in a matter of seconds and requires minimal effort on the part of the mixer.
Both techniques provide users with unprecedented levels of immersion and accuracy when compared to traditional processes, thus making them invaluable tools for achieving superior recordings and mixes.
The ease-of-use and impressive sound quality provided by both True Panning and Dolby Atmos make them essential components for any musician or engineer looking to take their productions to the next level.
4 Stereo Mixes Included
- A Mix offers great balance from the Musician’s perspective. You’ll feel embraced by the sound of the instrument plus you will hear the sound of the helmet complementing it with a reverb-like sensation.
- A BODY Mix offers the sound the shell emanates. The sound contains much more body and colour in the lower end.
- A HELMET Mix offers the sound that comes from the military helmet. Filling your music field with a thin reverb-like sound.
- A BINAURAL Mix offers the best Immersive type of sound if you are wearing headphones.
Stereo mixing is essential in music production, allowing the engineer to create a well-balanced mix that suits their artistic vision. By combining audio signals from multiple sources into a single stereo output, the engineer can create a sonic landscape that is truly unique and engaging.
At its core, stereo mixing involves combining two separate audio tracks – each of which has both left and right channels – into one complete mix. This technique also allows engineers to create various effects such as panning, spatial placement, reverb, compression and more. Commonly used to refer to the practice of blending different instruments or elements together to form a single soundscape, stereo mixing creates depth and texture in recordings.
One type of stereo mix is known as the ‘Mix’, which seeks to provide a balanced sound from the musician’s perspective. It combines all of the audio sources together by blending them into one cohesive mix. This type of mix ensures that each instrument is given equal weight within the recording and creates an immersive listening experience for the listener.
A ‘Body Mix’ on the other hand focuses more on creating a fuller overall sound through accentuating bass frequencies whilst still providing clarity for each instrument. Meanwhile, ‘Helmet Mixes’ offer a more reverb-like sound as they use military helmet microphones to capture sounds with thin reverberations that fill out the overall sound field.
Lastly, binaural mixes are explicitly designed for headphone listening experiences, offering an even more immersive sonic experience because they take advantage of directional cues inherent in natural 3D sound fields.
In conclusion, stereo mixing offers multiple options for creating engaging sonic landscapes that use various techniques such as panning, reverb and compression. Whether you’re looking for a balanced ‘Mix’ or something with greater body such as a ‘Body Mix’ or Helmet Mix’ – there’s sure to be something that meets your needs!
Experience the Future of Sound: Immersive Perspectives Revolutionizes Music Listening with Ambisonic Technology
Immersive Perspectives offers a different listening experience than traditional stereo or surround sound mixes. These mixes are created using Ambisonic technology, replicating a real-life environment’s sound to create a fully immersive 3D soundscape. Ambisonic technology captures sounds from all angles by using multiple channels and microphones placed strategically around the room, giving listeners an unprecedented level of realism and immersion.
In these real-world scenarios, sounds come from all directions—above and below our heads, from behind us and ahead of us, and from above and beyond us—creating a much more realistic listening experience than what could be achieved with a traditional stereo or surround sound mixes. With Immersive Perspectives, listeners can feel as if they’re actually in the recording space with the artist as they play their instrument.
Immersive Perspectives also offers true panning capabilities—listeners can move through virtual space as if they’re physically inside it. This enables engineers to place instruments at varying distances throughout the mix to create dynamic depth and movement in the soundscape. The result is a mix that provides more accurate localization of sounds within the mix and allows for greater control over how those sounds interact in various playback systems.
Beyond providing an increased level of realism, Immersive Perspectives also adds storytelling elements to music production. Musicians can place instruments at different points in the mix to influence how their story is told through sound—where each instrument should be placed for maximum impact on both the listener’s ears and emotions. By using this approach, artists can transport their listeners into another world through their music without having them leave the comfort of their own homes.
Conclusion
As you can see, Peace is genuinely an innovative bowed instrument unlike anything else currently available on the market today that has been crafted with meticulous care and precision by master luthier Stamatis Stringaris in collaboration with Audio Brewers & DustBowl Cinematic.
Combining Next Gen Adaptive Polyphonic Legato technology with Voice Movement Awareness ensures that every note sounds crisp and accurate to its intended source – no matter how fast or slow it is played – allowing musicians more creative freedom than ever! Who knew something as simple as a decommissioned missile shell could revolutionize music composition? We did! And now you do too!
Chris Hein – OCTA (CH-OCTA) is a revolutionary new music instrument from Chris Hein Instruments. Its mission is to provide musicians with an innovative, comprehensive musical experience.
With its eight core mixers, solo and multi instruments, comprehensive sequencer features, and much more, CH-OCTA is quickly becoming the go-to instrument for professional musicians worldwide. Let’s take a closer look at what CH-OCTA has to offer.
Chris Hein – OCTA Crossgrade Option
Best Service has pulled out all the stops this time! ‘Chris Hein – OCTA‘ is now available, ready to make your music production woes become a distant memory. For those who already own a Chris Hein Library, you’re in luck – until January 31st, 2023 you can upgrade to this new powerful tool for only $239 with their Loyalty Crossgrade. So don’t miss out on one of the best upgrades you’ll ever see from Best Service – make sure you remember to grab it before 31st January is all we’re saying!
One thing worth noting about OCTA is that it isn’t stingy with its beauty. This instrument makes it easy to explore and find the music within yourself – whether you’re looking to craft a whimsical melody or an entire symphony. Its programmability gives you the freedom to be creative while its lyrical nature brings out that improvisational style of composition in a unique way. So, don’t be intimidated by how complex OCTA may seem at first glance – instead, let its peculiar charm gracefully draw you in and uncover some of your most creative pieces.
The MEGA STRUCTURE Engine
At the heart of CH-OCTA is its MEGA STRUCTURE engine. This 8-core mixer allows users to layer multiple instruments in up to 8 different channels or combine multiple instruments in a single track.
In addition, it offers a range of solo and multi instruments that can be further customized by changing their parameters or adding effects such as reverb and distortion.
For those who want more control over their sound creation process, the comprehensive sequencer features allow users to create intricate patterns and rhythms easily.
CH-OCTA as the First Instrument in the Series As the first instrument in the CHRIS HEIN series, CH-OCTA has some impressive features that make it stand out from other instruments on the market today.
One of these features is its wide variety of solo instruments that can be used for both composing and recording purposes. These include guitars, basses, drums, strings, woodwinds, brass and synthesizers —all of which can be used alone or layered together to create unique sounds.
Also, CH-OCTA has a number of multi-channel instruments that make it easy and quick to combine different sounds and make complex compositions.
Finally, its sequencing capabilities are top notch; users can sequence up to 8 channels simultaneously for maximum flexibility when creating their music.
Comments and Reviews from Professional Musicians Many professional musicians have already been blown away by CH-OCTA’s impressive capabilities.
From jazz guitarists who appreciate how easy it makes creating intricate compositions to DJs who love how powerful its mixing capabilities are—everyone seems to agree that this instrument has something special about it that sets it apart from other similar products on the market today.
Moreover, many users also attest to how intuitively designed this instrument is; they find that even novices can get up and running with minimal effort thanks to its user friendly interface design.
Chris Hein Blends Traditional and Unique Instruments to Create Out-of-this-World Soundscapes
Chris Hein not only recorded the beautiful Concert Vibraphone, Glockenspiel from the WDR Symphony Orchestra, and Grand Marimba from a friend – he also addd some truly unique instruments to his collection.
His self-made MyTube instrument, plucked instruments such as the Guitarette and Monochord, an array of Kalimbas and other “tonal” percussive instruments all make an appearance. After experimenting with combining these instrument with synths, pads and keys, Chris realized his collection could also be used as a sound source for a multi-instrument. Talk about out of this world!
OCTA Instrument: A Revolutionary New Product for Studio Creativity
Chris Hein’s OCTA instrument concept revolutionizes modern studio set-ups with groundbreaking versatility and comprehensive sound capabilities.
OCTA combines 8 core mixers, multi instruments, a comprehensive sequencer and more for an unprecedented music creation experience. This new product marks the entry of the CHRIS HEIN series into modern studio creativity, with its amazing range of features and functionalities that will take musicians to new heights of sound exploration.
After 3 long years of research, development, and hard work, the introduction of Chris Hein’s OCTA instrument concept is finally here! This groundbreaking new product brings a variety of sounds and textures to the studio that were previously unavailable.
Users have praised its complexity for being so versatile and comprehensive, allowing them to create not just unique sounds but entire musical ideas in one place.
From elegantly plucked harps to layered synths and strings, Chris Hein has truly revolutionized the modern studio set-up with OCTA and given producers far-reaching creative potential.
Unleash Your Musical Creativity with the Revolutionary MEGA STRUCTURE Engine
The MEGA STRUCTURE engine is an intriguing musical tool that offers composers the chance to explore their talents in the digital realm.
With eight core mixers and a host of solo and multi-instrument options, it has everything a musician needs to create and enhance their sound.
Including a comprehensive sequencer also allows musicians to sequence various instruments at different times and layer different melodies and parts over one another.
This opens up a world of possibilities for musicians venturing into the digital realm, allowing them to take their compositions further than ever before without sacrificing quality or creativity.
Revolutionize Your Vocal Sound with the Groundbreaking CH-OCTA: 8-Channel Dynamic Vocal Processor
The CH-OCTA is a groundbreaking instrument and the first of its kind to be developed in the MEGA STRUCTURE series. It houses an amazing 8-channel dynamic vocal processor, which allows users to shape their sound with unprecedented control.
The unique combination of advanced technology and user-friendly controls make it easy to create professional-quality vocal sounds quickly and easily. With the ability to record, mix, and master up to 8 different channels of sound simultaneously, this instrument stands out as a powerful tool for any musician.
Whether you’re a novice or professional, the CH-OCTA can help you take your musical creativity to an entirely new level.
Unleash Your Creativity and Explore a New Sonic Environment by Combining Multiple Sound Sources
What happens when you take the natural woody tones of a marimba and layer them with the metallic voices of a vibraphone? You might think you’ve heard beautiful music, but why not take it to the next level? CH-OCTA is here to do exactly that – it allows you to combine up to 8 sound sources and explore an entirely new sonic environment.
Get creative! Carefully arrange different instruments in order to create something totally unique, and channel your inner music maestro.
CH-OCTA: The Ultimate Music Production System Combining Cutting Edge Technology and Simple Design
CH-OCTA marries cutting edge technology with a refreshingly simple design, making it one of the most powerful music production systems in the industry.
With 100 high-quality solo instruments, 8 core multi-channel instruments, and an 8-channel sequencer, there is something for everyone no matter their level of expertise or the style of music they are creating.
Allowing users to mix and match different sound combinations provides endless options for experienced and novice musicians. Experience the flexibility and power of CH-OCTA today!
Conclusion
CH-OCTA’s debut to the MEGA STRUCTURE series is a prizewinning performance – its versatility in both the solo and 8-channel instruments led it to top the ranks when it comes to creative, improvisational sound.
Boasting an impressive line-up of 100 solo instruments and 8 core multi-channel ones, all under the aegis of an 8-channel sequencer, this workhorse is ready to make your every musical impulse come alive! With CH-OCTA’s incredible blend of functionality and spark, you’re just one spark away from creating your very own symphonic masterpiece.
If you’re looking for an innovative way to compose or perform your music without sacrificing quality or creativity then you should definitely check out Chris Hein – OCTA!
With its wide variety of solo instruments along with its powerful multi channel options and comprehensive sequencing tools—you’ll quickly discover why so many professionals are now choosing CH-OCTA as their go-to instrument for all their music making needs! Try it out today!
Omnisphere
Tom Wolfe’s Binaural Soundscapes: A Revolutionary New Soundbank for Spectrasonics Omnisphere
2025
Are you a producer or composer looking for new, unique sounds to add to your music? Look no further than Tom Wolfe’s Binaural Soundscapes, a revolutionary soundbank for Spectrasonics Omnisphere.
This soundset is made up of 50 presets and 72 sound sources. Together, they create a cinematic atmosphere in an immersive 3D space that producers and composers can use to make textures with a depth that has never been seen before.
Let’s take a closer look at how Tom Wolfe’s Binaural Soundscapes are revolutionizing the world of music production.
History of Binaural Audio and its Advantages
Binaural audio is a technique that uses two microphones placed in the ears of a dummy head to capture recordings that mimic how humans hear sounds in real life. It has been used since the late 19th century, but has become increasingly popular in recent years due to its ability to recreate lifelike soundscapes with amazing realism.
This makes it particularly beneficial for producers and composers who want to create more dynamic and realistic-sounding tracks. Additionally, binaural audio allows for bigger, more spacious textures than ever before.
Cinematic Binaural Textures
The idea of cinematic binaural textures may sound complicated, but pretty simple. It’s like having surround sound through headphones, each sound precisely placed to create an immersive listening experience that transports the listener right into the middle of a movie.
Through its complexity of layered noises and effects, cinematic binaural audio forms a landscape that provides an emotional response, allowing each individual to enjoy their unique version of the movie that’s tailored to their taste. With its ability to enhance the viewing experience, it’s not hard to see why cinematic binaural textures have become such fan favorites!
What Is Binaural Soundscapes?
Is your music feeling a little flat? Consider adding some binaural soundscapes to liven things up. What’s that, you ask? Binaural audio is an exciting new technique that brings a three-dimensional sonic experience as you’ve never heard before.
Omnisphere’s Binaural Soundscapes is the perfect way to get started – with 50 presets and 72 sound sources going beyond essential ambiance to create stunning sonic spaces. You can bring your music to a new level of depth and atmosphere without ever having to leave the house!
Put: If your tracks are stuck in 2D, it sounds like it’s time for a 3D upgrade.
Exploring Tom Wolfe’s Binaural Soundscapes
Tom Wolfe’s binaural soundscapes are explicitly designed for use with Spectrasonics Omnisphere. The collection features 50 presets as well as 72 sound sources with a cinematic nature.
It also has multiple formats available so that producers can work with their favorite software programs (VST, AU, etc.). Examples of tracks created using this soundbank can be found on Tom Wolfe’s website and pricing information.
About Tom Wolfe
Tom Wolfe is a British sound designer. Tom is a well-known voice in the world of synthesizer presets. He has also won awards for his work as an independent film composer. His store, tomwolfe.co.uk, has soundbanks for some of the biggest and most popular software synthesizers and effects plugins on the market.
Users and critics alike praise Tom’s presets for being unique, creative, and easy to use. He has worked with several industry-leading companies and his sounds have been used by Oscar-winning film composers, Grammy-winning record producers, and AAA game composers.
Conclusion
Tom Wolfe’s Binaural Soundscapes provide an exciting new addition to Spectrasonics Omnisphere library of sound sources. This groundbreaking collection of 50 presets and 72 sound sources gives you a cinematic atmosphere in an immersive 3D space. This lets producers and composers make big textures with more depth and realism than ever before.
To learn more about this groundbreaking soundbank or purchase it online, visit Tom Wolfe’s website today!
Special Launch – Pricing
For a limited time only, Binaural Soundscapes is available for the introductory price of £14.99 (regularly £19.99). Also on sale is Tom Wolfe’s Omnisphere Collection, featuring all 1350 of Tom’s Omnisphere Presets, currently just £174.99 (regularly £249.99). Offers end at 23:59 GMT on 25th January 2023.
Binaural Soundscapes FAQ
What is binaural soundscape?
Binaural soundscapes are recordings of 3D immersive audio experiences that use advanced recording techniques to capture and recreate the acoustics of a physical space. They are designed to immerse listeners in a realistic auditory environment, often using sounds from nature or other real-world settings.
How do binaural soundscapes work?
Binaural soundscapes are created by recording audio with two microphones placed at different distances from the sound source, and then processing the signals to recreate a 3D spatial image for the listener. The human brain perceives this as being in a real-world environment and can help with relaxation, focus, and mindfulness.
What are the benefits of binaural soundscapes?
Binaural soundscapes can be used to promote relaxation, reduce stress and anxiety, improve concentration and focus, enhance creativity, and encourage mindfulness. They can also be used to help with insomnia, tinnitus relief, enhanced meditation practices, and more.
Where can I get binaural soundscapes?
You can find a variety of binaural soundscapes available for purchase online or streaming services such as Spotify or Apple Music. There are also many free binaural recordings available on YouTube that you can use to begin exploring the world of 3D immersive audio experiences.
Are there any risks associated with binaural soundscapes?
Binaural soundscapes are generally considered to be safe and harmless. However, as with any audio recordings, users should take caution when using headphones at high volumes or for extended periods to avoid potential hearing damage. Additionally, some people may experience headaches or dizziness when listening to certain sounds in a 3D environment. If this is the case, it is recommended that users take frequent breaks from listening and adjust the volume accordingly.
Do binaural soundscapes work on all devices?
Due to varying hardware specifications between devices, it is difficult to guarantee that a binaural soundscape will work on all devices. It is recommended that you check the specifications of your device before purchasing or streaming a binaural soundscape. Additionally, some devices may require specific software to play back the 3D audio correctly.
Are there any other tips for using binaural soundscapes?
For best results, it is recommended to use headphones when listening to binaural soundscapes, as this helps create a more realistic and immersive experience.
Additionally, taking breaks during listening sessions can also help with concentration and focus. Finally, it is important to keep in mind that everyone reacts differently to different types of audio experiences and what works for some may not work for others. Experimenting with different sounds and environments can be helpful in finding the perfect binaural soundscape for your needs.
For best results, it is recommended to use headphones when listening to binaural soundscapes as this helps create a more realistic and immersive experience. Additionally, taking breaks during listening sessions can also help with concentration and focus. Finally, it is important to keep in mind that everyone reacts differently to different types of audio experiences and what works for some may not work for others. Experimenting with different sounds and environments can be helpful in finding the perfect binaural soundscape for your needs.
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